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LIVE: Ones to Watch Presents COIN and The Aces

This past Saturday night, The Aces and COIN took over The House of Blues Chicago to put on a stunning show to the sold out venue.

After only touring for the first time with Joywave at the end of 2017, The Aces returned to Chicago in a blaze of glory, with some new songs and old favorites. The four piece's breakout single "Stuck" has racked up over five million Spotify streams, and it definitely acted as a set highlight, but the eager crowd was already singing along to The Aces' brand new single "Lovin' Is Bible," which they had only released the day prior. The Aces' music compliments certain elements of COIN's music so well, so anybody that had yet to hear of the latter was quickly won over by their carefree, catchy riffs and sticky choruses. The band and audience bounced infectious energy off one another, starting the night on the right foot. 

When the Nashville natives of COIN took the stage next, the energy of the crowd only amplified, and the crowd mimicked a surround sound speaker system, echoing the lyrics of COIN's songs back to the stage. As the setlist weaved through different sections of COIN's discography, featuring newest track "Growing Pains" and tracks like "I Don't Wanna Dance" and "Talk Too Much" from 2017's How Will You Know If You Never Try, the crowd remained relentless. They danced along with the pop-fused rock songs, causing the floor of the Downtown venue to act as a trampoline, propelling everyone to keep moving. The high spirits of the audience and the band themselves never wavered, and their intense production and lighting complimented the upbeat music. 

The night ended with a roar of appreciation, not just for COIN, but The Aces too, and an ambitious and optimistic air clung to the concert-goers as they left the venue at the end of the night, knowing that they'd just witnessed a monumental moment. If you missed out on the show, check out our photo gallery of both bands for a look at evening!

Stay tuned for an interview with The Aces, coming soon! While you wait, listen to their latest single "Lovin' Is Bible" below!

LIVE: Twin Peaks and Portugal. The Man at Aragon Ballroom 2.16.18

The evening kicked off at 7:30PM sharp, with hometown heroes Twin Peaks hitting the stage as the crowd still filed into the massive Uptown ballroom. Although they’ve dominated the DIY scene in Chicago and worked their way up to selling out Pilsen’s Thalia Hall for three nights in a row, Twin Peaks had actually never played on the Aragon stage prior to this performance. “This place is ridiculous. I feel like we’re playing in a small Italian village,” said singer and guitarist Clay Frankel as he surveyed the painted ceiling boasting a night-time sky theme and the venue’s regal balcony fixtures that resemble a castle. In addition to the witty banter that the five piece dished out between songs, the Chicago natives quickly conquered the huge venue with their buoyant stage presence and cohesive performance. As they played, the band fed off one another’s energy, keeping the crowd engaged as they moved around the stage and threw their bodies into the music. Joining the band, local outfit Ohmme provided backing vocals on some songs, and a horns section also joined in on select tunes, providing another enticing facet to the show.

Their setlist featured Twin Peaks staples like “Holding Roses” and “Boomers” from the earlier parts of their extensive catalog, but they also mixed in some of their newest singles as well. In 2017, the band decided to forgo releasing a full album and instead delivered their fans a series of double singles, which they deemed the Sweet ‘17 Singles. Just this past week, Twin Peaks released a compilation LP of all the singles, and their set featured “Tossing Tears,” “Blue Coupe,” and “In The Meadow” from the series. Each of those singles, like the majority of the Twin Peaks song pool, have a completely different sound, diving into different sonic territory. The band also keeps a unique sound by having four out of five members take turns singing lead on their tracks.

By the time Twin Peaks’ set came to an end, any pocket of space that had been there at the beginning of their set was now filled with fans eager for Portugal. The Man. The momentum had kept building throughout Twin Peaks’ show, and the room buzzed as the stage was set for the evening’s headliners. Further escalating the anticipation, Portugal. The Man made an earth shaking entrance, literally. At 8:45, the lights had dimmed and a bass-heavy, floor-shaking song filled the house speakers to tease the set’s start, which was followed up and juxtaposed by the crooning tune “Unchained Melody.” Finally, after the two-song tease, the band took the stage, backed by a massive screen with the words “APPLAUSE” projected onto it. The crowd obliged and lost their minds in excitement, buckling up for the next 90 minutes.

