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Live Recap: Nick Carter Brings Love Life Tragedy to Des Plaines Theatre

Nick Carter brought his Love Life Tragedy show to the stage at Des Plaines Theatre, delivering a stellar Saturday night to an eager fanbase.

The Des Plaines show, as well as a subsequent Sunday night show in St. Charles, acted as one-off solo special performances for Carter in the gap period between The Backstreet Boys’ sold-out Vegas residency runs at Sphere—the most recent of which ended in August. I was lucky enough to attend one of the Sphere shows in August, but more on that later.

The evening kicked off with a support set from singer-songwriter Sierra Sikora, a local from the Chicagoland area. Sikora took the stage solo; just herself, an acoustic guitar, and the stories she told through her songwriting. Her setlist was mostly comprised of original material, but she did sprinkle in a couple of covers that got the audience singing along, including “Kiss Me” by Sixpence None The Richer and “Creep” by Radiohead—which was fitting for the spooky season. Sikora exuded confidence in her stage presence between songs, telling the crowd personal anecdotes about her lyrics and asking the audience to turn their phone flashlights on for one of her songs. She closed out her set with her single “Dear Athena,” which had everyone clapping along.

Nick Carter and his band hit the stage next, preambled by an interactive graphic of a spaceship on the stage’s screen. The visual introduction felt like a less intense version of the beginning of the Backstreet Boys’ Sphere show, but I won’t give too many spoilers for those fans who are planning to head to Vegas for the next string of shows this winter. Carter kept the BSB nods coming by kicking off his set with the band’s hit “Larger Than Life,” which got the energy pumping in the venue and had everyone out of their seats dancing.

As this show was in honor of Carter’s new solo record entitled Love Life Tragedy that was released in May of this year, the setlist featured a lot of the new material. After the opening number, fans got to hear the first two songs off the album, “Made For Us” and “Nothing Without Your Love.” As Carter and his bandmates performed each song, the visuals on the screen displayed some of the song lyrics or graphics that went along with the theme of the song to help immerse the audience into the storytelling.

Carter took time to address the crowd often between songs, teasing the potential for a full tour around the record and providing some behind-the-scenes stories about how these songs were made. After performing his song “Storms,” the singer told the crowd “Storms feels like that’s been my whole life. 33 years I’ve been in this industry. I’ve gone through a lot of ups and downs, and sometimes you just don’t know how to articulate the things that you’ve been through, but you put them in a song. When you listen to these songs, you can hear what I’m going through in my life. Sometimes you can take these songs and you can actually relate them to yourself and things you’re going through yourself. We all go through a lot of love, we all go through a lot of life, and we all have tragedy, but that’s why we’re here.” Carter followed up the heartfelt moment with a few more songs from the recent album, including “Hey Kid” and “Wild Heart” before pivoting to some of his earlier solo songs “Swet” and “Burning Up.”

Another highlight of the show included a cover of the Simple Minds classic hit “Don’t You (Forget About Me),” which really showed off Carter’s dynamic vocal range and lower register. Speaking of covers, the show concluded with a handful of Backstreet Boys’ biggest hits, including “As Long As You Love Me” and “Everybody (Backstreet's Back).”

Not only was it great to get to hear so many of my favorite nostalgic Backstreet Boys songs performed in a new style with Nick completely at the helm, but this was my first time hearing him perform his solo material live, and the show really displayed how multifaceted Nick Carter is as a songwriter and performer.

Follow along with Nick for any news on the potential solo tour, and if you can, I highly recommend making the trek to Vegas to see the full band at Sphere. You can view photos of the Des Plaines show below, and listen to Love Life Tragedy here.

Live Recap: Wolf Alice Returns to The Vic Theatre

On Friday, September 26, British rock band Wolf Alice returned to perform at The Vic Theatre in Chicago, in honor of their fourth album The Clearing. The show fell just shy of four years since they last played the same venue in 2021, when they had toured for their previous record, Blue Weekend.

After a support set from Willy Mason, more and more fans filed into the venue, eagerly awaiting the main event. The stage was decked out with a silver tinsel backdrop, reminiscent of a high school prom—but the show we got was way better than any school dance. Cheers greeted the band members as they made their way to the stage, kicking off the setlist with the first song off The Clearing’s tracklist, entitled “Thorns.” Donning a shimmering bodysuit, belt, and knee-high boots, lead vocalist Ellie Rowsell’s stage outfit matched the one that she wore on the new album’s cover, which helped immerse the audience into the world of this new music.

The introductory track conjures up vibes of a 70’s ballad, with its sweeping strings and steady piano melody, but the lyrics perfectly tee up a live performance as the song ends with Rowsell singing the lines “The sun goes down, the curtain lifts, and I sing a song.” Next up, Rowsell grabbed her guitar to play “How Can I Make It Ok?'“ with the band, a track off their aforementioned third album that starts off slow and gradually builds up.

