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Get To Know: Yoke Lore

Singer-songwriter, dancer, yogi, artist, and just all around creative person Adrian Galvin (known professionally by his moniker Yoke Lore) has had quite the year so far, and he's only getting started. In addition to releasing his Goodpain EP, Galvin has toured all over the country, recorded an Audiotree session, and had his songs placed in some of your favorite TV shows. He just completed another run with Overcoats after touring with them in the spring, and on Tuesday he'll be at Lincoln Hall with the mellow British duo Aquilo. Before the show, we chatted with Galvin about everything from the process behind his EP, his core beliefs and values, pirates, bookstores, and more! Get familiar with Yoke Lore with these six facts you need to know!

Photo Courtesy of Yoke Lore

Photo Courtesy of Yoke Lore

He's Always Writing

Yoke Lore released a sophomore EP in June this year, as a follow up to 2016's Far Shore EP, but Galvin says his songwriting never really has a set plan. "I'm always writing. It’s a constant process for me, so there isn’t really a time where I’m like 'I’m gonna write an EP' or like 'I’m gonna write an album now.' It’s just kind of what’s happening. [Good Pain] just came together...those are the songs that felt the most...that fit most naturally next to and within one another. It was kind of like a set of ideas that I had for awhile that I wanted to elaborate on and really have to deal with. It was probably a couple months long process, but again the process is kind of on going," he says. 

As far as the recording process, Galvin reveals he went a bit off the grid to knock these songs out. "So we recorded it in Connecticut in this--" he pauses before saying, "It sounds so like dumb and hipster when I say this, but it’s this converted barn. It’s really beautiful, in the middle of nowhere. The middle of the woods. It’s just a really good place to go. When we made Good Pain we didn’t have any internet hooked up yet. We were there for maybe like a week, and we would get internet and phone service when we drove into town, but other than that, we were just in this beautiful studio with an amazing array of instruments. Silly pedals. All kinds of drums and stuff." The huge selection of instruments came into play to help deliver the diverse puzzle pieces on Good Pain; each song weaves its own story with a unique tone and sonic structure, but the individual narratives come together to form a story. 

He Practices Taoism

As fas as what inspires the constant flow of writing from Galvin, he gives some insight on that as well. "I get really inspired by books that I’m reading. I’m a big practitioner of the I-Ching. I'm using a lot of weird words there, but I’m a student of taoism, and I focus on the I-Ching a lot," he begins. "What is is...it’s kind of like the taoist equivalent of like tarot cards or something. You can look it up...it’s an Oracle, is what they call it. It’s a navigation tool. You use it to ask questions. The taoists believe that all life is constant flux. All life is constant change," Galvin continued. "In order to feel okay in an environment of constant flux, you have to be changing as well. So they came up with like 64 different transitions that you could possibly be going through at any different moment, and they like mapped them out. So they wrote them all down, and you throw these coins and you build a hexagram with these coin throws, and you end up with one of these 64 transitions. Then you look it up and read about it and figure out where you’re going," he added. 

Galvin also says that while he uses these beliefs to guide him in life, he also uses them to guide his art. "I use it to really like find and map out and follow movements in myself and in my writing. I think the ideas that it contains really inspire me. The idea of constant flux and figuring that out...I’m pretty sure that’s where every belief system begins. With the idea that 'this sucks, how do we figure it out?' I know that’s where Buddhism starts. The first noble truth of Buddhism is that all life is suffering. They’re like 'this sucks'. They don’t hold back. Even if you think about it, the same thing as Christianity...it’s original sin. Blanket statement: 'This sucks, where do we go from here'?" he says. 

Although one of Galvin's biggest outpour of creativity comes in the form of song, he's also creative in other ways, and still pulls from his beliefs to be inspired in that work. Talking more about his passion for visual art as well, Galvin says, "I think I’ve always kind of been into it all. I’m a dancer. I have a dance company. I’m a yoga teacher. Obviously I play music, but I think that this is where music schools go wrong. And they try to make musicians by only focusing on music. To me that’s like the opposite of the point. The opposite of what we’re trying to do here. Everything else enriches everything else. If I want to be a better musician, I’m not just gonna try to be really good at playing chords. I’m going to find out the things that inspire me, and go figure those things out. The dance that I do and the movement with my body really helps me navigate my body onstage and makes me a better performer. The drawing kind of gives me these little like maps to follow that kind of like help me being to figure out where I am and where these songs are going for me. I think it all enriches every other part of it. I don’t think I could do just the one thing. It would feel incomplete, whatever it was." 