Following the instructions to applause, the on-stage screen then read another message; “We are not very good at stage banter, so tonight’s performance will feature slogans written by our management. Thank you for your continued understanding.” True to their word, the set that followed featured very little talking or banter between songs, but it never lacked in energy or failed to engage the crowd. Once the message on the screen faded, trippy visuals and colorful lights took their place, visually stimulating the crowd and adding another dynamic layer to the show’s production. While the lighting and images definitely enhanced the show, Portugal. The Man could have easily kept the crowd just as entertained with their stellar musicianship and magnificent execution of their records.

The setlist contained a fair amount of Portugal. The Man’s 2017 record Woodstock sprinkled in throughout some of their other most popular tracks. Easily Woodstock’s most successful track “Feel It Still,” which has been played on Top 40 radio across the country, received a warm welcome from the crowd. The band teased the song with a reworked live arrangement, extending the song’s introduction to build up suspense. The intricate arrangements and unique live versions remained a common theme of the night; with most songs blending into one another with flawlessly smooth transitions. Portugal. The Man also kept their audience on their toes by dipping into different sonic flavors; some songs, like “Sea of Air” maintained a light, sing-songy mood, while other songs would have the band cranking up the volume and going off on full jam sessions. There was never a dull moment during their show because the band managed to carefully craft a set that highlighted their best songs, like the crowd favorites of “Modern Jesus” and “Purple Yellow Red and Blue.” The night ended with a rumble of cheers and appreciative applause after the band played “Holy Roller [Hallelujah].”


With the fully immersive production and the way that the band brings their music to life on the stage, this tour is one that can’t be missed. Check out the rest of Portugal. The Man’s upcoming tour dates

Gallery of Twin Peaks and Portugal. The Man

LIVE: Whitney's Three Night Valentine's Day Run at Thalia Hall

Chicago sweethearts Whitney took over Thalia Hall last week for not one, but three incredibly special shows in honor of Valentine’s Day. The three night stint featured a mix of different support acts, with music from all different pockets of genres and styles. Night one featured local buzzy hip hop artist Kweku Collins warming up the stage, while night two had duo Ohmme and the band Deeper, both also from Chicago. Closing out the run of three shows, Thursday night featured Baby Blue and Kevin Krauter taking the stage before Whitney.

Whitney’s setlist all three nights featured some special gems and rarities all around, and each night had its own special touch. For the first two nights, the band decided to split up their show into two parts. The first part featured some Whitney staples like “Polly” and “Dave’s Song” from their album Light Upon The Lake, as well as some covers like “Gonna Hurry (As Slow As I Can)” by Dolly Parton and “On the Way Home” by Neil Young. When the band left the stage and came back for part two, they were joined by a string section. The strings layering with Whitney’s usual horn section rounded out the sound, adding even more warmth to Whitney’s already rich live show.

Part two of the set featured the gentle “Light Upon the Lake” and a new, unnamed song in addition to a few covers. The beautiful set came to a peak each night, with an epic ending thanks to special guest and friend of the band, Aaron (known as finally_aaron on Instagram).  Aaron took the stage following the crowd favorite “No Woman” each night, giving the band a hand with their rendition of the classic “My Girl,” which was perfectly apt for the occasion. The Pilsen concert hall gave a standing ovation each night to Aaron and the band, who complimented each other perfectly. The energy only amplified when Aaron stayed to contribute his powerful and soulful vocals to Whitney’s final song, “Golden Days.”

Whitney has been one of Chicago’s most beloved bands for a while now, but these three magical nights just further solidified how much this city loves Whitney. If you missed out on all of sold out shows, relive some of the magic by checking out photos from the Valentine’s day extravaganza below!


Keep up with Whitney on social media and listen to the demo versions of Light Upon The Lake in full below!

