ANCHR Magazine

Holding you down with the best new music

ANCHR Turns Two: Our Anniversary Show Recap

Just before I stepped through the double doors at Schubas’ entrance, the alluring sound of laughter and good tunes hit me and plastered a smile on my face. I must have looked a little too excited based on the way the bouncer couldn’t help but grin and chuckle at me as I walked in. This didn’t come as any shock to me, as this is a typical occurrence when attending an ANCHR event. Some might envision their ideal birthday party to have a photo wall, a tiered cake, and champagne. ANCHR Magazine crept its way into my birthday party dreams and had a bill packed with rocking bands, plenty of PBR to go around, and funky party hats for all. After two years, ANCHR Magazine has become a cornerstone in the Chicago music scene and that wouldn’t at all be possible without the dedication from our readers and the community of friends in the city. It is an honor and a privilege to exist and contribute to said community. With that being said, a celebration to match the love and excitement that this past year has given to ANCHR was imperative to continuing this wave of prosperity and good times. Plus, who doesn't love a party celebrating music?

I was elated to see friends from all across the Chicago music scene there to celebrate ANCHR. As we all cheered and made our way towards the stage, OHMME’s DJ set had the arduous task of setting the scene for the evening. Don’t fret, they were more than capable and filled the room with bops that had everyone moving before the bands even began. Schubas completely sold out music hall coupled with the dance worthy tracks filled the room with what I like to call a cozy concert temperature. (Let’s just say my denim jacket didn’t stay on for long and we all got nice and comfortable with each other for a night filled to the brim with live music.)

As the lights dimmed and the first act, Ruins, came onstage you could feel that pre-concert electricity buzzing throughout the room, through the floor, and right up into your toes; tapping with anticipation. Adam Schubert of Ruins began a solo performance that would match the energy of all the other bands playing. Schubert’s vocal and guitar skills engulfed the room in a magical musical sheen the same way a full band would. His melodious tunes had Schubas entire hall swaying to and fro as he sang. Cheers to Ruins for starting the night off with groovy tunes that would set the momentum for the rest of the evening.  

As the next band, Cold Beaches, took the stage, I was completely hypnotized by some badass style before the music even began. The diversity that existed onstage between all the band members resulted in the most captivating hodgepodge group of musicians I have ever seen. From Adidas sneakers to glitter loafers, I was already invested in Cold Beaches even before any note was played. Cold Beaches possesses an infectious, inherent energy in their records but also in the performance of their music. I can’t play a lick of base or drums, but I wish I did just to be able to share the stage with Cold Beaches, maybe even take a little seat and continue to shred with lead singer and guitarist Sophia Nadia. When the lights came up on their set too early, Cold Beaches members waved their hands in the air calling out, “Wait, we aren’t done yet! There is more!” If there was a catchphrase for the evening, this would be it. Cold Beaches unintentionally set a major mood for another year of ANCHR Magazine. From their most recent releases to a birthday serenade, Cold Beaches swaddled ANCHR in some groovy birthday love. 

V.V. Lightbody was next and to say she graced us with her presence is an understatement. I felt like a magical mermaid was serenading me and luring me into her lair, and I think I can vouch for all of Schubas when I say, I would have followed her voice anywhere. Before playing, V.V. Lightbody made it clear that live music was happening and conversation should not. “That’s what a bar is for,” she addressed the crowd. This might have been one of my favorite moments of the evening. Nothing hurts my heart more than when a band plays my favorite song that I am excited to see performed live, but it keeps getting interrupted by the group of people next to me near screaming about the tacos they had for dinner. V.V. Lightbody requested and the audience listened, and they obliged. If I ever had to create a chill cocktail lounge playlist, it would be jam packed with some V.V. Lightbody. With collaborative efforts from other Chicago musicians, including Macie Stewart and Sima Cunningham of OHMME, the hall was filled with enchanting siren tunes, and some major flute action. Yes, there were flutes. (And yes... It was awesome.)

Slow Pulp closed out this birthday party with songs that are still running through my mind. Sometimes when a band comes on stage and gets all set up, I get this feeling in my stomach like, “Yea…they’re gonna be good.” This feeling goes double for Slow Pulp…the band just completely owned the stage. There was this ease about their stage presence that completely supported their dreamy, psychedelic music style and drew me in even closer. Despite the fact that they only moved to Chicago recently, Slow Pulp looked completely at home on the Schubas stage that night. They had a sense of familiarity that seeped its way into the audience and is pretty rare to come by. Every audience member in attendance no matter how different their taste in music from the next person was, could enjoy Slow Pulp. In Schubas’ sold out music room, the show felt intimate. Lead singer Emily Massey has vocals that are smooth like butter, and her silky vocals paired with some attitude made it nearly impossible to not sway along to her melodies. Their lively tracks from Spotify became even more animated on stage, making for a truly mesmerizing performance. 

