Pitchfork Music Festival kicked off Friday, July 21st in Union Park, with the day beginning with Nourished By Time on the Green stage and closing with The Smile on that same stage. Check out some highlights of day one of the festival below, as well as the full photo gallery.

Chicago’s own Sen Morimoto performed in the early afternoon on the Green stage. Although he’s a solo artist and typically records all of his own records, his live band had a slew of talented musicians to help bring his songs to life. In addition to playing the saxophone himself during some songs, Morimoto also had more horns with a trombone player and second saxophonist, backing vocals from Chicago artist Kaina, and more traditional live instruments like drums and guitar. Plenty of fans withstood the harsh beaming sun to see Morimoto’s set, and the crowd was having a great time. Morimoto dedicated his song “Woof” to dogs, and asked the audience to give him their best howl (which everyone happily obliged). Another highlight of the set included a cover of Cher’s song “Believe.”

Next up, I caught another solo act, Grace Ives on the Red stage. This time around, the solo artist put on a complete one-person show—as Ives gave us her all with just a microphone and her programmed synthesizer. Ives’ performance kind of felt like she’d invited us all over for a living room dance party—even though she was up there owning the stage, she had a casual, inviting demeanor that made it feel like we were just a massive group on friends dancing and singing along.

Youth Lagoon, the project of musician Trevor Powers, performed on the Green Stage next. It was nice to see Powers back performing as Youth Lagoon, since he had announced his retirement of the project back in 2016. Just last year, Powers announced a comeback was on the way, and he released Youth Lagoon’s latest album Heaven Is a Junkyard in June 2023. Youth Lagoon’s Pitchfork Fest set heavily featured songs from this new record, like “Rabbit” and “Idaho Alien,” but I was happy to also hear a comfort song of mine from 2011, “Afternoon,” from the album The Year of Hibernation. Youth Lagoon’s dreamy soundscape was the perfect soundtrack for an afternoon at a music fest.

Nation of Language put on one of my favorite sets of the day over on the Red stage. The Brooklyn-based trio, featuring Ian Richard Devaney (lead vocals, guitar, synths), Aidan Noell (vocals and synths), and Alex MacKay (bass), already had a large fanbase at the fest, but they quickly won over newcomers in the crowd when they performed their song “I’ve Thought About Chicago” (who doesn’t love a hometown shout out?) The trio had the audience dancing along to their refreshing take on New Wave influences and synth-pop driven melodies, despite the sun that continued to blaze through the afternoon. Noell acknowledged the crowd’s dedication, saying “Thanks for sweating for us.” Nation of Language’s Pitchfork Fest set also featured some new, unreleased material from their upcoming album Strange Disciple.

The project of musician and songwriter Michael Alden Hadreas, better known as Perfume Genius, kept the dancing and high energy going during his performance. Hadreas was joined by a full band, but he really stole the show with his commanding stage presence and impeccable style. Donning full arm’s length red gloves, Hadreas glided around the stage performing songs like “Slip Away” and “Otherside.” Perfume Genius’s evening set wrapped up with the epic fan favorite “Queen.” Hadreas asks the question “Don’t you know you queen?” in the song and the crowd royally adored the performance.

Next, I went over to the Blue stage for the first time on Friday to catch another beloved Chicago act, Ric Wilson. Living up to his Instagram handle “Disco Ric,” Wilson brought all the great disco vibes to his Pitchfork performance. Not only did his music elicit pure happiness, but Wilson also made sure his set felt like a safe place for all when he asked everyone to put their fist up and repeat an inclusive chant after him, including “no racist, no sexist, no homophobic, and no transphobic!” Wilson shined with his vocal performance and charismatic dance moves, and he also had an incredible live band to help bring his music to life. Every time I’ve seen Ric Wilson, his shows have been an instant serotonin boost, and this time was no different.

Alvvays closed out the Red Stage on Friday, bringing their cheerful and dreamy music to an adoring crowd. As the band opened their set with the song “Pharmacist” from their 2022 album Blue Rev, I noticed so many fans in the front smiling and singing along—one fan even held up a signed copy of Alvvays’ album Antisocialites. Alvvays’ setlist contained many songs from their latest album, but they also mixed in plenty of their older material, including the fan favorite “Archie, Marry Me”—which had everyone belting the anthemic chorus along. Alvvays’ Pitchfork Fest performance made the best soundtrack to the Friday sunset.

You can see more photos of all of these performances below, also including interviews with Alvvays, Perfume Genius and The Smile’s Jonny Greenwood done at the Door Dash Backstage DashPass experience. Stay tuned for coverage of days 2 and 3!