Facebook // Twitter // Instagram

LIVE: Sir Sly and K.Flay // The Every Where Is Some Where Tour

Sir Sly and K.Flay performed to a sold out Concord Music Hall at the tail end of their Every Where Is Some Where run this past Friday night


LA-based trio Sir Sly warmed up the Friday night crowd for K.Flay, kicking off their energetic set with “Astronaut” from their sophomore album, Don’t You Worry Honey. The band’s latest record focuses on frontman and lead vocalist Landon Jacobs’ deeply personal struggles over the past few years, including his divorce and his mother passing away from brain cancer. As Jacobs and his bandmates Hayden Coplen and Jason Suwito performed their set, a massive light up brain backed them onstage, paying homage to Jacobs’ mother. While their lighting added another layer to Sir Sly’s live performance, the way that the three band members fed off one another, delivering a dynamic set to the Chicago crowd, made for the perfect show all in itself. On top of reworking the live arrangements for tracks like “Change” and “&Run” to build them up and flesh them out, Jacobs threw all of his energy into their 45 minute set. From his dancing around the stage to climbing up to the balcony and scaling the railing along the venue, Jacobs performed with an intense sense of conviction, never allowing a dull moment to creep into their set. Sir Sly will be performing at festivals around the country this year, from Coachella to Governors Ball, so if you get a chance to catch one of their animated performances, don’t miss it.

Kristine Meredith Flaherty, better known as K.Flay, hit the stage next with the same vivacious spirit that Sir Sly exhibited during their set. Opening with “Make Me Fade,” the LA-based, Wilmette, IL native immediately had the crowd mesmerized by her exuberant stage presence, the packed house loudly singing back her candid narratives. After the opening track from her debut album Life as a Dog, K.Flay followed up with a three song streak of tunes from her sophomore album and the namesake of the tour, Every Where is Some Where. K.Flay’s music connects so deeply with her audience based off her ability to pour herself and her experiences into her lyrics, and as the crowd got lost in the moment, you could tell that this concert was not only a cathartic moment for them, but for K.Flay as well.

Between songs, K.Flay exuded a relaxed and approachable onstage demeanor that carried the same candor of every song of hers.  Before playing “Wishing It Was You” from her first record, K.Flay dedicated the song to anyone who’s ever been in unrequited love, saying “This song goes out to anybody who’s been in love with somebody who didn’t love them back.” Very few artists conduct themselves with the same level of authenticity, but K.Flay managed to break down the artist-to-fan barrier and give the feeling of an intimate performance, even in the extremely packed music hall. By the end of the night, after the last notes of the electrifying track “Blood in the Cut” rang out into the venue and K.Flay and her band left the stage, the audience pleaded for an encore performance. Their cheers flooded the Logan Square concert venue with an overwhelming demand for more of K.Flay's heartfelt music, and she obliged, closing out the explosive show with “Slow March.” Artists like K.Flay and Sir Sly amplify the music they've written and recorded during their live shows, giving their audience an absolutely stellar show and a one-of-a-kind feeling that you can't get from simply listening to their records. To get in on that magic, check out K.Flay as she continues her headlining tour in March; see tour dates here. 

Relive the intense show with our photo gallery of Sir Sly and K.Flay

Keep up with both bands on social media below for upcoming tour dates and other news!

Sir Sly: Facebook // Twitter // Instagram

K.Flay: Facebook // Twitter // Instagram

LIVE: HINDS Closed Out TNK Fest 2018 at Lincoln Hall

Madrid quartet HINDS was number one on our most anticipated acts of TNK Fest 2018, and they definitely did not disappoint during their show this past Sunday! They closed out the annual winter, multi-day and multi-venue festival at Lincoln Hall, following rowdy performances from openers Peel and Sløtface.

Bursting onto the stage to the sounds of “You Sexy Thing” by Hot Chocolate on the house speakers, the four piece immediately let the audience know that they were in for a light hearted and energetic performance filled with good vibes. The last time HINDS had played one of their endearing and energetic shows in Chicago was back in May of last year, where they packed The Empty Bottle for a free Red Bull sponsored show. The Lincoln Hall audience welcomed HINDS back to town with open arms; eagerly soaking up their irresistible and lively lo-fi rock tunes.

The band kicked off the evening with one of their most popular tracks, “Garden,” from the 2016 album Leave Me Alone, and the set that followed kept the audience engaged and enthralled from start to finish. Between playing even more crowd favorites from the same album, like “Castigadas En El Granero” and “Chili Town,” Carlotta Cosials talked about how Chicago almost felt like a second home to them, even though they came a long way from Madrid to play a small run of North American tour dates. In addition to the handful of shows HINDS have played in town, they also played an entire tour with Chicago’s Twin Peaks, and of course, Twin Peaks showed up to support their former tour mates and now friends for their show at Lincoln Hall.

