ANCHR Magazine

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Live Recap: Winnetka Bowling League at Lincoln Hall

This past Friday night, Winnetka Bowling League performed a sold out show at Lincoln Hall in Chicago, drawing in one of the largest crowds I’ve seen at this venue.

The band’s current tour is in celebration of their debut album Sha La La, which was just released on May 31st this year, so it was fitting that the setlist opened with the title track of the record. In the song, lead vocalist Matthew Koma sings about a string of past phases and simpler times that he misses like “our feed before it was political” and “the world before it was polluted with space cowboy billionaires,” so it was fitting that the stage was decked out with old box tv sets and nostalgic candy machines.

Before they got too far into the set, Koma took some time to address the crowd, saying how special Chicago is to them. “We don’t say that to all the girls, ok? It’s the first place that we came to on one of our first headlining tours, and it was our first show that we ever sold out. It made us think we should keep doing this,” he said, before dedicating the next song “On The 5” to their OG fans.

The setlist featured a lot of the material from their debut record, but similar to “On The 5,” the band sprinkled in plenty of other songs from the full WBL discography. In addition to plenty of music, the band also delivered a lot of laughs between songs, which was fitting because one of the opening acts was actually a stand up comedian named Caroline Baniewicz.

Ahead of playing “Come to the Beach” Koma told the audience about his experience with his BetterHelp therapist while he’s on the road. “We’ve been working on communication because I can communicate pretty well through songs, but in real life when it comes to confrontation I kind of take side streets, so we’ve been working on that. You wait for an opportunity in real life where you can apply what you’re talking about on BetterHelp. So a couple of weeks ago, there was this guy on Instagram who kept commenting on all our videos and kept kind of saying ‘fuck you.’ He said other stuff but every time I read it, it just said ‘fuck you.’ I thought I’m gonna come back with a quippy reply, and then I thought about my BetterHelp guy and how he wants me to be more direct. So Sam [Beresford] and I were driving to the airport and Sam found his home address and his phone number, and I said I’m just gonna call him and be like why ‘fuck you’? Then I fell back into the old habit and I signed him up for the US Army. Anyways, I think there’s a misconception that if you go to therapy, you have to stop being an asshole and I’m just here to say you can still be a piece of shit. That has absolutely nothing to do with this next song.”

The show continued with more great tunes and quips from Koma, including another story about a recent trip to CVS ahead of playing their song by the same name. After both of those stories, I definitely think that BetterHelp and CVS should sponsor the next WBL tour!

As the show began to wind down, the band played one of their newer singles called “This is Life,” which was a collaboration with Medium Build and Dawes that they released only a few weeks after Sha La La came out. Koma continues to be one of my favorite lyricists and the band flawlessly brought Winnetka Bowling League’s songs to life during the show at Lincoln Hall, so I hope they continue to consistently deliver new material and bring it to the stage.

If you get a chance to see the tour, don’t miss it. You can check out photos of the Chicago gig below, and see where you can catch the tour next here.

Live Recap: Dayglow with Ritt Momney at The Riviera

ANCHR kicked off the weekend with a sold out show from Dayglow and Ritt Momney at The Riviera Theatre.

The musical project of Jack Rutter, better known by his alias Ritt Momney, and his bandmates took the stage at the Uptown venue at 7:30 to an already-packed crowd. As the band performed songs like “HEADSTART” and “Sometime” from their 2021 album Sunny Boy, the audience members listened attentively and often sang along. When it came time for Ritt Momney to perform their well-known cover of “Put Your Records On” by Corinne Bailey Rae towards the end of their set, everyone cheered loudly and even more people joined in on singing along.

Next, the stage was set for Dayglow and the energy buzzing around the Riviera was palpable. The stage design had a sleek, minimalist feel to it, and a screen in the background remained blank until the headliner’s set began. Similarly to Ritt Momney, Dayglow is the project of a solo singer-songwriter, backed by a full band. Founded by Sloan Christian Struble, the Dayglow project began releasing music in 2017 with the debut album Fuzzybrain. Since then, Struble has released three studio albums under the moniker Dayglow, with the most recent being People In Motion, which was just released in early October and contains the tracks “Radio” and “Then It All Goes Away”—which were the first songs performed on Friday night.

