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Filtering by Tag: Live Recap

Photo Recap: Franz Ferdinand at Q101's Twisted Xmas

Franz Ferdinand performed on Tuesday, December 10th to a sold-out Aragon Ballroom, alongside almost monday and Cage The Elephant as part of Q101’s annual holiday show, Twisted Xmas. Franz Ferdinand’s hour-long set journeyed through their musical catalog, performing some of the hits from their earlier albums as well as some brand-new material off their upcoming album The Human Fear —out January 10th, 2025. See the full setlist below, along with photos from their set and view their upcoming tour dates here.

Setlist:

  1. The Dark of the Matinée

  2. No You Girls

  3. Night or Day

  4. Walk Away

  5. Build It Up

  6. Evil Eye

  7. Do You Want To

  8. Hooked

  9. Michael

  10. The Doctor

  11. Love Illumination

  12. Take Me Out

  13. Ulysses

  14. Audacious

  15. This Fire

Amusement & Muses: A Live Recap of Bastille Presents "Ampersand" in Los Angeles

What if you could end your day doing the shit you love with the ones you love? Better yet, what if you could do that two days in a row? For many Bastille fans, they had the opportunity to do just that as they attended the first (and most likely the only) run of U.S. tour dates for the Bastille-adjacent project entitled “Ampersand,” which took place Friday, November 22nd and Saturday, November 23rd at the grandiose United Theater on Broadway (FKA The Theatre at Ace Hotel).

If you want the TLDR version of the concerts, songwriter and lead vocalist of Bastille Dan Smith can sum up the evenings in three points; “For the sake of argument, I didn’t shit myself, I barely talked between songs, and the French was perfect,” he told the Los Angeles theater.

But if you want the longer story, take a walk with me through these songs as I unreliably narrate these gigs.

Stepping back to introduce the Ampersand project, this collection of songs puts a spotlight on Smith’s storytelling craft as he examines the lives of famous and infamous historical or mythological figures. The name “Ampersand” comes from all of the stories on the album being comprised of a pairing and song titles that all include a (you guessed it) &— Take the track “Zheng Yi Sao & Questions For Her” or “Seasons & Narcissus,” the former of which opens with the question “What if you could end your days doing the shit you love with the ones you love?” to call it back to my introduction.

Ampersand taking the stage

Ampersand came to be a side quest for Smith on what was slated to be a year off for the members of Bastille, so as he began to weave together these stories, Dan enlisted the assistance of other songwriters and vocalists to build out the musical arrangements. Two of those musicians include Moira Mack and Charlie Barnes, so it only made sense that in addition to performing in the live Ampersand band, Moira & Charlie (see what I did there?) opened up the shows on Friday and Saturday night, respectively.

Moira Mack opening up the show

Ahead of Mack’s set on Friday evening, Smith tested out his chops as MC to recall how he’d first stumbled upon Moira Mack on a night out in Los Angeles where he heard her performing a cover of “(Sittin' On) The Dock of the Bay" by Otis Redding. It’s rare that supporting acts will get a personalized introduction from the headlining performers, so with Dan’s glowing endorsement, I knew we’d be in for a treat with Moira’s performance. Spoiler alert; we got a goosebump-inducing reenactment of the Redding cover that started it all, which really let the soulful and powerful facets of Mack’s vocal abilities shine. However, the rest of her set included her original songs, some of which were unreleased and included one written only days prior to the gig, in response to the devastating election results. In just a short thirty minutes, Moira was able to demonstrate her emotive songwriting and vast vocal range, including silky and delicate falsettos that smoothly transitioned into bolder and richer textures.

Speaking of smooth transitions, the stage was quickly turned over for Dan & Moira to return for the main event, alongside the rest of the Ampersand live band members Charlie Barnes, Merrick Winter, AK Patterson, and Florrie.

Fittingly, the set began with the first track from the album called “Intros & Narrators,” in which Smith confesses he never wanted to be the main character and sings “Maybe to me, other stories are more interesting and maybe to me, they’re a mirror back on everything/So much bigger, bolder, braver than I’ll ever be,” which set up the aforementioned premise of this project in a musical format. Dan addressed the crowd after the introductory song, saying, “This album is a collection of stories about people that I think are fascinating, mostly real, some fictional or mythological,” also pointing out that each person was illustrated on the stage backdrop with artwork done by Harriet Bruce.