As the show carried on, Wolf Alice intricately sprinkled in more familiar favorites from earlier on in their discography with their newest material. The band also did a great job of juxtaposing delicate moments with gritty crescendos; for example, they followed up the bouncy piano-driven new tracks of “The Sofa” and “Bread Butter Tea Sugar” with the raucous “Yuk Foo” and “Play the Greatest Hits.” The former started off with a siren blaring through a megaphone, followed by squealing guitar riffs and Rowsell’s Riot Grrrl-esque vocals filtering through the megaphone—and the energy only amplified for the latter.

As an avid Wolf Alice listener, I’ve always admired Ellie Rowsell’s dynamic vocal range that can flawlessly transition from gracefully gentle to powerful intensity, and that ability was on full display throughout their live show. Another aspect of their show that I really admired was the just-enough stage production that enhanced the music without overpowering it—during parts of the show, the tinsel backdrop was lit up with projections of hearts or stars, and bubbles were pumped into the venue during the final song of the night, but these subtly flashy elements never took away from the band’s musicality and raw talent.

The main portion of the show wrapped up with the lead single from the new record, “Bloom Baby Bloom,” which kicks off with a whimsical piano melody. From unwavering falsettos to wailing growls, the track is a perfect showcase of Rowsell’s vocal talents wrapped up in 3 minutes and 47 seconds. In the song’s chorus, she sings “But I’ll bloom, baby, bloom” and those lyrics perfectly summarize how Wolf Alice has expanded their sound throughout their discography and continued to strengthen their stage presence. The night concluded with the beloved “Don’t Delete The Kisses" in a perfect send off into the weekend.

Check out photos of the show below, and see where you can catch the dazzling spectacle for yourself here.

Live Recap: The Goo Goo Dolls with Dashboard Confessional at Northerly Island

On Wednesday, August 13th, I finally made my way to the Huntington Bank Pavilion at Northerly Island for the first time this summer to see a sold-out show from Dashboard Confessional and Goo Goo Dolls. As Johnny Rzeznik said during the Goo Goo Dolls headlining performance, “It ain’t summer until you come to Chicago and do a show,” but for me it truly doesn’t feel like summer in the city until I make it to a show at this beachfront venue. Concert attendees were treated to glorious weather after a couple of evenings filled with gloomy thunderstorms, and the music started just as golden hour hit the city skyline.

This past Wednesday was just a couple weeks shy of being exactly two years since the last time I caught a show from Goo Goo Dolls at the very same venue, only this time instead of O.A.R. they were joined by another of my teenaged self’s favorite bands— Dashboard Confessional. I mean truly, if you’ve never screamed the lyrics to “Vindicated” or “Hands Down” by Dashboard while driving with the windows down, you haven’t lived—but lucky for me that was one of my favorite pastimes in high school.

Also lucky for me, Dashboard Confessional’s setlist was packed with plenty of nostalgic tunes, opening up with “The Best Deceptions” from the 2001 album The Places You Have Come to Fear the Most. The show continued on to feature lots more music from the early 2000’s, including another favorite of mine “Remember to Breathe,” in which lead singer and songwriter Chris Carrabba sings “Remember to breathe/and everything will be okay.” In the recorded version of the song, Carrabba holds a long note on the words “breathe,” “everything,” and “okay,” and during the live version I was pleasantly surprised to hear Carrabba’s vocal chops were still going strong more than 20 years later and he held out those same notes. Honestly it felt like he took it even further during the show.

Along with his impressive vocal performance, Carrabba demonstrated wonderful creative chemistry with his bandmates, bringing these timeless tunes to life onstage. Their set ended on an epic singalong to the aforementioned “Hands Down.”

Goo Goo Dolls closed out the evening with another set filled to the brim with nostalgia and epic singalongs, starting off with “Naked” from their 1995 album A Boy Named Goo. As the setlist kicked off with a lot of material from the early discography, Rzeznik took the time to address the crowd after performing one of their hits “Black Balloon”—during which the audience bounced around actual black balloons throughout the venue, a tradition that seems to have stuck around from the last time I saw Goo Goo Dolls. “We’re just finally starting to get our groove, but I’m just here to play! I’m happy!" Rzeznik told the audience as the balloons continued to ricochet from fan to fan.

About halfway through the set, Rzeznik stripped back some of their songs, performing “Sympathy” and “Acoustic # 3” solo on acoustic guitar. He also kicked off “Name” with just himself and the guitar before being joined by the full band—and of course, the crowd as backup singers. “Thank you for remembering that song,” Rzeznik told everyone afterwards.