As soon as the first note rang out, there was a sense of mutual joy that flowed back and forth between the band members and the audience— the crowd loudly echoed the lyrics that Struble sang through his wide grin, and the floor shook with the weight of a sold-out room dancing. Colorful lights and visuals swirled across the screen onstage, and the audience mirrored that by donning glowstick jewelry and bouncing bright balloons around the room.

Struble’s gratitude for the special evening shined across his face as he performed, but he also made sure to vocalize his appreciation several times throughout the night, first by saying “Tonight sold out, so that’s pretty cool. I love Chicago so much, and I’m so thankful for you being here” after the first few songs of the setlist.

The positive party vibes continued throughout the set, particularly when Dayglow covered the classic “Funkytown” by Lipps, Inc., which Struble introduced by saying “alright Chicago, let’s keep dancing!” The audience greeted that sentiment with loud cheers, and they kept up their part of the bargain by dancing nonstop. The setlist featured another couple of covers, including “Robot Rock” by Daft Punk and “You Can Call Me Al” by Paul Simon, but the crowd seemed the happiest when they heard their favorite Dayglow songs. Struble and his bandmates did a wonderful job of curating songs from their full discography, making sure to go back to the early days. “When I was 17 years old, I made an album in my bedroom called Fuzzybrain,” Struble said before performing the record’s title track. Another fan favorite of the evening was “Can I Call You Tonight?” from that same record, which also happens to be Dayglow’s most streamed single.

All in all, the night was jam-packed with positive energy and the performance embraced the entire audience with an evening of escapism. I left the show as a bigger fan of Dayglow than when the show started, all thanks to the captivating nature of Struble’s on-stage demeanor.

Do yourself a favor and get tickets to Dayglow’s next show in your area—tour dates here— and take a look at the gallery from Friday’s show below.



Live Recap: Young the Giant with Danielle Ponder at Aragon Ballroom

This past Thursday night, the Aragon Ballroom hosted a feel-good show from Young The Giant and Danielle Ponder as part of the American Bollywood Tour.

The night kicked off with singer-songwriter Danielle Ponder from Rochester, New York. I had listened to Ponder a bit on Spotify and already couldn’t wait to see her perform live, but her powerhouse vocals absolutely blew me (and everyone else at the venue) away. Right from the jump, Ponder filled the ballroom with her rich, soulful voice and poetic lyricism. Ponder also had a sense a humor and introduced her song “Someone Like You” by asking all the singles in the crowd to make some noise while sharing her frustration with the dating app Hinge (I think most singles can relate to that sentiment). Later on in the set, Ponder shared that she used to be a public defender, but I’m so glad she’s now able to share her musical talent with us all. In addition to her own songs, Ponder performed a chilled out cover of “Creep” by Radiohead. “Being on a stage like this means everything to me,” she told the audience, but I would bet this won’t be her biggest stage—soon she’ll be headlining even larger rooms.

Next up, the stage was set for headliners Young the Giant, with risers placed on both sides of the stage. The band entered the stage to a backdrop of hazy blue lighting, before launching into their song “American Bollywood,” which is the namesake of their tour and the title of their four-part album that has been released in increments this year. Similarly to the structure of the new album, the live performance was broken up into different acts for different clusters of songs, and between each act, the house speakers played different audio interludes to break them up.

Young the Giant performed the majority of the American Bollywood songs like “Cult of Personality” and “Dancing in the Rain” interlaced with other fan favorites from their earlier discography. Most notably, “Cough Syrup” elicited an immediate response of enthusiastic screams after the first few chords rang out. I feel like very few songs evoke that kind of immediate response, so it was incredible to witness that moment, and something that makes live music continue to be such a beautiful experience.

No matter what song the band was playing throughout the night, lead vocalist Sameer Gadhia remained captivating as he made sure to wander to both ends of the stage and connect with fans in the front, and the entire band occasionally rotated their placement on stage, which kept their performance dynamic and engaging.

Another fan favorite, “My Body” closed out the last act before the three-song encore, hinting that the show was winding down but there was still more to come in the encore. The final three songs consisted of “Superposition,” “Mind Over Matter,” and “Silvertongue.”

If you get the chance, don’t miss out on the American Bollywood tour—see the remaining dates here, and check out the photo recap below.