In addition to bringing in new live band members and collaborating with visual artists for this special project, Smith has also endeavored into the podcasting realm to provide more context to the Ampersand songs. Entitled “Muses: An Ampersand Podcast,” the show features Smith and co-host Emma Nagouse diving into the background of the people and characters that Dan wrote about, and listeners also get a glimpse into his creative process for each tune. Along with being the co-host of the podcast, Nagouse essentially acted as a muse for these songs as well because she suggested several of the figures for Smith to dig into.

One of the subject suggestions from Emma was Paul & Eslanda Robeson, which Dan wrote about on the track “Essie & Paul,” and it instantly became one of my favorites from the album. A hauntingly hypnotic strings arrangement acts as the heartbeat of the song’s melody, which conjured up images of a Bridgerton ballroom scene the first time I heard it. (Funny enough, just this week the music video for “Eve & Paradise Lost” debuted, starring Simone Ashley from Bridgerton, so maybe if we’re lucky maybe we can manifest a feature of “Essie & Paul” in the next season). Throughout the show, Smith essentially gave a quick synopsis of each song’s main character— think CliffsNotes version of the podcast—to give some additional context. He introduced “Essie & Paul” by sharing, “This was really hard to write because it’s about Paul Robeson and Eslanda Robeson who were this fucking incredible power couple. Paul Robeson people know as an actor and singer but he was a civil rights activist and his wife Eslanda was his manager and his friend. She was an anthropologist, she was incredible. It’s quite daunting to write about both of them. I knew the song would never be good enough as a tribute to them but I still wanted to write it cause I thought about them a lot.” For the record, I think he did them justice with the song, and the rest of the audience agreed based off the applause that greeted the band at the end of it. Along with his humility, Smith threw in some humor when setting up the performance of the tune, joking “For this song as you may have noticed, we’ve been playing everything live tonight, apart from this one bit on this song that requires a full string section. We just came from the UK and didn’t have the budget for it, so as well as pretending that there was no terrible rambling chats between songs, the other thing is if people ask ‘how was the gig?’ say it was nuts, they had a full string section that came out for one song! I’ve never seen that before, it was crazy!”

Another standout live performance moment occurred earlier in the setlist with “Drawbridge & The Baroness,” which describes The Drawbridge Dilemma from the baroness’ POV. The song features stunning falsetto vocal chops from Smith as well as a crescendoing bridge that were recognized with extended applause and an affirming “you’re amazing!” from a young audience member. Dan described the song as his favorite one on the album but “a fucking nightmare to sing live” which is fair given the dramatic range he exerts for it—hopefully the audience’s reaction makes it all worth it!

As we journeyed through these stories told in song format, Dan continued to share those behind-the-scenes tidbits with the audience about the songs. It turns out that he’s been writing songs since he was 14 years old, and the album’s anchoring track “Telegraph Road 1977 & 2024” was one of his first songwriting attempts brought on by a poem his dad wrote while traveling around the U.S. in 1977. Smith also confessed that he found out he got some of the French translation wrong for the song “Mademoiselle & the Nunnery Blaze,” BUT circling back to the TLDR version of events, “The French was perfect,” according to Dan.

Now, I did mention this was the longer story journey of the Ampersand shows, but I’ll still spare everyone from diving into each and every song included on the setlist and remind you that you can tune into the Muses podcast to hear it straight from the source. The podcast is currently working its way through the Ampersand songs, but Dan did share that there’s an episode in the works about Bastille’s breakout hit “Pompeii,” which the band was able to fit in a rendition of during this run of shows. The Ampersand setlist also includes a couple of other outliers with a special arrangement of 2016’s “Good Grief” and a version of “Orpheus & Eurydice” that was written for the Netflix show Kaos. Rumor has it that a demo of the latter performed by Charlie Barnes & Dan will be dropping later this week so keep an ear out!