Another fun tradition that carried over from the last time I saw Goo Goo Dolls was that they covered another Tom Petty track. Last time, I got to hear “I Won’t Back Down,” and this time they treated the audience to a rendition of “You Wreck Me” by Petty before closing with their massive hit “Iris.” In the song Rzeznik sings “You're the closest to Heaven that I'll ever be,” and I’ve got to say, getting to hear iconic songs that you grew up with performed live more than 2 decades later at an outdoor venue during the Chicago summertime is pretty dang heavenly if you ask me.

See where you can catch your own slice of heaven on tour here, and check out photos of the evening below.

PHOTOS: Junior Varsity and Foster The People at Metro

Junior Varsity and Foster The People performed to a sold out Metro on Saturday, August 2nd, as part of an official Lollapalooza aftershow. Check out photos of the late-night gig below, and see where you can catch Foster The People on tour next here.

PHOTOS: Post Animal and Djo at Salt Shed

Post Animal and Djo hit the stage at Salt Shed ahead of their respective Lollapalooza festival sets over the weekend, performing to a sold-out crowd on Thursday, July 31st.

Check out photos of the show below, and see where you can catch the bands back on the road this fall here.

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Live Recap: Winnetka Festival 2025

Winnetka Festival returned to downtown Winnetka on Friday, June 20th and Saturday, June 21st, featuring a jam-packed lineup of more than 20 artists across the two days and two stages.

I got the chance to catch the last part of Saturday’s festivities, arriving shortly before sunset to see Kam Franklin and her band at the Lincoln Stage. Franklin’s soulful powerhouse vocals captured the audience’s attention, and her raw, compassionate storytelling in songs like “Byrd And Shepard” pulled at our heartstrings. Before performing the song, Franklin told the crowd “It’s about James Byrd Jr. and Matthew Shepard. James Byrd Jr. was killed in 1998 in a dragging death in Jasper, Texas for being black and Matthew Shepard was killed in October 1998 for being gay.” In the song, she sings “Fact checker, fact fact checker/They’re trying to ban the books/But we won't forget ya” in homage to the men who suffered these hate crimes and a stark reminder that we can’t forget the tragedies of history.

Kam Franklin performing

Next up, Pete Yorn and his bandmates took the Main Stage on the other end of the festival grounds. Yorn opened up his set with a cover of “Ever Fallen in Love (With Someone You Shouldn't've)” by The Buzzcocks, which he introduced as a song from the movie Shrek. The band also sprinkled in a couple of other covers later on in the show, sharing their own version of “Bizarre Love Triangle” by New Order and “Atlantic City” by The Boss. In between the covers, Yorn also made sure to play a few newer tracks from his 2024 album The Hard Way, including the titular track, “Different Roads,” and “Real Good Love.” Long-time fans were also ecstatic to hear some of his earlier material like “Life On a Chain” and “Murray” from his 2001 debut album musicforthemorningafter.

Pete Yorn and his band performing

While Yorn wrapped up his set, Eggy began their show that closed out the Lincoln Stage for the festival. The quartet provided the jam band vibes of the evening, performing an eclectic mix of their expansive discography. Their setlist surprisingly didn’t include much from their most recent album, 20204’s Waiting Game, but like Pete Yorn, they also threw some covers into the mix. Fans got to travel back to the 60’s and 70’s and experience Eggy’s versions of “Skin It Back” by Little Feat and “Suite: Judy Blue Eyes” by Crosby, Stills & Nash while the sun went down.

Fans enjoying Eggy’s set

Last but not least, Cold War Kids wrapped up Winnetka Fest 2025 at the Main Stage. While night had fallen at last, the air was still muggy and thick with the heat of the day, but that didn’t stop fans from singing and dancing along to the hit-heavy setlist that the band delivered. Opening with the 2017 single “Love Is Mystical” from their LA Divine album, Cold War Kids then ventured through their winding discography that spans over 20 years. The band reciprocated the energy that the fans brought to the performance by jumping and moving across the stage, and the lead singer Nathan Willett made sure to express his gratitude saying, “We were at The Salt Shed last year around this time. We love Chicago, and now we love Winnetka.” After playing for a little over an hour, Cold War Kids ironically wrapped up their set by playing their song called “First” as the last and final tune of the evening and festival.

Cold War Kids closing out the night

Check out more photos of the festival below, and be sure to check out the lineups for Out Of Space and Evanston Folk Festival coming up later this Summer to continue the festivities.

Photos: Jack's Mannequin at Salt Shed

Jack’s Mannequin performed to a packed Salt Shed Fairgrounds on Friday, June 20th. The night was full of nostalgia and positive energy. Check out photos from the show below, and see where you can catch the tour next here.