The band also talked about some exciting news they had just shared earlier in the week; a new album and another expansive tour in the Spring. Accompanying the news of the album, I Don’t Run, HINDS released lead single “New For You,” which they played amongst their other setlist staples. After delivering nearly an hour of their catchy tunes at a non-stop pace, HINDS left the stage briefly, only to return for an encore that kicked off with a surprise. Twin Peaks members Clay Frankel and Colin Croom took the stage to give HINDS a hand with a cover of “Sweet Thing” from Twin Peaks’ Wild Onion LP, giving HINDS’ show in Chicago a special hometown touch.

If you missed out on this performance at Lincoln Hall, don’t sweat too much...HINDS will be back at the same venue during their upcoming tour! Grab tickets to their May 15th show here, and check out the rest of their tour dates right here.  

Photo gallery of Sløtface, Peel, and HINDS by Catalina Florea

While you wait for HINDS to come play in a city near you, listen to "New For You" below, and pre-order I Don't Run here

LIVE: Yoko and the Oh No's, Ron Gallo, and Diane Coffee at TNK Fest 2018

Diane Coffee’s live performances have a magical and magnetic quality to them that are nuanced to the point of almost transcending description. Their performances are immersive in the sense that the richness of it all makes it impossible for audiences to think about or focus on anything else aside from what is taking place onstage. By all means, that is a skill and a power. Such a beguiling spell was cast over the audience at Lincoln Hall last Friday, who gathered at the beloved local venue to see the band perform during the Tomorrow Never Knows Festival- an annual concert series that takes place at Lincoln Hall and its sister venue, Schubas.


Chicago's own Yoko and the Oh No’s warmed up the crowd at 9PM sharp with their lively rock tunes, unfortunately playing their last ever show to the already packed house. The announcement of the final show had been made only the day prior, and friends and fans of the group had flocked to see the final performance. The four piece, fronted by the exuberant Max Goldstein, brought every last ounce of energy they could to the Lincoln Park venue that evening. Goldstein and his bandmates remained in sync the whole time, delivering a stellar show that had the audience hooked and hoping for an eventual reunion of the band in the future. 

Nashvilles' Ron Gallo kept the high spirits going when he took the stage shortly after; kicking off his set with a trumpet, he monotonously read an introduction to his band and thanked the festival while a single spotlight shone down on him. Consisting of humor and good old fashioned rock and roll, Gallo's set had the crowd entertained from start to finish. The set contained some crowd favorites from his debut album Heavy Meta, like "Put The Kids to Bed" and "Young Lady, You're Scaring Me," but it also included brand new tunes from Gallo's Really Nice Guys EP, which had just dropped that morning. The audience reciprocated the energy that Gallo and his bandmates poured out onstage; moshing and dancing along to the music. Towards the end of the rowdy and fun-spirited set, Gallo even hopped off stage to join the crowd. If given the chance to see Ron Gallo, do not miss out on his engaging and energetic performance. 


After the impressive opening sets, Diane Coffee earnestly launched into “Mayflower” - a brassy, energy-charged track with lyrics that serve as a delightfully tongue-in-cheek commentary on consumerism. The savvy selection of “Mayflower” as an opener allowed its palpable energy to serve as blueprints for the remainder of the set; blueprints through which Diane Coffee crafted an incredibly memorable and engaging performance.

Diane Coffee finds their identity in their exploratory nature, both in sound and performance. Therefore, the band is able to perform a sonically diverse setlist with a clear sense of cohesion numerous styles, tones, and influences - thus giving their music a universal appeal and multi-elemental appeal. A physical testimony to this was the fact that the audience at Lincoln Hall was noticeably diverse in age. Diane Coffee’s work contains just enough classic elements to make it timeless, and the perfect amount of innovation to make it fresh and new all at once. Elements of grit, lightness, realism, fun, and innovation have a continuous presence that entirely harnessed the attention of the crowd. These creative juxtapositions are something that does not necessarily make sense, but Diane Coffee is able to seamlessly merge these elements in a manner that results in an engaging listening experience and a dynamic live set. For the entire time Diane Coffee was onstage at Lincoln Hall, nothing existed outside of the venue doors. They possess the ability to make the audience feel as if the rest of the world is melting away, and that’s a definitive nod to their talents as musicians and as a live entity.