Bookstores Are His Favorite Tour Pitstops

While Galvin's art is inspired by his other art, he also looks for other sources of enlightenment. Since he recently stopped over during the summer after performing with Overcoats in May, I asked Galvin to share some of his favorite spots around our city. "I do love Chicago. What’s that bookstore? Myopic Books! It’s a really great place. I spent a couple hours in that place last time I was in Chicago, after our Audiotree session, which was at like 10 in the morning. After an all night drive we parked ourselves in this bookstore and zoned out for a couple hours. I always try to find a really good bookstore in a lot of cities. It’s one of my favorite things to do," he says. 

As far as his other favorite stops in Chicago, Galvin says, "I went to the Carhartt store, which is down the road from that, which I fucking loved. It’s rare to find a whole store. I’m a big fan of Carhartt, which is this kind of industrial clothing brand. A lot of constructions workers wear it, but they make the best stuff because it wears so well. It breaks apart so nicely!"

He's A History Buff

In addition to reading books on the road, Galvin enriches his mind by listening to podcasts that are equal parts entertaining and educational. In the realm of educational podcasts, Galvin loves learning about history. "We don’t really listen to music at all. I guess I listen to music if I’m like in a venue or before a show by myself, but in the car on these long drives, we’ve gotten really into these long form history podcasts. There’s this dude Dan Carlin, who is the godfather of history podcasting. One of the most brilliant dudes I’ve ever had the pleasure of listening to. He goes into such fanatical detail about historical events that you could just listen to for hours on end," he says. "We’ve gone through his entire catalog at this point, so we’ve used him up. We’re on episode 90 of the "History of Rome" right now, which we’re gonna continue on from our last tour. We’re just getting into it...the History of Rome is like 300 episodes or something, so we’re just getting through the Caesars and it’s just about to get good," Galvin continues.

While most people might get that "tour brain" when everything sort of becomes autopilot for them, Galvin seizes the opportunity to stay on his toes. "I love making tour into an intellectual experience. When I can make these long drives into history lessons, it makes tour so much nicer. It keeps me stimulated. It keeps me guessing," he adds. By listening to so many history podcasts, Galvin has also been able to throw out random facts and trivia knowledge...especially about Pirate vernacular. "We were listening to the History of Pirates actually. There’s this vernacular that you find in the English language that’s just like Pirate Speak. They used to whip sailors who were not obeying their orders. They used this whip called the "Cat of 9 Tails", which was a whip with 9 strings, with either little knots or rocks or a piece of metals at the edge or their strings. Really terrible thing. You didn’t want to get whipped with the Cat of 9 Tails. So the Captain or the First Mate who would do the whipping, would leave the whip in a bloody bag on the deck. Everyone was like don’t fuck up, don’t let the cat out of the bag. There’s so many things like that," he revealed. The more you know...

Most of His Songs Have Two Sides to Them

Some of the best songs that can stand the test of time are those that can stand out even when they're completely stripped back. On the recorded version of Yoke Lore's Goodpain EP, there's layers and layers that come together to form the finished product, but the songs Galvin writes always begin with the bare bones. However, some lucky fans get the chance to absorb that first step of the process depending on the live setting they catch Yoke Lore. Talking about his recent stop in Chicago this summer to do an Audiotree session and a Sofar Sounds show, Galvin says, "Audiotree was a full set, but we had to drive through the night to make it to that. We were driving from Denver the night before. Then we played a Sofar in Philly too." For the Sofar Sounds performances in Chicago and Philadelphia, Galvin performed a solo set with just his banjo. "I really like the acoustic thing because it’s...my music is very big and expansive sounding. There’s a lot of like synths and sweeps and stuff, and it’s nice to just pair it down and really give people what I wrote in my bedroom like a year ago. I like that I can offer both iterations, and I think that both iterations are meaningful and have value in their own way," he adds. 

Being able to have a strong acoustic and raw version of a song, in addition to an organic sounding song that's been fully produced actually proves to be quite rare these days. "I think it’s like a test of a good performer who can perform without any bullshit. And I think it’s a test of a good song that you can play it with just one instrument and it can still be a good song," Galvin concurred. However, it still surprises people to see a Yoke Lore song done with just a banjo. Laughing, Galvin says,"I can’t tell you how many times we’ve gotten up there and people are like 'whoa you play the banjo?!'"

He's Friends With Tourmates, Overcoats

Besides educating himself and being a multidimensional performer, Galvin admits his tour mates are also a huge part of being out of the road. Talking about the best friend pairing behind Overcoats, Hana Elion and JJ Mitchell, Gavin gushes, "I fucking love those girls so much my gosh. They’re the best. We toured with them whenever it was earlier this year. We had an amazing time with them!" 