The Ampersand adventure concluded with the single “Blue Sky & The Painter,” which is characteristically upbeat in melody and depressing in lyrics, describing the life of artist Edvard Munch. “This is about Edvard Munch and it’s a really happy one to finish on. It’s about his creativity and depression,” Smith told the crowd ahead of the final song.

Both of the Los Angeles concerts were incredible from a musical performance aspect, adding a special depth and richness to the recorded versions of these stories, but what really stood out to me was how Smith seemed even more relaxed and himself between songs. He did share at the start of the show, “What I’ve realized with these gigs is I think it’s because I’m sitting down and I can’t see anything, I find myself talking the most almighty amount of crap in between songs.” Selfishly, I hope this isn’t the only ever run of Ampersand shows because I want to experience the magic of it all again—including the extra comedic banter and charm from Dan. There are a few remaining Ampersand events on the calendar, and I highly recommend trying to snag tickets if you can!

Check out more photos from the evening below and listen to Ampersand here.

Live Recap: Nat and Alex Wolff with Billie Eilish at The United Center

The actor/musician brother duo of Nat and Alex Wolff, FKA The Naked Brothers Band, derived their music from a  Nickelodeon show that the brothers starred in earlier in their lives.

The pair are currently on tour with Billie Eilish for her Hit Me Hard and Soft Tour for a string of dates including the two-night stand in Chicago. Coming from a different generation, I wasn’t too entirely familiar with their music, but was equally excited to see what the Brothers Wolff had to offer knowing that artists put in the effort to choose their openers— I figured Billie had her reasons. I’m grateful for the phrase “ a picture is worth a thousand words” because I feel like my photos captured tens of thousands of words encapsulating the amount of entertainment to duo emitted in just the short time allotted for an opening act.

The United Center is definitely no small feat to conquer as an opener and I’ve seen many solid openers in the past not make the mark or hold the crowd’s attention, and that wasn’t the case for last night’s performance. That had a commanding presence and easily connected with the crowd, who let’s face It we know had only Billie on their minds. Some of the fans had even been camping out since Sunday and others were still in their tents on a cold rainy Chicago night for their line spot in the  morning for tonight’s show. Nonetheless, both Nat and Alex held nothing back and showcased how they’re  not only brothers or actors, but also rockstars.

Check out the full gallery of their performance below, and see where you can catch them on tour next here.

Live Recap: Good Neighbours at Lincoln Hall

On Sunday, September 8th, Good Neighbours made their Chicago debut, performing to a packed room at Lincoln Hall.

Every few years it seems, people go feral for a song that features whistling. You’ve got “Sisyphus” by Andrew Bird, “Pumped Up Kicks” by Foster The People, “Young Folks” by Peter Bjorn and John, and ironically another song titled “Home” by Edward Sharpe and the Magnetic Zeros. In 2024, we’re still obsessed with a song called “Home” but this time it’s Good Neighbours’ version.

Hailing from East London, Good Neighbours is the musical partnership of Scott Verrill and Oli Fox, who just released their debut single (the aforementioned “Home”) in January of this year and since then, they’ve already amassed nearly 10 million monthly listeners on Spotify. Thanks to some viral teasers of the song on TikTok, fans were waiting with ears wide open when Good Neighbours finally gifted the universe with their musical releases.

Funny enough, I was over in England for a week in August and I attended Reading Festival the day that Good Neighbours happened to be playing. Unbeknownst to me, I had already heard the smash single “Home,” but went into their “secret set” at the BBC Introducing stage completely oblivious and ready to hear some new music. I left the set pleasantly surprised that I did already know one of their songs (phew, I’m not that old!) and impressed by the rest of their catalog and stage presence. To my pleasant surprise again, I discovered that the band would be making their touring debut in The States just a few short weeks, including a stop at my hometown of Chicago.

Cut to this Sunday night, fans eagerly awaited hearing Scott, Oli and their touring bandmates perform their short but sweet catalog live. The band opened with another one of their singles “Keep It Up,” which will be on their debut, self-titled EP releasing this October. After the opening number, Oli took some time to address the crowd, saying, “We’re gonna be playing a bunch of songs you probably haven’t heard. Most people have only heard that one or the one that comes in a bit.” Despite that disclaimer, many of the audience members did in fact know the songs that were yet to come, including other singles like “Bloom” and “Daisies.”