One cannot discuss Diane Coffee without mention of enigmatic frontman Shaun Fleming. Dauntless and charismatic, Fleming embodies all it means to be an artist and an entertainer in every sense of both words. With a habit of performing in outfits just as exciting as the music he creates, Fleming excels in mastering all aspects of live performance: he engages the crowd in a manner that surpasses the traditional “How are you guys doing out there?”, performs his work with evident skill and care, and has an ability to turn each venue he performs in into something of a warm community. His performance at Lincoln Hall was certainly no exception to this magic. If Diane Coffee has proven one thing through their performance this weekend, it is that they are a group of artists who knows how to consistently deliver. That in itself is a noted key to success, and Diane Coffee has taken that key and swiftly unlocked the door.

Relive the magic of the evening by checking out our photo gallery of all three bands, shot by Rachel Zyzda. 

Keep up with all the Ron Gallo and Diane Coffee updates by following them on Social Media! 

Ron Gallo: Facebook // Twitter // Instagram

Diane Coffee: Facebook // Twitter // Instagram


Yoko and The Oh No's and Ron Gallo review written by Rachel Zyzda

 

LIVE: The Wombats with Courtship and Nation of Language at Brooklyn Steel 1.10.18

The Wombats stopped at Brooklyn Steel during their highly anticipated return to the U.S, in celebration of their upcoming album Beautiful People Will Ruin Your Life. Nation of Language and Courtship got the crowd warmed up.


At 8PM sharp, the lights in Brooklyn Steel dimmed, and the Brooklyn-based trio Nation of Language hit the stage with a burst of energy. As their synth-driven mix of post punk and new wave filled the venue, it felt like we had all been transported into a John Hughes film. The three piece had actually been added to the tour last minute, to fill in for UK band Blaenavon, who had unfortunately had to cancel their U.S tour due to medical reasons. However, the crowd instantly warmed to Nation of Language’s refreshingly nostalgic vibes and lead singer Ian Devaney’s vocals that pull elements from the likes of Talking Heads’ David Byrne and The Cure’s Robert Smith. Their 30 minute set included their tracks “I’ve Thought About Chicago” and “On Division St,” which the band mentioned had just premiered that day via Stereogum.

Courtship (stylized “courtship.”) took the stage next, donning matching yellow jumpsuits and immediately displaying their excitement and gratitude to be at the New York venue. As the LA based duo of Eli Hirsch and Micah Gordon and their band enthusiastically played their infectious indie pop tunes like “Sail Away,” “Perfect People,” and the unreleased “Bad Fun,”  their happiness and energy filled their entire venue. During their short but sweet set, they never stopped showing their appreciation to be on the stage and on tour with The Wombats; at one point Hirsch addressed the crowd saying, “Literally in eighth grade my number one band on earth was The Wombats,” adding that he once hid in the basement of one of their 21+ shows just to hear them perform. Hirsch also mentioned that he and Gordon had only written their first song together just about a year ago in their bedrooms, making the opportunity to play at a packed venue in NYC that much more special to them. Seeing a performer that happy and excited to be where they are makes the performance that much more special to watch, and the crowd was extremely responsive to courtship.’s energy.