Thinking back on his first run with Overcoats, Galvin added, "I love their music so much. We had a great time with them. We had a little bit of a rough tour the first leg cause we did a leg in the midwest, and a leg on the west coast. It was just spring...seasons were changing, and we were just sick. We were all just dying. Then we all started getting injured. This one morning I had this cough I couldn’t shake, and I was like fuck it, let’s go to Urgent Care and get me some antibiotics so I can kick this thing. So we get to the Urgent Care, we get the antibiotics and we call the girls to meet up for brunch, and they were like 'Actually we can’t we’re at Urgent Care, Hannah hurt her foot last night!' We were like what?! We’re at Urgent Care!" Even through the rough times, Galvin says he and the Overcoats crew had a great time in general.


There you have it! To witness the magic of a Yoke Lore performance, find information on all upcoming tour dates here, and grab tickets to Tuesday's Lincoln Hall show here. Get ready for the show by listening to Goodpain in full below!

A Chat With: Overcoats

Last week, Hana Elion and JJ Mitchell (AKA Overcoats) chatted with me from a cafe in New York City.  “It’s lit in here,” the girls joked before we started our conversation that covered topics like their debut album and upcoming tours, as well as their influences and their fateful meeting in college. For fans of Lucius, Sylvan Esso, and Empress Of, the duo seamlessly fuses elements of electronic and folk music to create a heavenly listening experience.  Find out all about the debut album Young and what else we can expect from Hana and JJ in 2017 by reading our chat with Overcoats:

Photo Credit: Lex Vøight

Photo Credit: Lex Vøight

ANCHR Magazine:  Can you tell me a little bit about how you met and started making music together?

Overcoats: We met about 6 years ago, during our first couple months at college. I think we met...well we lived in the same dorm, and we had a class together.  Pretty soon after that we started singing together, but only in a very informal, kind of like in the bathroom of our dorm, like singing Amy Winehouse or like The Dixie Chicks. Then by the end of freshman year we were in a cappella together, but it wasn’t until our senior year that we tried writing together, like original songs. The first song that we wrote was “Little Memory,” which is the first song that we ever put out on our debut EP, and it’s on our album now. We were like “OK, this is fun, let’s do more” and then it just kind of spun off from there.

Tracklist for Young

Tracklist for Young

AM: Very cool, so speaking of the debut album, you just announced it in the last month. So how are you feeling about finally getting it out into the world and sharing it?

Overcoats: We’re feeling really good. We’ve been working on these songs for a couple years now, and we were deep in the studio recording them from like August to November. We put a lot of work and feelings and time...blood sweat and tears...into the album.  It’s our first album as well so it was very important to us that we have like no regrets with the final product, and that’s what happened.  We’re super excited for it to come out and for people to hear what we’ve been working on. I feel like we’ve been MIA for a while, cause our last release was basically a year ago. We’re just really happy that we finally get to share this project. For so long it was just like the two of us working away like busy bees and now finally everyone is gonna be like “Oh, that’s where they were.”  It’s funny too cause a lot of the songs were written a while ago, like within the past two years, but a lot of them are feeling really relevant again. Like a lot of the songs...[there's] a lot of transitions, a lot about gender and power roles.

AM: Oh wow, it’s like you predicted the future!

Overcoats: Yeah, well we couldn’t have predicted this...but I think it’s nice that the songs still resonate and they can take on meaning with time...maybe create an uplifting message for people. Especially for women growing up.

AM: Yeah, I was going to ask if you could identify an overall theme or concept for the album, but it sounds like it’s transitioning encouraging female strength.

Overcoats: Yeah, the album is about...it’s called Young, and it’s about growing up. More specifically how you grow up with parents and you kind of end up sort of either reacting really strongly against the way you were raised, or you kind of replicate the things you observed when you were younger.  It’s just kind of about observing our fathers go through the world, and our mothers go through the world and learning how to be a woman in this world and kind of seeing the world through the eyes of your parents. Then finally seeing it through your own eyes.

AM: Nice, I can definitely relate to that. So speaking a little bit more about growing up, when did you first really get into singing? I know you said you first started singing together for fun, but growing up, what was your first musical memory?