PHOTOS: MUNA and Meet Me at the Altar at Thalia Hall

Last week, MUNA performed to a sold out Thalia Hall for a Lollapalooza after show, also featuring Meet Me at the Altar. See the photo recap of the evening below, and see where you can catch MUNA next here.

Live Recap: The Wombats and Last Dinosaurs at House of Blues

Lollapalooza week kicked off with some pre-fest after shows, including The Wombats and Last Dinosaurs on Tuesday, July 26th at the House of Blues.

Last Dinosaurs is an Australian rock band, consisting of Sean Caskey, Lachlan Caskey, Michael Sloane, and Dan Koyama. The band warmed up the crowd for The Wombats, joking that it was fitting because “The Wombats are near and dear as an Australian animal.” Throughout their set, I noticed many fans throughout the venue singing along to songs like “Zoom,” “Apollo,” and “Italo Disco,” which the band introduced by saying “If you have any Italian descent, this one goes out to you.” Last Dinosaurs has a new album coming out November 4th called From Mexico With Love, which you can preorder here.

Next up, The Wombats took the stage to a very packed venue of fans ready to dance and sing along to their entire set. The trio consisting of Matthew “Murph” Murphy, Tord Øverland Knudsen, and Dan Haggis had toured earlier this year in support of their fifth studio album Fix Yourself, Not the World, so it was fitting that their show kicked off with two newer songs from that record— “Flip Me Upside Down” and “This Car Drives All by Itself.” From the get-go, Murph and Knudsen unleashed their infectious energy, bouncing around the stage as they played. Before transitioning to a throwback track “Moving To New York,” Murph told the crowd that he “wished this song was about Chicago,” but nevertheless, the Chicagoans still went wild for the song, making the House of Blues floor literally shake from all their jumping.

The set continued to weave through The Wombats’ expansive catalog, including a few songs from 2015’s Glitterbug. As a preface for “Pink Lemonade,” Murph said “I sing a lot about fruits… lemons… this song is the first one about a lemon tonight. The pink lemon.” The other lemony song is of course “Lemon to a Knife Fight,” which comes from 2018’s Beautiful People Will Ruin Your Life. The band’s good humor came through several other times during the show— about half way through, they broke out into an impromptu muzak tangent, which got a loud reaction to the crowd. “That’s very kind of you, you did not need to applaud for that,” the band replied.

The evening truly felt like a much-needed escape from everything going on in the outside world, and Murph further facilitated that release by asking the crowd to raise their hands and give him an “end of the world scream” before the performance of “Tokyo (Vampires and Wolves)” from The Modern Glitch.

The Wombats played their hit “Greek Tragedy” as their “pretend last song” before returning for a 3-song encore that pulled from songs old and new. During the official last song “Turn,” even people in the way back of the venue were dancing with massive smiles on their face. I’ve said it before and I’ll say it again— it’s literally impossible to be sad at a Wombats show.

See photos of the evening below, and see where you can catch The Wombats on the road next here.

PHOTOS: Post Animal and Stuyedeyed at Metro

This past Friday night, Post Animal and Stuyedeyed kicked off the weekend with a wild show at Metro—bringing the tour in honor of Post Animal’s new album Love Gibberish to a close. In addition to being a homecoming for the headliners, the night featured a lot of new music, crowd surfing, and some special appearances from fellow Chicago musicians like Cadien Lake James and V.V. Lightbody. Check out the photo recap below, and see where you can catch Post Animal next here.

Live Recap: Dehd's Sold Out Hometown Show with Pixel Grip and 81355

There’s nothing better than a hometown show, and Dehd confirmed that with their sold out extravaganza at Metro this past Saturday night.

Even before the first act of the night 81355 (pronounced “Bless”), the venue was already packed and getting more full by the minute. Unlike most shows I go to, the band members of 81355 didn’t just come onstage when it was their time— they received a dazzling introduction from the host and MC of the evening, Alex Grelle. Grelle got the crowd going with a captivating performance of “Take My Breath Away” while the projection screen reflected the logo of Top Gun Maverick. It was an unexpected opening to the night, but it certainly grabbed mine and everyone else in the venue’s attention. When it came time for 81355 to hit the stage, the group from Indianapolis continued to captivate the room with their genre-bending performance. The collaborative collective featured a full band and a mix of rapping and singing from members Sirius Blvck, Oreo Jones, and Sedcairn Archives.