The Wombats burst onto the stage following a 30 minute changeover, kicking it all off with new song “Cheetah Tongue,” from their upcoming album. The three piece consisting of Matthew Murphy, Dan Haggis, and Tord Øverland Knudsen have been making music together since 2003, and their album Beautiful People Will Ruin Your Life will be their fourth studio album, following up 2015’s Glitterbug. With about 15 years of playing music together under their belt, the trio exuded an incredible chemistry on stage last Wednesday night; whether they were playing one of their oldies or another new song, they were perfectly in sync with one another. The band also crafted a diverse and dynamic setlist that pulled songs from all parts of their discography, like “1996” and “Jump Into The Fog” from This Modern Glitch, “Kill The Director” and “Moving to New York” from A Guide to Love, Loss & Desperation, “Give Me a Try” and “Greek Tragedy” from Glitterbug and last but not least, new singles like “Turn” and “Lemon to a Knife Fight.” Every song by The Wombat’s features clever and thoughtful songwriting, full of lead singer Matthew Murphy’s impeccably descriptive and witty writing, but they’re also known for their upbeat and catchy melodies. At their Brooklyn Steel show, they maintained an incredible level of energy, with Murphy working the entire stage, often wandering out onto the speakers at the front of the stage while he played guitar, and bassist Tord Øverland Knudsen thrashing around the stage and jumping along to the beat. The audience did a great job of keeping up the pace, but as the set wound down, Murphy encouraged them to get even rowdier, saying, “The paramedics are outside for a reason, so please go as wild as you can possibly can for this next one,” before the band launched into “Techno Fan.” Their classic and crowd-favorite songs in their live set often featured fleshed out introductions and arrangements; for example, the aforementioned “Moving To New York” (which Murphy said has and always will be dedicated to NYC) contained a built up and suspenseful introduction that led up to its recognizable guitar riff that kicks off the studio version. The night closed out with “Greek Tragedy,” which was the band’s lead single from Glitterbug, and everyone filed out of the venue with a grin on their face.


Check out photos from the high energy evening, and see the rest of The Wombats’ tour dates here.


Chicago! The Wombats are playing a WKQX free show on February 2nd. Get the details here, and pre-order your copy of Beautiful People Will Ruin Your Life here!

Twin Peaks Ring in 2018 With a Three Night Run at Thalia Hall

This past weekend, Chicago's DIY rock heroes Twin Peaks proved that you can go big and go home, with an incredible three night, sold out run at Pilsen’s Thalia Hall. Taking over the historic building from Friday night through New Year's Eve, Twin Peaks not only cultivated a diverse support bill of local up and coming acts, but all three nights included an intricate stage set up and special appearances that celebrated the current Chicago music scene. One of the band's latest songs from their Sweet '17 Singles series "We Will Not Make It (Not Without You)" acted as the theme of the weekend, paying homage to the friendly and familiar dynamic of the Chicago scene; a dynamic where artists lift up fellow artists in the buzzing collective of talent that the city has to offer. 

The first night of the weekend's all local lineup began with Sun Cop music, followed by Knox Fortune as the main support. The brainchild of musician and producer Andrew Humphrey, Sun Cop's set immediately displayed the attitude of friendship and supportive nature that threaded throughout the weekend, with Twin Peak's Colin Croom joining Sun Cop's live band lineup for the night. Croom's appearance on stage proved to be another common theme, when he also joined Knox Fortune for his biggest show in the city yet. Although Knox Fortune has attracted attention over the past couple of years working with the likes of Chance The Rapper, singing the hook on the hit "All Night," he only played his first official show in November this year; a sold out headlining set at Lincoln Hall. Knox Fortune's set highlighted this city's ability to show support and collaborate across genres, and it also featured a special appearance from his frequent collaborator Joey Purp. 

Twin Peak's set on night one set the bar high for the entire weekend, but each night only got better, with them continuously delivering the high energy and rambunctious sets that their fans have come to know and love, with all sorts of surprises. Twin Peaks is already unique enough with their lineup in that they all pitch in to write the songs, and four out of the five members alternate singing lead and are multi-instrumentalists, but these shows featured an even bigger and more layered sound than what the core members can create on their own. Joined by a horns section and local duo OHMME singing backup, Twin Peaks filled the Pilsen concert hall beautifully. The production of the night also added in another facet to these special shows, with props including pine trees and an actual motorcycle suspended from the ceiling. Of course, the night also ended with a shower of confetti raining down on the audience from the balcony. 

Night two only amplified the magic of the previous night, with a whole new set of support acts and another fun spirited crowd ready to reciprocate the energy that all three bands exuded from the stage. Warming their fellow Chicagoans up on the frigid Saturday evening, trio DEHD captivated the large room with their retro garage rock tunes. The group includes NE-HI's Jason Balla and Lala Lala's Emily Kempf taking turns on vocals, and drummer Eric McGrady forgoing a full drum set to create a unique setup with floor toms. Next up, psych rockers Post Animal cranked up the volume, performing some of their most popular songs like "You Were Not There," "When I Get Home," and "Special Moment" with refreshed and fleshed out arrangements that showcased their skills as guitarists. Post Animal supported Twin Peaks for one of their Thalia Hall shows last December, and have since had one hell of a year, touring with Twin Peaks, WAVVES, White Reaper, and recently announcing their signing to Polyvinyl records. The local scene and now the national rock scene have come to love the group for their massive stage presence and ability to shred on the six string, and their set on Saturday only got even more bold when part-time band member Joe Keery made a rare appearance for the last song in the set. With Post Animal, it seems you can never have too many guitar players. 

