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Live Recap: “Thirty Years Has Gone So Fast” Green Day's The Saviors Tour

The legendary Green Day returned to the historic Wrigley Field on Tuesday, August 13th— this time bringing The Saviors Tour with special guests The Linda Lindas, Rancid, and The Smashing Pumpkins.

The Linda Lindas opened the evening bright and early with a short but sweet set that kicked off at 5:20PM and included a handful of their songs, like “Oh!” and “Growing Up.”

The Linda Lindas, Taylor Ward / Live Nation

Up next, Rancid kept the show rolling with their iconic 90’s punk songs. After performing the popular tune “Timebomb,” vocalist Tim Armstrong took a minute to take in the special moment of performing at such a historic venue, thanking Green Day for the opportunity and sharing their gratitude for Chicago. They brought out the Chicago-native wrestler CM Punk to the stage and dedicated their final song of the night, “Ruby Soho,” to him.

Rancid, Taylor Ward / Live Nation

Next up, Chicago’s very own The Smashing Pumpkins took the stage. Billy Corgan and crew kept up with the theme of nostalgia and 90’s classics, performing so many of their hits in their one-hour set. Fan favorites included “Today,” which got a cheer as soon as the unmistakable opening chords rang out into the stadium, as well as “Bullet With Butterfly Wings” and “1979.” Before they wrapped up their set, Corgan took some time to show appreciation for the band’s hometown and Wrigley Field. “Thank you for being with us for 36 years. We used to practice across the street at the Cubby Bear. It only took us 36 years to get here, but we’re so happy. God bless you guys, God bless The Cubs,” he said.

The Smashing Pumpkins, Taylor Ward / Live Nation

After three incredible opening sets, the crowd was warmed up and ready for the main event, but Green Day kept the fans waiting just a little bit longer to get them even more hyped up. As the stage was set and the fans were ready for the band to come on, the epic singalong “Bohemian Rhapsody” played out across the house speakers in its entirety, as fans around the venue were captured for the jumbotrons. During that segment, I spotted some fans dressed as Billie Joe Armstrong in the American Idiot era with red ties and another fan holding a sign that said it was their first concert.

Just when the anticipation bubble felt stretched to the limit, Green Day had one more hype song before they hit the stage— their infamous Pink Bunny mascot came to the stage donning a custom Cubs jersey and danced around to The Ramones’ “Blitzkrieg Bop.”

Only then as the sun was finally setting, did Billie Joe Armstrong, Mike Dirnt, and Tré Cool hit the stage—and boy did they hit the ground running. Right off the jump, the stage production delivered pyrotechnics and elaborate visual backgrounds.

Green Day, Taylor Ward / Live Nation

After opening with the new song “The American Dream Is Killing Me,” we all took a journey back to 1994 to hear the landmark album Dookie performed in full to celebrate the 30-year (!!!) anniversary of those songs. The stage design shifted into a 3-D recreation of the album’s artwork that accompanied the band’s performance of the record in order of the tracklist.

While playing “Longview,” Armstrong took a break to chat to the crowd and say, “Hey, I just realized something. We played with The Smashing Pumpkins, who are from Chicago. Last time we played, we played with the band Fall Out Boy, who are also from Chicago. The next time we play it’s gonna be with the band Chicago!'“ Here’s to hoping Armstrong is able to manifest that line up for the next tour!

As the first half of the set went on, I remained in awe of the elaborate stage production and the band’s never-ending energy— it’s truly a feat how Armstrong is able to keep his voice intact for 2+hours as he continues to rile up the audience between singing over 30 songs. The production elements continuously evolved and remained fascinating, including an inflatable plane that dropped “dookie” bombs into the crowd, pyrotechnics, confetti and video graphics on the big screen.

Green Day, Taylor Ward / Live Nation

Armstrong improvised in snippets of covers of a few other songs as the tracklist for Dookie continued and trailed into a section of songs from the Green Day catalog that don’t fall into Dookie and American Idiot. The mini covers/mashups included “Jack & Diane” by John Mellencamp with “F.O.D.”, “Free Fallin’” by Tom Petty before “Dilemma” and “Surrender” by Cheap Trick before “Minority.” Before the latter, Armstrong once again showed his love for Chicago music, saying, “Goddamn there’s so many good bands from Chicago,” referring to Cheap Trick this time.

Another highlight of the part of the show that interluded each album included a special moment with a fan named Bridget. While performing the 2009 single “Know Your Enemy,” Armstrong declared that he wanted to bring someone up on stage, which led to Bridget joining him to finish the rest of the song.

When the time came to transition to a front-to-back performance of 2004’s American Idiot, the stage evolved again to a recreation of the heart-shaped grenade from the album’s cover art. In high school I used to listen to this record on a CD walkman between classes, so it was really special to hear all of the songs performed in full twenty years later. As Armstrong sings in “Wake Me Up When September Ends,” twenty years has gone so fast. Besides getting to hear that lyric during the tour celebrating two decades of a seminal album, another highlight of this part of the show was the entire stadium holding up their phone flashlights for “Boulevard of Broken Dreams.”