Next up, Chicago-based trio Pixel Grip geared up to take the stage— but not without a warm welcome from Grelle again. This time Grelle entertained the venue with a wet t-shirt contest, drenching himself with a pitcher of water. Again, not something you see every day at a concert, but everyone loved it. The crowd also enthusiastically enjoyed the set from Pixel Grip, which featured a swirl of bass-heavy synths, pop vocals and atmospheric electronic melodies— all complemented by moody lighting and thick fog. During their set, vocalist Rita Lukea received a tattoo onstage that read “Dehd Forver” from Emily Kempf, which was yet another unforgettable moment of the gig.

The night only continued to get more spectacular when Grelle made the final introduction of the evening— this time donning an angel costume to reprise the role of “Angela the Angel” from Dehd’s “Loner” music video. Grelle welcomed Dehd’s members Emily Kempf, Jason Balla, and Eric McGrady to the stage to close out the show, and the trio launched into their single “Loner” alongside Grelle— essentially recreating the music video IRL. The set continued on with lots of fan favorites like “Lucky” and “Haha” from Dehd’s earlier catalog, mixed in with some fresh material from their brand new album Blue Skies. My favorite song off the new record is the single “Bad Love,” which I got to hear live for the first time at the show. The track possesses a feel-good, triumphant vibe that would be perfect for the soundtrack of a coming-of-age film. It was certainly the perfect fit for a sold out gig at Metro at the start of Summer.

Dehd wrapped up the evening with an encore performance that featured Pixel Grip and 81355 rejoining them onstage to perform “Desire.”

The entire evening provided a great mix of music with a diverse line up that once again showcased what an incredible music scene we have here in Chicago. Check out photos from the evening below, and see where you catch Dehd next here.

PHOTOS: K.Flay at Park West

This past Saturday night, K.Flay brought her explosive energy to the stage at Park West, in honor of the Inside Voices / Outside Voices album. If you missed out on the show, check out the photo recap below and see where you can catch K.Flay on tour next here.

PHOTOS: Kacy Hill at Schubas

Last week, Kacy Hill headlined a sold-out Schubas stage in celebration of her third album called Simple, Sweet, and Smiling. Check out our photo recap of the evening below, including support from Jack Larsen, and see where you can catch Kacy next here.

Live Recap: Wolf Alice at The Vic

This past Monday night, Wolf Alice packed the Vic Theatre for a sold out gig in honor of the group’s third album Blue Weekend, which came out in June 2021. Though it’d been more than three years since the British quartet took the stage in Chicago, the rambunctious and eager fans greeted bandmates Ellie Rowsell, Joff Oddie, Joel Amey, and Theo Ellis with warm cheers. The reunion between Wolf Alice and all of their devoted fans felt like the kinship between old pals who can go years without seeing each other, yet they don’t miss a beat once they’re finally back together.

Going back to the earlier days of Wolf Alice, they’ve always exhibited an expansive and exploratory sound—particularly with vocalist and lyricist Ellie Rowsell’s dynamic range. For example, the hushed and melancholy tones of the title track on Wolf Alice’s 2013 "Blush” EP starkly contrast to the rowdy riffs and wailing vocals used in songs like “Fluffy” from their 2015 debut record My Love Is Cool. In their newest material, the band has honed in on that skillset and built upon their existing sound with nuanced maturity that elevated their already excellent live presence to another level.

The setlist on Monday night called back to the aforementioned debut album—including the wildly popular “Moaning Lisa Smile”— as well as 2017’s Visions Of A Life between the new songs. The perfectly crafted selection of songs allowed for fans to experience gentle and refined moments that juxtaposed moments of furious spontaneity. Wolf Alice has stated that Blue Weekend as a project is largely the product of Rowsell’s realization of the role of music in our lives, of the importance of the songs she writes. Seeing the crowd’s reaction at Wolf Alice’s live show demonstrated that importance of their music and Rowsell’s lyrics in a tangible and raw way.

If you missed out on the spectacle of Wolf Alice’s Chicago show, relive some of the magic with the photo gallery below, including the support artist Bria.

See where you can catch Wolf Alice perform next here, and pick up a copy of Blue Weekend here.