Overcoats (JJ Speaking): I always used to say to people that I didn’t start singing til college. Which is true in the sense that I didn’t perform or sing with other people until college, but growing up I was like nobody could shut me up. I was literally always singing, like on these 6 hour car rides.  My parents would be like “this is lovely, but could you please be quiet.”  Now looking back, I can’t really live without singing, this is my life. It kind of seemed like off the beaten path for me, like I had no notion of wanting to be a musician until Overcoats started as a project. I was like “oh this is probably the most meaningful thing I’ve ever done”  Hana’s been like very musical her whole life. She’s a talented guitar player and plays piano and always sung. I think that that is a really nice thing about us. I have no training and Hana comes from slightly different musical background.

It’s just kind of about observing our fathers go through the world, and our mothers go through the world and learning how to be a woman in this world and kind of seeing the world through the eyes of your parents. Then finally seeing it through your own eyes.
— Overcoats on their album theme

AM: So who would you consider to be some of your influences?

Overcoats: We love some kind of classic folk and harmonies, like Simon and Garfunkel, The Staves... we love Joseph. We also really love a lot of electronic music, like Sylvan Esso, Chet Faker, Empress Of, Tei Shi, Jamie XX. We also really love really just center field electronic, like Disclosure or Skrillex. We both like really diverse genres. We try to bring everything together.

AM: Yeah, I can definitely hear some of that, like the really beautiful harmonies is really centric to folk, but some of your melodies or beats are more electronic, so I love that contrast. Who produced your album, then?

Overcoats: Going off of our desire to meld different genres together, we had two different, well three essentially work on this album with us. Preliminarily we worked with a friend, Myles Avery who had produced our EP. He does a lot of experimental stuff, and he’s really great to work with in terms of finding unique sounds and basically deciding the pallet that we wanted to work with. Then for actually recording the album, we worked with Nicolas Vernhes and Arthur Ashin [Autre Ne Veut] . Nicolas is very kind of indie rock, so he is super well versed at organic instrumentation and amazing at recording vocals so we wanted to work with him on that aspect. Then Autre Ne Veut is like experimental electronic, so we kind of like went back and forth between their studios, which in retrospect, was very chaotic.  And not normal. But I think that we had to do that to get the exact sound that we wanted, because we did want to mix these two realms. Each of them had a particular skillset that we wanted to tap into. Yeah, it was definitely a challenge figuring out how to collaborate with 2+ producers.

AM: I’m sure it will be really cool though, hearing the finished product.  I also really loved the “Cherry Wine” cover, so what made you choose to cover that song? Anything in particular that drew you to that song, or Hozier specifically?

Overcoats: Yeah, I think Hozier’s been like a big inspiration for us for a while. Especially because we actually lived in Dublin for 3 months right at the beginning of our music careers, right after graduating college, we just up and left and went to Ireland.  I think the live music scene there is super special. It’s super respected and just honest and vulnerable, and I think Hozier really embodies that. The world caught onto that, a vulnerable man singing, amazing harmonies and just beautiful guitar parts. We ended up playing a festival in Ireland that Hozier was headlining. It was really cool to at least pretend we were in part of the same scene as him. I think that that song...I mean, we like all of his music, but that one was a really pretty song for us to sing together. The lyrics, especially, I think he had something different in mind when he wrote the song, but we found the lyrics to be kind of an ode to friendship.  Like the chorus is like “the way she shows me I’m hers and she’s mine, open hand or closed first would be fine,” so it’s kind of like I’ll take you in whatever way. So that was meaningful to us in that sense as well. We were traveling through Ireland and starting a band, and we had each other as our homes. So it’s a song that’s been really important to us.  

AM: Yeah, that’s a cool interpretation of the lyrics.  Talking a little bit more about your tour. You’re touring with Tennis and have some headline dates. Are there any cities you’re especially excited about?

Overcoats[We’re] excited for the whole tour. We’re really excited to go to new cities that we haven’t played yet, and we’re really excited to see old fans that we haven’t seen for a year. We’re excited to say hi and for them to see where we’re at now. That’s really special. The west coast will be cool, we’ve never played the west coast. The days aren’t announced yet.

AM: Cool, and then last question, are there any other new bands you’re listening to? Anything new this year?

Overcoats: Yeah, who are we into right now…? In New York we’ve been seeing a lot of really good music just in local bars around here. Hideout... they’re a small band but I think they’re going places. This is like the hardest question! I feel like I gave them all away already, our influences. Oh, oh, Margaret Glaspy we love. Caroline Smith! Obviously, we played with her [in Chicago].

Young comes out April 21st.  Preorder the debut here.

Chicago, Overcoats will play Thalia Hall with Tennis on March 9th.  For all the rest of their tour dates, head here.