Pitchfork Music Festival 2024: Sunday Highlights
Pitchfork Music Festival 2024 wrapped up on Sunday, July 21st in Union Park, drawing another mix of different genres to close out the weekend.
I started my third day of the fest with Model/Actriz’s set over on the Red Stage. Having gone in completely blind to the band’s music and their performances, I was instantly blown away by the intensity of their show. Vocalist and frontman Cole Haden dramatically sashayed around the stage at the start of the band’s set, but within a couple of songs he jumped offstage to join the audience in the mosh pit. Haden journeyed to both the left and right sides of the crowd, getting up close and personal with the spectators. The extravagant performance got everyone rejuvenated and ready to take on the final day of the fest.
Photo by Kenn Box
Jessica Pratt played next on the Green Stage, providing a chilled out, easy Sunday afternoon tone as fans watched on under the blazing sun. “Thanks for standing out in the sun with us,” Pratt told the audience as she continued her dreamy songs.
Photo by Alexa Viscius
Mannequin Pussy tied for my favorite performance of the day, alongside Model/Actriz and MUNA—there’s just something about bands that start with the letter M! Fans gathered around the Blue Stage in anticipation a good 20 minutes before this set was slated to start. As the band performed a set heavily comprised of songs from their 2024 album I Got Heaven, lead vocalist Missy Dabice also addressed the packed audience a few times with captivating stage banter that she delivered in her signature sultry whisper that contrasts with her raw singing voice. “Hi boys, I’m Missy. All the men and all the boys raise your hands. I just wanna see what kind of fucked up men come to a Mannequin Pussy show,” she joked before asking everyone to scream “pussy” as loud as they could. The scream theme returned later in the show when Missy instructed everyone to let out a primal yell. “We’re the luckiest people alive to be able to be together, to be able to be in a place transferring your cathartic pain into something that looks more like community,” she prefaced the group primal scream. There’s a certain controlled chaos around Mannequin Pussy shows, where just as you feel you’re about to teeter over the edge, Missy and the band pull you right back in line. Who needs therapy when you can just go to one of their shows?
Photo by Kimberley Ross
MUNA kept the energy soaring high over on the Green Stage, opening with their singles “What I Want” and “Number One Fan” that kept the audience dancing under the evening sun. The trio of Katie Gavin, Josette Maskin, and Naomi McPherson were joined by a couple of live band members to help bring their songs to life on the stage, but the focus remained on the core band members are they bolted around the stage and fed off one another’s energy. Gavin slipped in some funny banter alongside the music, asking the fest-goers if they just fell out of a coconut tree (in reference to the Kamala Harris meme). Gavin also called out the full circle experience for the band when she shared she used to come to the festival during high school. Towards the end of the set, the band tossed out inflatable horses into the crowd during the performance of “Anything but Me,” which was fitting for the part of the show that had a twinge of twang as Gavin played acoustic guitar.
Photo by Alexa Viscius
Brittany Howard closed out the Red Stage with her soulful, powerhouse vocals. Accompanied by a full band, the singer told the audience “I drove through the night to get here and I’m gonna give y’all everything I got!” Howard delivered, giving me goosebumps with her commanding vocals.
Photo by Kimberley Ross
Now, Mannequin Pussy’s show might have been controlled chaos, but Les Savy Fav’s set was pure, unfiltered chaos from the moment it began. Frontman Tim Harrington rolled up on a Lime scooter from the back of the crowd, parting the sea of concert-goers as he rode to the front barricade. From there, Harrington spent only a few moments onstage before he moved on to spend the majority of the show wandering amongst the fans, venturing all the way to the back of the crowd, and having audience members participate in the show as he went along. Les Savy Fav’s show was more of an interactive art exhibit backed by an epic soundtrack.
Photo by Pooneh Ghana
Alanis Morissette closed out the entire festival with a setlist packed with hit after hit—opening with “Hand in My Pocket” and winding down with “You Oughta Know.” One of the greatest aspects of music festivals is getting the chance to discover a new act, but fests are best when that discovery is anchored with some veteran performers. It felt truly inspiring and invigorating to get to witness the expertise and finely-tuned craft of stage performance that Morissette and her band have mastered throughout their years of touring and playing live music. Elaborate visual graphics accompanied the tight musicality of Alanis’ performance to elevate the production even further. Morissette and her band also gave a one-of-a-kind performance of “Ironic” at Pitchfork Fest by bringing out the entirety of MUNA to sing the song with her. We love to see a crossover moment! Following the cathartic and chills-inducing performance of “You Oughta Know” that closed out Morissette’s main set, the singer returned for a two-song encore including “Uninvited” and “Thank U.”
Photo by Kimberley Ross
