ANCHR Magazine

Holding you down with the best new music

Filtering by Tag: Album Release

ANCHR's Artist of the Week: Sunflower Bean

Photo by Driely S

This week’s ANCHR Artist of the Week goes to Sunflower Bean— a trio from NYC consisting of vocalist and bassist Julia Cumming (she/her), guitarist and vocalist Nick Kivlen (he/him), and drummer Olive Faber (she/they).

Sunflower Bean is one of those bands that seem like they were born in the wrong era because they have such an authentic and effortlessly classic sound, but I guess someone’s got to keep rock and roll alive for the next generation! Earlier this month, the band released their third album, entitled Headful of Sugar, as a follow up to 2018’s Twentytwo in Blue. The new album name acts as a metaphor for the constant consumerism, exposure to news and attachment to devices that runs through society— and the band says the album is for those outsiders who are disillusioned with the modern world. “We wanted to write about the lived experience of late capitalism, how it feels everyday, the mundanity of not knowing where every construct is supposed to ultimately lead you,” Nick Kivlen says. “The message is in the title: this is about fast pleasures, the sugar of life, the joy that comes with letting go of everything you thought mattered.”

Sunflower Bean teased the new record with several singles that showcased their versatility— for example, “Roll The Dice” features an enticing, slow fade in that leads to fuzzed-out guitar riffs and layered echoes of Kivlen’s and Cumming’s vocals, while “I Don’t Have Control Sometimes” kicks off with peppy vocalizations from Cumming and a punchy pop drumbeat. Talking about the latter song, Cumming says, “I’ve always thought that my reckless side was both a gift and a curse, leading me to my best choices on stage but my worst choices in life. I don’t have control sometimes is the admission, acceptance, and almost celebration of the parts of yourself that are impulsive or maybe even insane.” While this song is the band’s admission and acceptance of relinquishing control, they claimed full creative control with the making of Headful of Sugar— Olive Faber took on the role of engineering for the first time, and the recording was mostly done at home. “We didn’t have to rely on anyone outside of the band and our producer, Jake Portrait, to get Headful of Sugar made,” Faber says. “Self-sufficiency helped us tell the story we wanted to tell.” 

To celebrate the new music, Sunflower Bean is currently on tour, including a stop in Chicago at The Bottom Lounge on Friday, May 20th. See all of their tour dates here, and watch the video for “I Don’t Have Control Sometimes” below.


ANCHR's Artist of the Week: The Vaccines

Photo courtesy of Red Light Management

Photo courtesy of Red Light Management

In 2021, there’s been no shortage of discussion about Covid-19 vaccines, but today we’re here to talk about The Vaccines. With nearly two million monthly listeners on Spotify and a catalog of absolute bops like “Post Break-up Sex,” “If You Wanna” and “Wetsuit,” there’s a high chance a lot of you are already familiar with the London band composed of Justin Hayward-Young, Freddie Cowan, Árni Árnason, Timothy Lanham, and Yoann Intonti. If you’re not, now is the perfect time to get to know them ahead of their upcoming fifth studio album Back In Love City, which is set to be released in September.

With jovial drumbeats, bright guitar riffs and witty lyrics you can’t help but sing along to, The Vaccines is one of those bands that will put a smile on your face as soon as you hear the intro of one of their songs. That carefree spirit of their music translates perfectly to their live shows, with lead vocalist Young never failing to work the entire stage and keep the whole room entranced. I’ve been lucky enough to see The Vaccines perform several times, but my favorite memory of them has to be their sold-out show at London’s Roundhouse venue in 2019. There was an electrifying wave of positive energy in the crowd that night, something that transcended the normal hometown show vibes, making that gig one that I’ll never forget.

The latest singles from The Vaccines “Headphones Baby” and “Back In Love City” pack even more pep, delivering an expectation that Back In Love City will certainly be a record that keeps listeners dancing. About the new album, Young has said the idea for the fictional Love City stemmed from his experience partaking in a house swap in Los Angeles. “I literally swapped lives with a stranger. I lived in in house and drove his car while he lived in mine, but we’d never met and had no previous connections,” he adds, describing the experience that fueled his fascination with disconnection and escapism.

Make sure to pre-order Back In Love City here, and keep an eye out for upcoming tour dates from The Vaccines here.

ANCHR's Artist of the Week: Squirrel Flower

Photo by Tonje Thilesen

Photo by Tonje Thilesen

You know how certain bands have that very particular signature sound where you can recognize one of their songs before the lyrics even kick in? Well, with Squirrel Flower— the project of vocalist, songwriter and musician Ella Williams— there’s a consistent air of experimentation and exploration of different energies and sounds in her music, leading to a completely different effect. Across the first Squirrel Flower EPs and debut album I Was Born Swimming, Williams delivers reflective lyrics and a sweeping vocal performance, lending varying timbres to her silky voice.

