ANCHR Magazine

Holding you down with the best new music

Filtering by Category: Reviews

Live Recap: Glass Animals Brings Intimate Club Tour to Lincoln Hall

At most sold out concerts, the crowd usually contains a mix of die-hard fans who know the full discography front to back, casual fans who mostly know the hits, and of course, the people who have been dragged along by their friends. However, as the audience filed into Lincoln Hall and packed the intimate concert hall, truly everyone seemed grateful to be among the lucky few ticket holders for a special evening with Glass Animals (which had sold out in seconds).

When the lights dimmed and the band made their way onstage, and lead vocalist Dave Bayley sang the first line of “Tokyo Drifting,” every single person around me started dancing and screaming the words back to the stage, confirming the fact that only true fans managed to get their hands on these limited tickets.

With their melodic mix of indie electronic, alternative and psychedelic genres, Glass Animals has honed in on a unique sound that’s seen them continue to grow and evolve. Despite the fact that throughout their ten plus years as a band, they’ve made their way up to sell out rooms like Aragon Ballroom in Chicago and toured with massive lighting rigs and production props, Glass Animals was able to strip away their shiny production and deliver a show that was just as captivating. While the stage may have been scaled down, Bayley’s stage presence and energy was anything but— he spun around in circles, danced with his bandmates, and never shied away from getting close to the crowd. In fact, after performing a handful of songs, Bayley decided to forego his place onstage to stand on the main bar in the venue while he performed the band’s single “Gooey” from their 2014 debut album. During that performance, there wasn’t a single person who didn’t have their eyes glued to the lead singer.

Following the outlandish performance of “Gooey,” Bayley traveled through the crowd to get back onstage and perform other favorites like “Youth” and “Pork Soda,” with a few new tunes sprinkled in the mix. One of the new songs, “Your Love (Déjà Vu),” was released as a single on February 19th. When all was said and done, this intimate show from Glass Animals gave fans a special opportunity to revisit some familiar songs that mean so much to them, while also allowing them to catch a glimpse of what the band has in store for their new music.

See where you can catch Glass animals next here (during the encore, Bayley promised they’d return to Chicago soon), and be sure to follow them on Facebook // Twitter // Instagram for all the latest updates.

Live Recap: Temples Closes Out January With Sold Out Lincoln Hall Show

True diva energy defies gender and genre. Art d'Ecco took the stage with all the glitter and glam and kick ass attitude of a rocker diva and then some. From the moment d’Ecco started playing "Never Tell," his music pulled at every part of me, demanding nodding heads, swiveling hips, and pumping fists. The band moved, expressing emphatic notes with their whole bodies. Disco. Post punk. Classic rock. Pop. Glam. They all had their moments and the band never waned in their enthusiasm. "Nobody's Home" kicked the energy up a notch and made the bliss center of my brain sizzle. It may have been their first trip to Chicago, but I certainly hope it won't be their last.

British mops of hair swirled around them as Temples shred and drove through their music. They brought a polished pop sensibility to ethereal psych rock. "You're Either On Something," elicited happy hoots and waving arms. Followed by a smooth cerebral psych jam, "Holy Horses." It was eminently clear, this is the kind of music that takes you for a ride, and if you happen to be high, it would glisten. Thanks to legalization, I'm pretty sure there were more than a few enjoying the way the combo of THC and music makes your body vibrate. James Bagshaw said, "These people look like they've been waiting all week to dance," and gave them what they wanted with "Hot Motion." The sold out crowd was so happy and thick they were spilling out through the doors. They were a beautiful happy mass of music lovers, and soaked up every last second of ecstasy.

Check out photos of the evening and listen to Hot Motion in full below.



Live Recap: Diane Coffee with The Curls at The Hideout

The happy dance vibes bounced around The Hideout as The Curls took the stage. I dodged through nodding heads and moving bodies to get to the front. The Curls got the party started with old favorites as well as new jams. With changes in band members even the familiar tunes had a different feel to them. This band seems to be constantly evolving. I have seen them play with as many as 10 people on stage, so paired down to a more traditional four felt like a fresh perspective on the music. "Lemon Lime" stood out as an exceptionally stellar dance number, faster and tighter than I remembered. They brought all the energy we expect from a Curls show. Giving the audience both a release and energy they would need to carry them through to the much anticipated headliner.