Even for the songs that have yet to be released, the fans were ready to dance and enjoy the experience. Oli prefaced one of their unreleased EP songs called “Weekend Boy,” saying it’s about being with someone for only the weekend. After they played the song, he asked the crowd if they liked it and was met with affirmative cheers.

Another song that was met with a lot of cheers was Good Neighbours’ cover of Sabrina Carpenter’s hit “Espresso.” Oli explained how their rendition came to be, telling the crowd “Over the last 8-9 months, we’ve gotten to see a lot of the world. We managed to go to Australia earlier in the year, which is a long way, but we did this thing called Triple J where we went in a did a cover. We chose this lady called Sabrina Carpenter…we’re also big stans. She has a song about coffee,” which was met again with very loud excitement.

The fun energy continued to soar as we neared the end of the show, and we circled back around to “the one that comes in a bit.” Before performing “Home,” Oli talked about their incredible whirlwind journey since the start of the year, saying the generous reception to their music has changed their lives. “We were piss poor when before. We still are to be honest…it’s costing an arm and a leg to be here, but we wouldn’t have it any other way,” he shared.

The show wrapped up with “Daisies” and a promise from the band to come back to Chicago soon.

Check out photos of the show below, and be sure to be a good neighbour and support the band by pre-ordering their EP here. You can also see where you can catch them on the road next here.

Live Recap: “Thirty Years Has Gone So Fast” Green Day's The Saviors Tour

The legendary Green Day returned to the historic Wrigley Field on Tuesday, August 13th— this time bringing The Saviors Tour with special guests The Linda Lindas, Rancid, and The Smashing Pumpkins.

The Linda Lindas opened the evening bright and early with a short but sweet set that kicked off at 5:20PM and included a handful of their songs, like “Oh!” and “Growing Up.”

The Linda Lindas, Taylor Ward / Live Nation

Up next, Rancid kept the show rolling with their iconic 90’s punk songs. After performing the popular tune “Timebomb,” vocalist Tim Armstrong took a minute to take in the special moment of performing at such a historic venue, thanking Green Day for the opportunity and sharing their gratitude for Chicago. They brought out the Chicago-native wrestler CM Punk to the stage and dedicated their final song of the night, “Ruby Soho,” to him.

Rancid, Taylor Ward / Live Nation

Next up, Chicago’s very own The Smashing Pumpkins took the stage. Billy Corgan and crew kept up with the theme of nostalgia and 90’s classics, performing so many of their hits in their one-hour set. Fan favorites included “Today,” which got a cheer as soon as the unmistakable opening chords rang out into the stadium, as well as “Bullet With Butterfly Wings” and “1979.” Before they wrapped up their set, Corgan took some time to show appreciation for the band’s hometown and Wrigley Field. “Thank you for being with us for 36 years. We used to practice across the street at the Cubby Bear. It only took us 36 years to get here, but we’re so happy. God bless you guys, God bless The Cubs,” he said.

The Smashing Pumpkins, Taylor Ward / Live Nation

After three incredible opening sets, the crowd was warmed up and ready for the main event, but Green Day kept the fans waiting just a little bit longer to get them even more hyped up. As the stage was set and the fans were ready for the band to come on, the epic singalong “Bohemian Rhapsody” played out across the house speakers in its entirety, as fans around the venue were captured for the jumbotrons. During that segment, I spotted some fans dressed as Billie Joe Armstrong in the American Idiot era with red ties and another fan holding a sign that said it was their first concert.

Just when the anticipation bubble felt stretched to the limit, Green Day had one more hype song before they hit the stage— their infamous Pink Bunny mascot came to the stage donning a custom Cubs jersey and danced around to The Ramones’ “Blitzkrieg Bop.”

Only then as the sun was finally setting, did Billie Joe Armstrong, Mike Dirnt, and Tré Cool hit the stage—and boy did they hit the ground running. Right off the jump, the stage production delivered pyrotechnics and elaborate visual backgrounds.