Back in April, Williams announced Squirrel Flower’s sophomore record entitled Planet (i), giving us the lead single “Hurt A Fly.” The track leans a little heavier than some of Squirrel Flower’s past releases, featuring distorted and frenzied guitar riffs and telling the story of manipulative lover switching back and forth between powerful emotions. Talking about the track, Williams says, “‘Hurt A Fly’ is me embodying a persona of gaslighting, narcissistic soft-boy type shit. The classic ‘sorry I acted violently, I'm not mad that you got upset at me, wanna hang out next week?’ I wanted to see what it was like to be a character trying to skirt around accountability. It's an angry and unhinged song.” Tune in below to experience the track in all its glory.

As for the rest of the album Planet (i), Williams says most of the songs were written ahead of the pandemic, but she spent a large part of quarantine demoing them in her bedroom. When it came time to safely record the studio versions of the tracks, Williams worked with producer Ali Chant out of The Playpen in Bristol, UK. Williams and Chant provided the backbone for most of the instrumentation on the record, but it remained collaborative with guest contributions (provided remotely) by the likes of Tenci's Jess Shoman, Tomberlin, Katy J. Pearson, Jemima Coulter, Brooke Bentham, and Williams’ family members.

Be sure to pre-order Planet (i) ahead of its June 25th release date here, and check out Squirrel Flower’s upcoming tour dates here. The majority of the shows are unsurprisingly sold out, but if you were lucky enough to snag tickets, Squirrel Flower will actually be playing two shows here in Chicago this weekend at Sleeping Village.


ANCHR's Artist of the Week: Girl in Red

Photo by Isak Jenssen

Photo by Isak Jenssen

“Do you listen to girl in red?”  Yes, I’m aware that joke is dead, but I wanted to use it in this Artist of the Week post to claim victory.  The queer community tried to keep girl in red for themselves but we weren’t having it. Girl in red is for the people.  Marie Ulven is a Norwegian singer-songwriter who has been releasing music under this alias since 2018.  A number of publications have labeled her as “dream pop” but if you listen to her latest release “serotonin,” it sounds more EDM than anything to me. After my first listen, it gave me Alison Wonderland vibes. I say that to try and make the point that every year, it’s becoming more and more antediluvian to try and place bands under a single genre. Girl in red, I feel, fits into that new style of music creators; Some would call it “multi-genre” whereas I would call it “genre-less.”

We at ANCHR were fortunate to catch girl in red at the Iceland Airwaves Music Festival in Reykjavik, Iceland back in 2019.  One of the best parts of the show was that it was put on by KEXP and being live-streamed for the listeners back in Seattle but it kept slipping Ulven’s mind that the performance was being shared live and she would continuously swear during her in-between songs banter with the audience. The KEXP producers would try to get her attention to get her to stop doing that and she would then laugh and unwittingly say “shit, I forgot,” which gave her performance the same endearing relatability as her lyrics. We went into the show really digging a handful of her songs and she did not disappoint when performing them.  “We Fell In Love In October” was a personal favorite and I still can’t kick it. 

My favorite track she released in 2020 was “Midnight Love” and that bop made it onto the track list of her debut album if i could make it go quiet , which comes out April 30, 2021, giving us something to look forward to.

Pre-order if i could make it go quiet  here, and listen to “serotonin” below.


ANCHR's Artist of the Week: Fauvely

Fauvely is Sophie Brochu, Dale Price, Dave Piscotti &  Phil Conklin / Photo by Aaron Ehinger

Fauvely is Sophie Brochu, Dale Price, Dave Piscotti & Phil Conklin / Photo by Aaron Ehinger

At this point in the pandemic, we’ve all got our list of “things-we-can’t-wait-to-do-after-Covid.” At the very top of my post-pandemic bucket list sits a night out at a venue like Schubas or Empty Bottle, seeing a bill of Chicago bands perform. It may still be a while before we can all gather and experience the magic of the bustling local music scene together, but that doesn’t mean there isn’t new music continuing to be created in the city.

One group that has been hard at work crafting their debut album throughout the past year is Fauvely, the project of songwriter Sophie Brochu and bandmates Dale Price, Dave Piscotti, and Phil Conklin. Following the 2017 EP Watch Me Overcomplicate This, Fauvely gained traction in Chicago performing everywhere from The Hideout to Sleeping Village and Lincoln Hall. The band had kicked off 2020 with a slot playing alongside Hand Habits at the annual Tomorrow Never Knows festival, with plans to tour in Japan and perform as an official showcasing artist at SXSW festival during the spring.

While those tour dates unfortunately never came to fruition, Fauvely reemerged in early 2021 with “May3e,” the lead single off their upcoming album. The track resonates with vulnerability, driven by Brochu’s reflective lyrics and dreamy vocal range. This same sentiment carries over into the latest single that Fauvely released earlier this month. “There’s always a reason to be sad,” Bronchu sings on “Always,” which I think we all can agree rang particularly true during the year 2020.