There is a particular tension that comes with waiting for a band that draws a devoted fan base. The air was thick as people pressed forward. An eager round of hoots and screams greeted Diane Coffee as they came on stage. They wasted no time, songs blazed by leaving me breathless. No one could resist this kind of world-shaking experience. The band wailed as Diane Coffee gave all us all their energy. They constantly reached out to the audience and gave their band exuberant praise, falling to their knees, shredding back to back. Anything and everything to make the most of every moment and ounce of energy. The band rose to their challenge, enjoying the show and performing to a level few outwardly show. They could be seen as goofing, but the serious guitar riffs didn't leave room for error. A special shout out to amazeballs guitarist Kyle Paul for being such a joy to watch and also to his proud dad, who was celebrating his birthday. Gotta love a family shout-out!

Even when the music slowed down and Diane Coffee became slightly more stoic, they were still animated. Singing with gestures and expressions that would surely reach the nosebleed seats at the Lyric, let alone the back of the Hideout. There was not a bad seat at the show, although I was immensely happy to be front and center as the band’s energy washed over me. I felt dazed by the experience. I go to shows chasing that high. 


Photos of The Curls and Diane Coffee




Live Recap: Hozier Doubleheader at The Chicago Theatre

Earlier this summer, Hozier drew a massive crowd to his evening Lollapalooza set, so it’s no surprise when he announced his Fall tour around the US, he had two nights in Chicago on the schedule. Both nights of Hozier’s doubleheader took place at the historic Chicago Theatre downtown, bringing the songs from his second album Wasteland, Baby! to life in a beautiful and intimate setting.

The evening began with a solo set from Australian singer-songwriter Angie McMahon, who effortlessly captured the sold out room with her stunning vocal range and witty lyrics. Although she usually performs with a full band, McMahon’s stripped down performance allowed for the crowd to truly appreciate her talent both as a singer and lyricist, which led to a standing ovation from the seated audience.

Following a brief intermission, Hozier and his multi-talented bandmates filled the stage, accompanied by a flash of lights that complemented the mood of the songs. As Hozier played through a few of his new songs like “As It Was” and “Nina Cried Power,” customized visuals flickered across the screen that stretched across the background of the stage, creating a multifaceted production level for the show. Between Hozier’s storytelling that crafts an intricate picture, the buttery harmonies his bandmates stacked behind him, and the topnotch musicianship from everyone on the stage, Hozier’s show would have been great— but combining all of that with the visual production created an immersive experience that allowed the audience members to find sanctuary from the outside world the duration of the concert.

In addition to the new material from his second album, Hozier also performed more fleshed out arrangements of his earlier songs and tested out some brand new, unreleased songs that sounded flawless despite his disclaimer that the songs still had some kinks to be worked out. Naturally, when the time came for Hozier to play his final song of the evening—the single “Work Song”— it was hard to believe nearly two hours had passed because we’d all been in such a daze.

If you get the chance to see Hozier perform, don’t miss the magical experience— see his upcoming tour dates here, and check out photos from the first night in Chicago below.

Live Recap: Shura's Forevher Tour at Empty Bottle

Last Wednesday night, English singer, songwriter and producer extraordinaire Shura drew a packed house to The Empty Bottle— returning for the first time since 2016. The comeback show in Chicago was in honor of her sophomore album Forevher and marked Shura’s debut headline set in the city.

Shura’s two albums are both full of intricately produced and layered earworms, but she and her two bandmates stepped up to the challenge of recreating her complex songs in a live setting. Shura first hooked me as a listener with her relatable and vulnerable confessions in songs like “2Shy” and “Indecision,” and during her live show, she carried herself with the same honest demeanor. Whether she was poking fun of herself for her own stage banter at Austin City Limits Festival or she was breaking the fourth wall and reaching out to the audience members during “Touch”, there was constantly an air of humility that made it even easier to connect with the music.

The energy of the night culminated when Shura performed the epic “White Light,” which spans over ten minutes on her first album. During her show, Shura threw everything she had into the performance of the tune and thrashed around the stage, keeping the energy high through the end of the show.