Green Day, Taylor Ward / Live Nation

After opening with the new song “The American Dream Is Killing Me,” we all took a journey back to 1994 to hear the landmark album Dookie performed in full to celebrate the 30-year (!!!) anniversary of those songs. The stage design shifted into a 3-D recreation of the album’s artwork that accompanied the band’s performance of the record in order of the tracklist.

While playing “Longview,” Armstrong took a break to chat to the crowd and say, “Hey, I just realized something. We played with The Smashing Pumpkins, who are from Chicago. Last time we played, we played with the band Fall Out Boy, who are also from Chicago. The next time we play it’s gonna be with the band Chicago!'“ Here’s to hoping Armstrong is able to manifest that line up for the next tour!

As the first half of the set went on, I remained in awe of the elaborate stage production and the band’s never-ending energy— it’s truly a feat how Armstrong is able to keep his voice intact for 2+hours as he continues to rile up the audience between singing over 30 songs. The production elements continuously evolved and remained fascinating, including an inflatable plane that dropped “dookie” bombs into the crowd, pyrotechnics, confetti and video graphics on the big screen.

Green Day, Taylor Ward / Live Nation

Armstrong improvised in snippets of covers of a few other songs as the tracklist for Dookie continued and trailed into a section of songs from the Green Day catalog that don’t fall into Dookie and American Idiot. The mini covers/mashups included “Jack & Diane” by John Mellencamp with “F.O.D.”, “Free Fallin’” by Tom Petty before “Dilemma” and “Surrender” by Cheap Trick before “Minority.” Before the latter, Armstrong once again showed his love for Chicago music, saying, “Goddamn there’s so many good bands from Chicago,” referring to Cheap Trick this time.

Another highlight of the part of the show that interluded each album included a special moment with a fan named Bridget. While performing the 2009 single “Know Your Enemy,” Armstrong declared that he wanted to bring someone up on stage, which led to Bridget joining him to finish the rest of the song.

When the time came to transition to a front-to-back performance of 2004’s American Idiot, the stage evolved again to a recreation of the heart-shaped grenade from the album’s cover art. In high school I used to listen to this record on a CD walkman between classes, so it was really special to hear all of the songs performed in full twenty years later. As Armstrong sings in “Wake Me Up When September Ends,” twenty years has gone so fast. Besides getting to hear that lyric during the tour celebrating two decades of a seminal album, another highlight of this part of the show was the entire stadium holding up their phone flashlights for “Boulevard of Broken Dreams.”

Green Day, Taylor Ward / Live Nation

At the end of the American Idiot chapter of the show, Armstrong told the crowd “We don’t do encores because they’re egotistical and stupid,” which got a good laugh from the audience, but that’s a philosophy I can definitely get behind! Armstrong faked walking off stage before starting the instantly-recognizable chords of “Good Riddance (Time of Your Life)” which was the perfect bookend to the spectacle that is The Saviors tour.

There’s something really magical about seeing a rejuvenated production of such nostalgic albums, so if you get the chance to see this show, don’t miss it! See where you can catch the tour next here and tune into the set list below.

Photos: Ethel Cain and Slow Pulp at Thalia Hall

Ethel Cain and Slow Pulp closed out the second day of Lolla with a sold out aftershow at Thalia Hall. Check out photos from the evening below and see where you can catch Ethel Cain on tour next here.

Live Recap: Faye Webster and Benét at The Vic

Following the first day of Lollapalooza 2024, Faye Webster performed an intimate aftershow at The Vic Theatre, with support from Benét.

After Benét and their band got the crowd warmed up with a mix of songs that had the audience both in their feels and dancing, the stage was set for Faye Webster and her band to close out the first day of the fest.

Faye’s appearance at Lolla took place in the midst of her “Underdressed at the Symphony” tour, aptly named after the title of Webster’s 2024 album. Right off the bat, I was impressed by the immersive stage production and design for this tour—lighting rigs in the form of washer and dryers illuminated the back of the stage and racks of clothing hung behind them. The real star of the stage design, however, was the giant t-shirt-shaped screen that projected different graphics and videos to accompany each song throughout the set. But wait, there’s more! During the fourth song of the night, “The Right Side of My Neck,” a bubble machine filled the venue with bubbles to give a fully immersive experience of being in a laundromat.