Just like that, ANCHR's second birthday party came to a close. Thank you to all the bands and audience members in attendance! Without this unwavering support, ANCHR would be adrift; lost at sea somewhere. We may ground you with tunes, but your support is the ultimate foothold for success and prosperity. As I made my way out of Schubas on Friday night, the bouncer chuckled at me again. I don’t think he realized my giddiness could be heightened, but after this birthday throw-down, how could you not? Cheers to another year for ANCHR and cheers to all of you. 

GIVEAWAY: The Evening Attraction with Modern Vices and Luke Henry 1/13/19

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Next Sunday, January 13th, our pals in The Evening Attraction are returning to Sleeping Village for a show with Modern Vices and Luke Henry. Ahead of the show, we’re giving away one pair of tickets and a copy of The Evening Attraction’s latest album The End, Again. For your chance to win, enter your information below, or to make sure you don’t miss out on the show, snag your tickets here.


PHOTOS: Noname's Sold Out NYE Weekend at Thalia Hall

Last weekend, Noname took over Thalia Hall for three nights of sold out shows. If you missed out on tickets, check out photos from the second night, December 30th below.

Live Recap: Ryley Walker, OHMME, and Ben LaMar Gay Brought Improv and Collaborations to the Empty Bottle

On Friday, December 28th, Ryley Walker, OHMME, and Ben LaMar Gay brought a sold out crowd to The Empty Bottle for a night of improvisation, collaboration, and celebrating live music.

The bill of Chicago natives kicked off with Ben LaMar Gay, whose set was definitely the most freeform and jazzy of the evening. The composer and cornetist took the stage right around 10PM bringing along a full band that included a tuba player. Throughout his 45 minute set, the audience got to experience elements of hip hop, avant-garde, and soul that focused more on the instrumentals and melodies over lyrics. Instead of a traditional set where you recognize the transition from song to song, Ben LaMar Gay’s set played out more like a theatrical play, where it moved from scene to scene or segment to segment. As an audience member, you could hear the improvisation happening, but the band worked so well together through the winding transitions that sometimes you doubted that any of it was free-form playing.

OHMME, the duo of Sima Cunningham and Macie Stewart, took the stage next, bringing the audience back to a more traditional place of arranged songs, but their show still had some surprise guests and songs. The set began with the song “Water” from OHMME’s debut full length Parts, which was released earlier this year. With its bold, distorted guitar and layered harmonies, the explosive opening song showcased why OHMME is one of the best live acts around and just how well Cunningham and Stewart work together. After the pair performed the title track from their album, they welcomed a friend onstage to play the drums and jingle bells, in place of their usual drummer Matt Carroll, for a rare performance of a Christmas cover song: “Jing-a-Ling Jing-a-Ling” by The Andrews Sisters. “In Chicago we do special things like that,” Cunningham told the packed room after the Christmas cover. During the performance of their single “Icon,” the pair were once again joined by a special guest to fill in on the drums, which celebrated the collaborative nature of the Chicago music scene.

Just after midnight, Ryley Walker and his band took the stage to close out the special evening with a performance that once again celebrated free-form and improvisation by blending elements of jazz and folk music. The show on Friday marked the end of Walker’s most recent tour in support of his album Deafman Glance and his own version of The Lillywhite Sessions by The Dave Matthews Band, both of which he released this year via Dead Oceans. The unique set began with a trumpet player center stage for the first few songs, which the crowd loved (at one point, an audience member yelled “More horn!”). Despite it being a late night, the venue remained completely packed as Walker and his band jammed out, delivering extended arrangements and feeding off one another’s energy. For the majority of the set, the songs blended into one another, smoothly transitioning very much like Ben LaMar Gay’s set had done. Walker would occasionally check in to see how the audience was doing, but surprisingly, he didn’t make any banter between songs. Based on his hilarious Twitter feed, I had been expecting some between-song jokes, but the focus of the set remained solely on the intricate musicianship displayed by Walker’s live band. While the set heavily featured songs from Walker’s 2018 projects, he did throw in some older tracks, like “The Roundabout” from 2016’s Golden Sings That Have Been Sung.

Overall, Friday night’s show highlighted what a wide array of talent the Chicago music scene has to offer at the moment, and captured the magic of friends playing live music together. If you missed out on a ticket to the sold out evening, check out our photo gallery below for a glimpse of what you missed.

Live Recap: All Time Low's Holiday Weekend Kick Off at House of Blues

All Time Low returned to downtown Chicago’s House of Blues on Friday, December 21st to kick off the holiday weekend.

Fans of all ages flocked to The House of Blues on Friday night, bustling with excitement as they filled the decadent theater from wall to wall. After an opening set from Los Angeles band The Wrecks, the sold out crowd animatedly chatted during the stage changeover. Finally, after the 30 minute stretch, the house lights dimmed and the sound of “We Will Rock You” by Queen surrounded the audience, who clapped, stomped, and sang along while they waited for the four members of All Time Low to hit the stage. Seeing as the show took place a few short days before Christmas, the Queen song transitioned into “All I Want For Christmas Is You” by Mariah Carey, teasing the crowd one more time before the band finally burst onto the stage.