See where you can catch Shura on tour next here, and listen to the new album in full below.

Live Recap: Catfish and the Bottlemen at Aragon Ballroom 10.05.19

Catfish and the Bottlemen have played just about all size and scope of shows in Chicago; From headlining venues like Schubas and House of Blues to opening up for Green Day at Wrigley Field and playing festivals like Lollapalooza, there’s been endless possibilities to see them perform here. This past Saturday, the band performed their biggest headline show to date to a packed house at Aragon Ballroom.

The venue was a room that Catfish and The Bottlemen had played on other bills before, but this time they were the main act, and their devoted fans filled the room ready to support them. Saturday’s show was also their first performance in the city proper since their third album, The Balance, was released earlier this spring (the band had played Piqniq in Tinley Park over the summer), so the setlist boasted some new material. The band balanced (pun intended) the new songs like “Longshot” and “2all” by also including fan favorites from their first two records The Balcony and The Ride. The crowd remained enthusiastic throughout the whole show, showing appreciation by screaming along to the lyrics and relentlessly cheering, but nothing quite matched the audience reactions during the classics like “Kathleen” and “Cocoon.”

Catfish and the Bottlemen is a band that has consistently delivered captivating live shows, thanks to lead singer Van McCann’s magnetic stage presence that always seems to effortlessly connect with the crowd of any size. If you missed them during this past tour, the band will return to The States for the second part of their US tour this winter—see dates here.

Purchase a copy of The Balance here, or stream it in full below.

Live Recap: SHAED at 7th St Entry 09.30.19

SHAED’s career skyrocketed after they released their hit single “Trampoline” in June 2018; The tune can be heard playing nearly every time the radio is turned on, it’s been featured in Apple commercials, and the trio just recently re-released a new version featuring Zayn Malik. As the group continues to climb the charts, it’s certainly no surprise that their Monday night show at 7th St. Entry in Minneapolis, Minnesota was sold out.

In the moments leading up to the start of Monday’s show with opener Absofacto, excitement coursed through the room full of fans. He hyped up the crowd as fans in the audience screamed back at him after each song was over. His dance moves were electric and fun, which put a smile on many faces. He ended his 9-song set with “Dissolve,” which became a hit after appearing in videos on Tik Tok.  When it was all over, the audience began a chant for an encore.  

As the stage was getting set up for SHAED, fans were buzzing with even more anticipation. They screamed when the setlist came out and analyzed it, determining which ones they were most amped for. Then, the lights went down. A silence came over the crowd and orange lights framed the stage seconds before SHAED came on. 

They started their show off with “Just Wanna See,” the first song they ever released. As each song ended the lead singer, Chelsea Lee, lit up with a smile on her face. Her love and passion for music and performing was clearly apparent in the emotion on her face. They followed that song with “ISOU,” which was released earlier this year. Crowds already knew the words and sang along loudly and joyously. Throughout the show, Lee spoke about not being perfect but still loving yourself because no one is perfect, which resonated with the fans as they looked up to her with admiration in their eyes. 

SHAED closed out the show with their wildly popular single, “Trampoline.” The crowd was absolutely electric. They cherished every moment of that song and sang it back to SHAED with verve, and the band left everything they had on the stage. See where SHAED is off to next here






PHOTOS: Love Fame Tragedy at Subterranean 09.21.19

This past Saturday, Love Fame Tragedy made their live debut in Chicago, performing at Wicker Park’s Subterranean venue. The solo project of The Wombats’ frontman Matthew "Murph" Murphy, Love Fame Tragedy was first introduced to listeners with the single “My Cheating Heart,” which was released earlier this summer. The live show included a full band playing alongside Murph, and the setlist featured all of current singles, plus several unreleased tracks. Make sure you keep an eye on future upcoming shows here.

Love Fame Tragedy’s debut EP I Don’t Want To Play The Victim, But I'm Really Good At It is out this Friday, September 27th—Pre-save it here.

Keep up with Love Fame Tragedy on Instagram // Twitter // Facebook

Live Recap: The 404 Tour with Barns Courtney and The Hunna

This past Wednesday night, The 404 Tour stopped in Chicago, bringing a lively performance from The Hunna and Barns Courtney to Park West.