These two songs lead up to the release of Fauvely’s debut album Beautiful Places, a collection of songs which the band describes as being “about duality: light and dark, memory and haze, being stuck and running away.” Pre-order the record ahead of its April 2nd release date on Bandcamp and check out the video for “May3e” below.

PREMIERE: "Crowd" by The Golden Fleece

Album Artwork by Pete Gowdy // @arcticsun_collageartist

Album Artwork by Pete Gowdy // @arcticsun_collageartist

The Golden Fleece are back with new music, and we’ve got the exclusive first listen of their new single “Crowd" below.

The track marks the debut single from the band’s upcoming album, announced today. Out April 5th, the band teased their new full length, saying, “Mind Mirror is the kind of album you listen to once, then throw on a pile of fire.”

Mind Mirror was recorded to tape at Future Apple Tree Studio and engineered by Pat Stolley, original Daytrotter engineer. You can pre-order the album here, and celebrate with the band at one of their release shows:

QC Release April 5th @ Rozz-Tox w/ Condor & Jaybird and Faintlife
Peoria Release April 6th @ Pizza Works w/ Condor & Jaybird and Faintlife

If you’re going to SXSW, you can also catch The Golden Fleece at our showcase on March 14th at Shiner’s Saloon.

Keep up with The Golden Fleece on Facebook + Instagram

Track by Track: "No Kidding!" by The Fluids

Brooklyn trio The Fluids and their Talking Heads-esque debut single "Creatures" turned lots of heads (pun intended) after the tune's release in September. Since then, the band drip fed their fans songs from their debut album No Kidding!, which was just released October 27th via Axis Mundi Records. The post punk sound that the band has honed in on so perfectly has also gotten comparisons to the likes of Bowie and Echo & The Bunnymen. One listen to the album and you'll pick up on those nostalgic nods in lead singer Mike Tony's vocals and their punchy guitar melodies. In celebration of the album being released last month, Mike and lead guitarist Cooper Formant put together a track by track of the record. Check it out below!

Photo by Jordan KuyperThe Fluids is Cooper Formant, Mike Tony, and Nick DeMolina

Photo by Jordan Kuyper

The Fluids is Cooper Formant, Mike Tony, and Nick DeMolina


"Lines"

Mike: Maybe our most dynamic song,  and one of my faves to play live. 

Cooper: This is one of the ones where Mike sounds like a kid performing a rock opera for his sister and her friends in the basement as a teen...in a good way. This riff is pretty bluesy.

"Sign N Drive"

Mike: Catchy little song that really came together once Cooper introduced his guitar line. 

Cooper: This is the Miller Lite of the songs on No Kidding! The first few seconds are like cracking a cold light beer. It's hard for me not to picture Mike's aunt dancing in the front row at our shows when I hear this one. 

"New Land Sale"

A statement of intent. An anthem to kneel to.

"Midnight"

I needed a slow song for our live sets and I wanted a chance to shred a solo over some airy synths.

"Creatures"

A party song. But not a party I particularly want to go to.

"Heavy Door"

A big Bruce-esque power jam that culminates with an apropro sax solo

"Favorite Gun"

Mike: A last minute addition to the album - a reckless, unhinged sprint. 

Cooper: I imagine we are riding through the desert night in a convertible with Mike's dad and Adrian Grenier on our way to Vegas. 

"Turnt"

A straight up blitz. Cooper’s guitar gives me goosebumps.

"Just Like Me"

A cathartic track, in terms of content and placement on the album.

"On Ice"

It’s like eating a McFlurry after a Big Mac meal. 

Listen to No Kidding! in full below, and keep up with The Fluids on social media: Facebook // Twitter // Instagram 

Playlist: Dream Version Exclusive for ANCHR

Tomorrow is the day! Our pals Dream Version are releasing their new album called Fight Fair. To celebrate, the Chicago trio made us an exclusive playlist. Listen to it and check out what they had to say about the songs they selected below!

Thumbnail image courtesy of Dream Version

1.  Yes Sir, No Sir / The Kinks

2.  Yo-Yo / Pylon

3.  Scared Straight / The Long Winters

4.  No Bulbs (single version) / The Fall

5.  Ping Pong Affair / The Slits

6.  The Glittering Prizes / Television Personalities

7.  Goldilocks Zone / Grass Widow

8.  We Are Underused / Pavement

9.  Flower Gardens / Chad VanGaalen

10.  Like A Prayer / Madonna

Songs about various flavors of fear (1,3,9)

Songs about the costs of deferring to authority (1,6)

Songs about continuing to play a game you know is rigged (2,6,8)

Songs that are just cool sonic influences (4,5)

Songs about weird religious themes (7,10)


Make sure you also grab a ticket to see Dream Version this Saturday night at Lincoln Hall for their special album release show. Tickets start at $10 and you can buy there here. 


Can't get enough Dream Version? Check out our interview with them