Webster occasionally addressed the audience between songs, taking time to say thank you for being there and sharing that her entire family was in attendance that night, but for the most part she and her band kept the show moving to deliver a polished and seamless musical performance. As the band performed many of the songs like “Thinking About You” and “Lego Rings” from the aforementioned Underdressed at the Symphony record alongside fan favorites from her previous albums, her band sometimes incorporated in a violin or saxophone, which gave a rich texture to the live versions of these songs. It also fit in with the “symphony” part of the tour!

Towards the end of the set, Faye also shared with the audience that it was her drummer Charles’ birthday and the audience chimed in to sing “Happy Birthday.” The show began to wind down with “He Loves Me Yeah!” before the band returned for a two-song encore. As we approached the wee hours of Friday morning, Webster’s show concluded with her dreamy single “Kingston.”

There are few things nowadays that will keep me out past midnight, but Faye Webster’s aftershow was most definitely worth it! Check out photos of the magical evening below and see where you can catch her on tour next here.

Live Recap: Winnetka Bowling League at Lincoln Hall

This past Friday night, Winnetka Bowling League performed a sold out show at Lincoln Hall in Chicago, drawing in one of the largest crowds I’ve seen at this venue.

The band’s current tour is in celebration of their debut album Sha La La, which was just released on May 31st this year, so it was fitting that the setlist opened with the title track of the record. In the song, lead vocalist Matthew Koma sings about a string of past phases and simpler times that he misses like “our feed before it was political” and “the world before it was polluted with space cowboy billionaires,” so it was fitting that the stage was decked out with old box tv sets and nostalgic candy machines.

Before they got too far into the set, Koma took some time to address the crowd, saying how special Chicago is to them. “We don’t say that to all the girls, ok? It’s the first place that we came to on one of our first headlining tours, and it was our first show that we ever sold out. It made us think we should keep doing this,” he said, before dedicating the next song “On The 5” to their OG fans.

The setlist featured a lot of the material from their debut record, but similar to “On The 5,” the band sprinkled in plenty of other songs from the full WBL discography. In addition to plenty of music, the band also delivered a lot of laughs between songs, which was fitting because one of the opening acts was actually a stand up comedian named Caroline Baniewicz.

Ahead of playing “Come to the Beach” Koma told the audience about his experience with his BetterHelp therapist while he’s on the road. “We’ve been working on communication because I can communicate pretty well through songs, but in real life when it comes to confrontation I kind of take side streets, so we’ve been working on that. You wait for an opportunity in real life where you can apply what you’re talking about on BetterHelp. So a couple of weeks ago, there was this guy on Instagram who kept commenting on all our videos and kept kind of saying ‘fuck you.’ He said other stuff but every time I read it, it just said ‘fuck you.’ I thought I’m gonna come back with a quippy reply, and then I thought about my BetterHelp guy and how he wants me to be more direct. So Sam [Beresford] and I were driving to the airport and Sam found his home address and his phone number, and I said I’m just gonna call him and be like why ‘fuck you’? Then I fell back into the old habit and I signed him up for the US Army. Anyways, I think there’s a misconception that if you go to therapy, you have to stop being an asshole and I’m just here to say you can still be a piece of shit. That has absolutely nothing to do with this next song.”

The show continued with more great tunes and quips from Koma, including another story about a recent trip to CVS ahead of playing their song by the same name. After both of those stories, I definitely think that BetterHelp and CVS should sponsor the next WBL tour!

As the show began to wind down, the band played one of their newer singles called “This is Life,” which was a collaboration with Medium Build and Dawes that they released only a few weeks after Sha La La came out. Koma continues to be one of my favorite lyricists and the band flawlessly brought Winnetka Bowling League’s songs to life during the show at Lincoln Hall, so I hope they continue to consistently deliver new material and bring it to the stage.

If you get a chance to see the tour, don’t miss it. You can check out photos of the Chicago gig below, and see where you can catch the tour next here.

Live Recap: Michael Marcagi and Lily Fitts at Lincoln Hall

Singer-songwriter Michael Marcagi headlined a sold-out show at Schubas on Monday, June 3rd with support from Lily Fitts.