Twin Peaks' second set of the three-night stint once again featured the same expanded lineup, as well as the confetti and custom stage setup, but the band did a great job at diversifying their setlist each night. Every night, the set heavily featured a lot of the group's latest material that has come around the past several months as part of their Sweet '17 Singles series, but they rearranged the order each night to keep the crowd guessing. One of this year's singles "Shake Your Lonely" features vocalist and friend of the band's Marisa Nakamura on the studio version, so of course they brought her out every night to sing it with them. Each night also had the Twin Peaks staples like "Making Breakfast," "Butterfly," and "Walk To The One You Love," but the band mixed in some rarities to all three sets. On Saturday, they also ended with another staple "Boomers," although they played it second on the first night and in the middle of the set the third night. 

Just like that, the final night of Twin Peaks Thalia takeover fell upon the city, and another sold out crowd quickly filled up the concert hall on Sunday night. Thanks to the Twitter humor of the NYE performers NE-HI, every concert-goer that evening had the opportunity to chow down on a complimentary Chicago dog, courtesy of Goose Island. With full bellies, the crowd watched Today's Hits kick off the show at 9PM; their set once again highlighting the friendly nature of the local music scene, as both Cadien Lake James and Colin Croom dropped in during Today's Hits short set. Today's Hits lead singer James Swanberg returned the favor later in the night, making an appearance during Twin Peaks' set. 

Hot dog heroes NE-HI took the stage next, lead singer Jason Balla taking the stage for the second time that weekend. Like most of the artists who were a part of this NYE weekend extravaganza, NE-HI have also had an incredible year, touring nationally, releasing their sophomore album, and performing at Pitchfork Music Festival. The four piece put on an unforgettable show every time, with Balla thrashing and jumping around as he sings, while other members James Weir and Mikey Wells follow suit and gain some serious air while leaping around. Their set featured a mix of songs from their self-titled debut, 2017's Sophomore record (Offers), and some new material. 

Twin Peaks' final set of 2017 began just an hour before midnight and once again had some rarities and a rearranged order in their setlist. The crowd surfing commenced during the first song and lasted throughout the night as it had the previous two nights, but everyone seemed to be giving even more of their energy back to the band since it was their last show of the year. The show paused right before midnight with a collective countdown between the band and the crowd, followed by confetti and some giant balloons entering the pit. The show continued on into 2018, wrapping up with the weekend's theme song "We Will Not Make It (Not Without You)," which bassist and vocalist Jack Dolan dedicated to everyone in the room. Even more confetti showered the room as the song wrapped up, providing the weekend's final surprise. 

Twin Peaks' weekend at Thalia Hall celebrated more than just the new year and a fresh start; it celebrated the creative community of Chicago and promoted kindness and friendship among artists and fans alike. These shows had a revitalizing energy and an unwavering spirit that you can only feel while watching live music played by a group of friends, with all your friends. 2018 holds even more promise for more nights like this in Chicago as so much of the city's music scene continues to grow. 

Relive some of the magic of the weekend by checking out our galleries of all seven bands from across the weekend. 

December 29th Gallery featuring Sun Cop, Knox Fortune, and Twin Peaks, shot by Christian Heinzel

December 30th gallery featuring DEHD, Post Animal, and Twin Peaks, shot by Rachel Zyzda

New Year's Eve featuring Today's Hits, NE-HI, and Twin Peaks, shot by Rachel Zyzda


Twin Peaks will undoubtedly be back on the road a ton in 2018, as well as producing the hits as usual. While you await more new music, re-listen to all of their 2017 singles below, and check out the band's upcoming tour dates here. 