Once the band members had taken their place on the dim stage, the show began with a flash of bright lights and the opening notes of “Stella” from 2009’s Nothing Personal rang out into the crowd. From the get go, lead singer Alex Gaskarth refused to remain stationary for too long, often leaving his designated spot at the center of the stage to wander closer to the edge of the stage and give attention to every corner of the room. The fans in the crowd matched the band’s lively spirit, loudly singing along and jumping to every single song, no matter if it was from the early era of the 2000’s or one of their latest singles like “Everything is Fine,” which they played second. Along with the jumping and dancing that made House of Blues’ floor bounce and shake, fans immediately began crowd surfing and they stayed up for the entire show— with some fans crowd surfing even during the band’s slower songs.

Throughout the night, the unbeatable sense of chemistry and the enthusiastic performance from the four band members kept the mood high, but between songs, the band kept the audience laughing and smiling with their humorous stage banter; with Gaskarth and guitarist Jack Barakat often firing quips back and forth or cracking jokes with audience members. Gaskarth also kept the tone of the night light-hearted by granting passes for normal security faux pas— when introducing the song “Something’s Gotta Give,” he encouraged the crowd to channel their music festival habits, saying, “I understand in this here establishment, we can’t get on shoulders, but I’m gonna need you to get on some shoulders for this.” Fans took a break from crowd surfing for this song to climb on their friends’ shoulders and sway. Things slowed down slightly for “Therapy,” which followed, but the audience’s sing a long still echoed loudly, and some fans put their phone lights or lighters in the air to keep the crowd participation levels up.

Later on in the night, an interaction between Gaskarth and a long-time fan summed up a good portion of the room’s history with the band; When a crowd surfer got pulled over the barricade right at the end of a song, she got lucky enough to catch the singer’s ear and he asked security to let her stop and introduce herself with the microphone. “I looked down and she’s just like HEY I’M CHRISTIE! I WAS 13 WHEN I FIRST SAW YOU,” Gaskarth said, filling in everyone in the balcony and the back of the venue who may have missed the beginning of the interaction. While the crowd on Friday night definitely contained teenagers and some older generations, the majority of the audience members, like Christie, were now in their 20’s and had been listening to All Time Low for more than 10 years— since they were teenagers. And luckily for the fans who have been with All Time Low for years, the setlist for the Chicago show contained a good mix of their discography, filling everyone with nostalgia during the early-day throwbacks. Further catering to the nostalgia, All Time Low ended Friday’s encore with “Jasey Rae” from their 2006 debut album and “Dear Maria, Count Me In” from their 2008 album So Wrong, It's Right. Regardless of how long you’d been listening to the band or how many years you’ve been going to their concerts, there was no denying the feel-good mood of the room and the sense of happiness everyone felt as they left the show that night.

If you missed out on the sold out show, check out photos from All Time Low’s set below.

Keep up with All Time Low on Twitter // Instagram // Facebook



GIVEAWAY: Unturned, Silver Age, Mt. Pocono & Commonweather at SubT 1/13/19

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On January 13th next year, Out Of Context Productions presents Minneapolis’s Unturned and Michigan’s Silver Age at Subterranean’s Downstairs room. Joining them on the lineup is Chicago’s Mt. Pocono and Commonweather.

You can grab tickets here to ensure you catch the show, or take your chances and enter to win a pair of tickets here. Lastly, get ready for the show by listening to Out Of Context’s playlist featuring all four bands below.


PHOTOS: Post Animal with Divino Niño and Paul Cherry at Metro 12.15.18

2018 has been an incredible year for Chicago’s Post Animal; From releasing their official debut album on Polyvinyl Records to playing festivals like Bonnaroo and Lollapalooza, they’ve had no shortage of Special Moments this year. On Saturday, December 15th, Post Animal played their final show of the year with the help of Paul Cherry and Divino Niño, celebrating the supportive community in the Chicago music scene. If you weren’t among the packed crowd at the Wrigleyville venue this weekend, check out photos from the show below.

Keep up with Post Animal on Twitter + Instagram + Facebook

PHOTOS: Gang of Youths with Gretta Ray at Metro 12.14.18

Metro was bursting with energy last Friday night. The Australian five-piece, Gang of Youths, brought their indie-rock tunes and poetic intensity to Chicago and we loved every second of it.

Keep up with Gang of Youths on Instagram + Facebook + Twitter

PHOTOS: Justus Proffit and Jay Som with Discus at Schubas Tavern 12.13.18

Last Thursday night, Justus Proffit and Jay Som joined forces one last time before the holidays to bring their collaborative tunes to Schubas. The duet was backed by a full five-piece band that helped deliver good vibes and easy going, all-encompassing sounds. 

Listen to the duo’s collaborative EP in full below.

PHOTOS: HAERTS and Vlad Holiday at Schubas 12.10.18

On Monday night, HAERTS wrapped up the first leg of their current tour, playing Schubas Tavern with Vlad Holiday. Check out photos from the show below.

Listen to HAERTS’ latest album New Compassion in full below.