Lily Fitts warmed up the crowd with her vulnerable and relatable narratives, accompanied by another guitarist to color her songs with additional depth while still having a minimalist set up that was perfect for the intimacy of the Schubas stage. Fitts’ set included a handful of her popular singles like “Hurts Like Hell” and “Boston to Barcelona” as well as her latest release “Lose You Now.” She also sang some brand new, unreleased material, including “What They Say” that she introduced by sharing with the crowd that it was about her struggles with anxiety. Fitts also shared that Noah Kahan’s song “Stick Season” gave her the courage to start performing her own music, so she fittingly performed a cover of it.

With the room at Schubas fully packed and buzzing with anticipation, Michael Marcagi and his full band took the stage next to make his headlining debut in Chicago. As I’m sure is the case with many of his fans, I first heard Marcagi’s single “Scared To Start” earlier this year and became instantly hooked by the illustrative storytelling of his lyrics combined with his earworms of melodies.

While he has yet to release a full-length album, Marcagi’s singles and his debut EP, entitled “American Romance” have garnered him nearly 18 Million monthly listeners on Spotify and had him selling out shows months in advance—and for good reason. His songs have an emotional conviction about them and that “it factor” that makes you feel rejuvenated and reminds you of the power behind a great damn tune. For that reason, Marcagi’s music has remained stuck in my head and on repeat on my playlists, but it was even more special to experience that effect in person.

The set opened with the title track from Marcagi’s EP, and weaved through all of his released material, but the show also included a lot of new, unreleased songs as well. Marcagi promised the crowd that he’d have new music coming out in a few weeks, and based on how it sounded live, I know his fanbase is going to love the forthcoming songs. Between his original material, Marcagi also sprinkled in a couple of cover songs, including “Deja Vu” by Oliva Rodrigo, which the band made their own by including a banjo on it.

After wrapping the main set with the breakout hit “Scared To Start,” Marcagi and his band left and returned to the stage for a highly-demanded encore. The encore performance included the second cover of his set, “You’re Still the One I Want” by the legend Shania Twain, and Lily Fitts joined in on the duet.

If you missed out on the Schubas show, check out photos from the evening below, and be sure to snag a ticket to one of Michael Marcagi’s upcoming gigs here…that is, if it isn’t already sold out.

Live Recap: Craig David at The Chicago Theatre

On May 13th, British artist Craig David made a long-awaited return to Chicago to headline The Chicago Theatre.

Despite it being a rainy Monday night, fans flocked to the historic venue to see the singer perform here for the first time since 2001. As the crowd filed into their seats, a DJ warmed up them up and got the good vibes flowing. The DJ even shared with the crowd that he first got into Craig David after hearing “Fill Me In” for the first time in the early 2000’s, which I’m sure was a common thread with some of the fans in the audience.

When it was time for the main event, Craig David’s live band and backing vocalists took their places on stage first, before he eventually made his grand entrance. Immediately, the seated show-goers got to their feet and began singing and dancing.

After performing a few songs, including “What’s Your Flava?,” “Ain't Giving Up” and the aforementioned hit “Fill Me In,” Craig took some time to address the crowd and let them know he’d be journeying through a catalog of old favorites and new material throughout the show.

Craig delivered on that promise and even threw in a cover of “Show Me Love” by Robin S for good measure, as well as songs he featured on like “Abracadabra” with Wes Nelson and “Got It Good” with Kaytranada. No matter what he was singing, Craig delivered flawless vocals throughout the show, which were often complemented by his backing singers and accompanying musicians, who added a rich texture to the show’s production. The band members all got introductions and quick showcases of their talents during the song “Time to Party,” which had everyone dancing along and in good spirits.

The main set concluded with “16,” where Craig sings and raps about “doing this since I was sixteen” and it’s clear from the seamless and smooth performance that he’s mastered the craft of being an excellent performer.

The full band took a bow before leaving the stage and returning to demands for an encore. The journey concluded with “Insomnia” from 2008 and the iconic hit “7 Days.”

Check out photos from the Chicago performance below, and see where you can catch Craig David on the road next here.