LIVE: Mutts and Campdogzz at The Hideout 12.16

Mutts blew through the roof on Saturday night at cozy, quaint, middle of nowhere road stop – The Hideout. Opening up with fan favorite and especially relevant, “Everyone is Everyone,” the guys were not just charged up, but feeding off of a bustling crowd. Mike Maimone navigated through the night ranging old to new, in celebration of their new EP Stick Together. With songs like “I’ll Be Around,” Maimone emphatically shared the importance of being there for people when they need it most - a particularly special message for a room filled with friends and locals galore. The group stopped for breath and slowed down the pace with their spin of Gillian Welch’s “Look At Miss Ohio.” A beautifully moving and mesmerizing piece bolstered by Maimone’s conviction on the keys.

This team of three make it impossible to stand by idly watching. When Maimone lifts himself from his seat, the music doesn’t stop at just your ears. At several points throughout the night, all bets were off when Maimone took the songs to new heights and placed his foot atop the keys. The Mutts haven’t a need for restraint or courtesy, their austerity is punched through every lyric and supporting note.

Maimone continues to lead the way with a mindful attack on the keys that you can see quite literally in his positioning behind them. He likes to make it a game of tug of war, sometimes pulled softly then carried to a consistent build, and by the end of each song your heart feels the last tug to victory. Just as the trio was ready to close out the night and have a beer with the crowd, the packed house stomped for one more song, and the band obliged. Needless to say, the night was intimate, loud, and unfailing for the hometown scene.

The guys pick it up again, and are heavily booked for the beginning of the new year. You can follow them here. While you await their next hometown show, check out photos of their set, as well as a few of fellow Chicagoans an ANCHR favorites; Campdogzz. 

While you wait for the next Mutts show, listen to their latest EP in full below!

LIVE: The National and This is the Kit Wrap Up Tour With an Operatic Show at Chicago's Civic Opera House

The National and This is the Kit ended their tour at Chicago’s Civic Opera House with an operatic and dynamic show.


This is the Kit, the brainchild of Kate Stables, warmed up a full house at the Civic Opera House on Wednesday night. Their 30 minute set started with the lead track off This is the Kit’s 2017 album Moonshine Freeze, “Bullet Proof,” with Stables’ flawlessly smooth vocals ringing out into the magnificent theater. For the remainder of the set, the Sad Saxes joined the rest of the band to deliver an extra layer of dynamics to the harmonious group, and Aaron Dessner of The National even joined the lineup. Dessner had not only produced This is the Kit’s prior album Bashed Out, but lent his musical skills to their latest record. Live, the title track “Moonshine Freeze” took on a bold arrangement with a call and response effect between Stables and Rozi Plain of the group. Concluding their gentle performance that acted as the perfect way to ease the crowd into The National’s set, Stables thanked not only the crowd, but the entire crew of the tour, mentioning that the last night of tour was bittersweet.

Before The National hit the stage, Marty Lennartz of 93 XRT introduced the band as the perfect outfit to play at such a grand venue like the Lyric Opera House. Between their wide ranging sonic soundscapes and lead singer Matt Berninger’s sweeping vocal range that cuts right through you, The National filled the space perfectly and lived up to Lennartz’s introduction. Leading up to the operatic and emotional two hour show, the backdrop showed video of the band leaving their dressing room and making their way to the stage, and throughout the night the backdrop shifted to different videos and colored lights. Opening with “Nobody Else Will Be There,” the first part of the setlist payed homage to the band’s 2017 album Sleep Well Beast, which came out in September. Although the tour was in support of the latest record and the majority of those 12 tracks were scattered throughout the setlist, songs from The National’s other six studio albums and back catalog were sprinkled in between the newest songs. Among the old favorites that made their way onto the setlist of The National’s second sold out night in Chicago, “Lemonworld,” “Fake Empire,” and “Pink Rabbits” received some of the biggest reactions. The crowd stayed with the band the whole time, hooked on the way that the tone could switch from a haunting piano melody and delicate vocals in a song like “Carin at the Liquor Store” to Berninger’s growling vocals and the amplified “Squalor Victoria.”

Between the magnetic energy of Berninger's stage presence, the one-of-a-kind setlist, and the beauty of the venue, the closing night of The National’s tour proved to be another magical night for live music in Chicago. Check out photos from the special evening below, and keep up with all of The National news here.

While you wait for the next tour from The National, listen to Sleep Well Beast in full below!