Green Day, Taylor Ward / Live Nation

At the end of the American Idiot chapter of the show, Armstrong told the crowd “We don’t do encores because they’re egotistical and stupid,” which got a good laugh from the audience, but that’s a philosophy I can definitely get behind! Armstrong faked walking off stage before starting the instantly-recognizable chords of “Good Riddance (Time of Your Life)” which was the perfect bookend to the spectacle that is The Saviors tour.

There’s something really magical about seeing a rejuvenated production of such nostalgic albums, so if you get the chance to see this show, don’t miss it! See where you can catch the tour next here and tune into the set list below.

Live Recap: Counting Crows with Dashboard Confessional at Ravinia Festival

The Counting Crows and Dashboard Confessional kicked off the weekend with an incredible show at Ravinia Festival in Highland Park on Friday, June 23rd.

Prior to the music kicking off with Dashboard Confessional around 7PM, music fans arrived to the Ravinia site as early as 5PM to settle in and have a pre-concert picnic on the lawn. Before Chris Carrabba and his five band members began their set, Adam Duritz of Counting Crows took the stage to tell everyone to “get off the lawn” and come join them in the pavilion for the main event. The audience continued to trickle in as Dashboard Confessional started their set with a throwback to 2006’s “Don’t Wait.” During performances of their songs, Carrabba’s fun-spirited stage presence shone through in the way he sang and carried himself, but it was during the between-song banter that his personality really came across. Before playing their third song of the night entitled “Belong,” Carrabba told the crowd that he had the opportunity to wander around the lawn earlier in the evening and meet some people, including one young girl named Emma. Carrabba pointed out Emily in the crowd, and shared that this was her first concert ever before dedicating the song to her.

Throughout the rest of the set, Carrabba weaved in anecdotes about the songs that the band was about to play, including a story about kissing a girl from Chicago under the Williamsburg Bridge before “Remember to Breathe” and telling the crowd that he’d seen the new Spider-Man movie before playing “Vindicated” since that song was used in Spider-Man 2. Most of the set was well-received by the audience, but everyone seemed particularly excited about the performance of “Stolen” and the hit “Hands Down,” the latter of which closed out the show. Dashboard Confessional’s set was a perfect and nostalgic start to the evening; I remember being in high school and listening to some of these songs and it was incredible to get the chance to form new memories with these songs at this concert.

Next up, Counting Crows took the stage to a completely packed pavilion, beginning their set with “Sullivan Street” off their debut album August and Everything After. From there, they jumped to perform “If I Could Give All My Love -or- Richard Manuel Is Dead” from their 2002 album Hard Candy before turning up the heat by playing their massive hit “Mr. Jones” as the third song of the night. Most bands wait to play their biggest hits until the end of their set, but I admired the bolder move and appreciated the electrifying energy of the audience dancing and singing along to the tune.

With so many great songs under their belt, it really felt like the entire setlist was just hit after hit, but there were definitely more mellow moments over the evening. For example, the very next song after “Mr. Jones” was the ballad “Colorblind,” which is still a favorite of mine, but features a dramatic piano-driven melody that starkly contrasts with the swingy, upbeat tempo of the previous song.

Similarly to Carrabba, Adam Duritz’s stage presence and between-song banter showed off his dynamic personality. Duritz would sometimes illustrate the lyrics of his songs with hand motions and body movements, essentially like an interpretive dance to help contextualize the words— for example he shrugged when he sang the line “I don’t know” in “Round Here” and he reached his arm out when he sang “I’m covered in skin” during “Colorblind.” There was also a frequent change up in the vocal cadence or inflictions of Duritz’s live performance, in comparison to the recorded versions of these songs, that added more texture to the live show. Then of course, Duritz’s sense of humor was on display whenever he took a moment to speak to the audience—whether it was the tale he told about “getting to crazy from crazy” when he was waiting for the muse behind “Washington Square” to write him back, or the way he mimicked a Chicago accent to describe how the audience sounded singing certain parts back to him.

To wrap up the main part of the set, Duritz performed (yet another hit) “A Long December” from the piano. The band quickly returned for an encore that began with “Hanginaround,” which featured a guest appearance from the entirety of Dashboard Confessional. The energy really soared with the epic, big band moment of having everyone onstage together. “Time and Time” again had been on the evening’s setlist, but it got unfortunately got cut and the encore ended with “Holiday in Spain,” which Duritz deemed as “our lullaby to you.”

Overall, the concert was filled with a lot of nostalgia, but all of the timeless hits made for a night of new memories you can’t forget.

Check out photos of the evening below, and see where you can catch the tour next here.