Live Recap: Perfume Genius with Urika’s Bedroom at The Vic Theatre

Perfume Genius, the musical project of Michael Alden Hadreas, returned to Chicago on June 17th to play a stunning show at The Vic Theatre in honor of his new album Glory.

The night opened with Urika’s Bedroom performing a set that felt like stepping into a hazy, dreamy soundscape. Their music was delicate and ethereal, floating across the room in soft, shimmering layers. The light show added a subtle glow to their already atmospheric sound, making the room feel intimate and otherworldly — a beautiful, quiet beginning to the night.

Then came Perfume Genius, who transformed the stage into a strange, visceral, exhilarating performance space. From the start, the stage was framed by long, orange cords curled around like tendrils, hinting at the chaos to come. The set moved fluidly between tender, beautiful moments — like a lullaby rendition of “Me & Angel”, or a haunting cover of “Kanga Roo” by Big Star — to physical, kinetic displays that felt part modern dance, part raw impulse. During “It’s a Mirror,” Hadreas jumped on an exercise ball mid-song; in “No Front Teeth,” he spun wildly in a chair. At one point, during “Clean Heart,” he gathered the stage cables around himself, sat in a chair, and reached for the ball with his legs in a strange, tender moment of theatricality.

The choreography was wild and magnetic — moves like The Matrix during “Otherside”, chair dancing, leaping to the rail, then bouncing across the stage. The lighting played its part too: some songs like “Describe” glowed in eerie red, while others kept the singer backlit by towering, blinding lights, with smoke adding to the atmosphere. Perfume Genius created a show that felt entirely alive, unpredictable, and deeply human.

Check out photos of the evening below and see where you can catch the tour next here.

Photos: Jensen McRae with Lauren Juzang at Lincoln Hall

On Thursday, May 15th, singer-songwriter Jensen McRae headlined a sold-out show at Lincoln Hall in Chicago, with support from Lauren Juzang.

Check out a photo recap of the show below and see where you can catch Jensen on the road next here—including a stop at The Metro in Chicago in October.

Jensen McRae Setlist:

  1. The Rearranger

  2. My Ego Dies at the End

  3. God Has a Hitman

  4. Mother Wound

  5. Savannah

  6. Fever Dream

  7. Taken (MUNA cover)

  8. Tuesday

  9. I Can Change Him

  10. Daffodils

  11. Dead Girl Walking

  12. White Boy

  13. Thinking of You (Katy Perry cover)

  14. Good Legs

  15. If I Have a Boy

  16. Novelty

  17. Let Me Be Wrong

  18. Praying for Your Downfall

  19. I Don’t Do Drugs

  20. Massachusetts

Live Recap: Katie Gavin with Lucy Dacus at The Chicago Theatre

Singer-songwriter and 1/3 of the band MUNA Katie Gavin warmed up the stage for two sold-out nights with Lucy Dacus at the iconic Chicago Theatre on May 1st and 2nd—and I was lucky enough to attend for the second show on Friday night.

Gavin debuted her side-project last year, releasing the acoustic-driven solo album entitled What A Relief in October 2024. The record leans alt-country at times, particularly on tracks like “Inconsolable” and “The Baton” that feature Gavin on violin and pulls out a slight twang on her vocals. This collection of songs on the debut album showcases a tonal shift from MUNA’s usual vibe, but Gavin has said in an interview that shift was driven from the origin of these songs; throughout the years she’s written some material that the band ultimately decided wasn’t a fit with MUNA’s vision.

During the show on Friday night, Gavin told the crowd “This is the last tour that I’m gonna do for this solo record.” When her statement was met with audible disappointment from the audience, Katie added, “No, but you’re not upset because that means I’m going back into MUNA!” The upset immediately turned into excited cheers at the tease of MUNA’s return, but it felt special to get to catch one of the last shows for What A Relief . Another special moment of Gavin’s set included an appearance from her younger sister, who joined the band to play some cowbell for the duration of “Sanitized.” In addition to the cowbell, Gavin brought these stories to the stage playing the keyboard, guitar, and live violin on the aforementioned tracks “Inconsolable” and “The Baton,” the latter of which also featured a full crowd clap-along to the beat.

Towards the end of her set, Gavin slowed things down with the mellowed-out “Sketches,” which she introduced by sharing the song’s inspiration. “This song is a little bit of an exploration of that thing that maybe is love but maybe is addiction and kind of noticing that there’s certain relationships in your life that you can really grow and bloom with, and sometimes your life gets smaller. This song is about one of those times,” Katie said.

Katie Gavin’s performance wrapped up with her single “Aftertaste” and her wishing Lucy Dacus a very happy birthday. Check out photos of the show below, and catch the last few tour dates for Katie’s solo project here.