The evening kicked off with British band The Hunna making their long awaited return to a stage in Chicago to perform both new material and old favorites. It had been years since The Hunna had toured The States, and they had taken a long hiatus from releasing new music until this year, so the band eased into their set with “We Could Be” from their 2016 debut album. Before the first song was even over, the energy of the band had skyrocketed, but it only continued to climb throughout their show as they played songs like “Bonfire,” “She’s Casual,” and new single “I.G.H.T.F.” During the set, lead singer and guitarist Ryan Potter threw his body into his guitar strums, climbed up on drummer Jack Metcalfe’s kit, and swung his microphone around. You could truly sense how grateful the band was to be back onstage in front of an audience far away from home ad that their return was warmly welcomed. Whether the people in the audience were fans of the band who had patiently been waiting for that return, or perhaps seeing The Hunna for the very first time, the band had every single person in the room sold on them by the end of their set.

Barns Courtney took the momentum that The Hunna had built up and propelled it to even greater heights when he burst onto the stage, twirling his microphone in the air and opened up the show with “Fun Never Ends” from his new album 404, just released this Friday. Whether intentional or not, the title of the opening song foreshadowed the lighthearted and amusing nature of the set that would follow. Besides the boundless energy he and his bandmates exuded while performing his upbeat songs, Barns Courtney also kept the audience entertained with his humorous between-song banter. Before slowing things down to deliver a solo acoustic performance of the unreleased “Hard to be Alone,” Barns invited two fans from the front row onstage, and shared the news that the couple had gotten married earlier that day— The fact that he has fans who would spend their wedding night at his concert attests to just how infectiously joyful he is as a performer. After that special, intimate moment of the set, the momentum picked right back up and finished the night on a high-note; Barns jumped off the stage to crowd surf, balloons floated around the room, and everyone danced and sang along to every song.

Between The Hunna and Barns Courtney, the 404 Tour is a blatant reminder that rock and roll is alive and well. To get your fill, see where the tour is stopping next here.

Live Recap: Nao and Jean Deaux at Metro 08.23.19

Just last month, the unfortunate news broke that the annual Mamby on the Beach festival would be cancelled, due to troubles with the location. That meant that many of the artists that music fans in Chicago had been looking forward to seeing perform would no longer be in town the weekend of August 23rd and 24th. On the other hand, some of the artists were still able to book new gigs at venues around the city, and fortunately one of those artists was Nao, who performed at the Metro on Friday night.

Chicago’s own Jean Deaux took the stage first on Friday, and she did a perfect job of warming the crowd up for Nao. Jean Deaux’s set was short, but sweet, and included a ton of crowd interaction encouraged by the singer. From call-and-response style sing alongs to dance moves, the crowd remained entertained the whole time. Being her hometown, some of the audience was already well-versed with Deaux’s music, but by the end of the set she had gained the entire room’s attention and admiration with her outgoing performance style.

By the time Nao was set to take the stage, the Metro had completely filled in, and it became clear how much of a positive impact the London R&B artist’s music has had on fans, even miles away from her hometown. When the lights dimmed and Nao’s band took the stage, she actually entered from the back of the crowd, singing the entirety of “Another Lifetime” alongside her audience. While the indoor venue was obviously scaled back from the size of the festival performance, Nao’s surprise introduction made her performance even more intimate.

As the night went on, Nao continued to truly connect with the audience through her lyrics, her stage presence, and her speaking points. Nao is an artist who bares her souls in her songwriting, and when she performs, she leaves all her energy onstage. Whether she was twirling across the stage, sitting down at the edge of the stage to be physically closer to the audience, or handing out white balloons (as an homage to her Saturn album cover), Nao’s energy was something that you didn’t just watch— it was something that you felt. Everyone in the room could genuinely relate to Nao as she recited an anecdote about change and personal growth before performing her new album’s title track “Saturn.”

The difference between a good show and a great show usually comes down to the energy put out by the performer and the crowd alike, and for Nao’s Metro performance, there was nothing but positive vibes in the room that night. The show brought people of all different backgrounds into one place, allowing for strangers to share an incredible moment together.

Keep up with Nao on Twitter, Facebook and Instagram and check out photos from Friday’s show below.