Filtering by Tag: Stella Donnelly

Tomorrow Never Knows Festival 2020 Spotlight

December 29, 2019 / Rachel Zyzda

Tomorrow Never Knows Festival continues to be one of the only reasons I don’t hibernate for the entirety of January. Along with the extreme cold that often hits Chicago during the first month of the year, TNK Fest brings some of the best artists and best shows of the year to various venues around the city. For the first edition of TNK during the new decade, there’s no shortage of great gigs to attend at the likes of Lincoln Hall, Schubas, The Hideout and Metro, but here are the top five must-see shows on ANCHR’s list for 2020.

Who: Caroline Polachek, Born Days, Desert Liminal

What: TNK kicks off at Lincoln Hall with a show that will be sure to have the crowd dancing. Headlining the evening of electro-pop is Caroline Polachek (formerly of Chairlift), known for her knack of crafting unforgettable hooks. On her 2019 album Pang, Polachek weaves her catchy melodies around diverse electronic soundscapes that stand out as individual chapters, but still manager to flow together. If Polachek’s live shows are even half as energetic as her performances with Chairlift, be prepared to be captivated by her stage presence. Also, true to the TNK fashion of showcasing local talent in Chicago, local artists Born Days and Desert Liminal will be opening up the evening.

When: Wednesday, January 15th

Where: Lincoln Hall

Tickets to this show are sold out, but you can get TNK Five Day passes here.

Who: Goth Babe, Slow Pulp and Jude Shuma

What: All three bands on this line up create whimsical tunes that’ll fuel day dreams or make the perfect sunny day soundtrack. The evening’s headliner Griff Washburn, AKA Goth Babe, lives a nomadic lifestyle in the Pacific Northwest, so it’s only fitting his songs feel like snap shots of different adventures. Chicago’s own Slow Pulp and Jude Shuma perfectly complement Goth Babe’s sound with their dreamy, psychedelic tinged songs that’ll have you grooving along.

When: Thursday, January 16th

Where: Lincoln Hall

Get tickets here.

Who: Stella Donnelly, V.V. Lightbody, and The Ophelias

What: Stella Donnelly put on one of my favorite shows in 2019 at Lincoln Hall’s sister venue, Schubas. As a songwriter, Donnelly fearlessly writes lyrics that’ll hit you right in the gut, but they’re wrapped around melodies that are damn catchy. Her stage presence is just as infectious thanks to Donnelly’s positive energy and witty banter that’ll have you laughing between songs. Alongside Cincinnati rock band The Ophelias, Chicago’s V.V. Lightbody will warm up the show with her silky vocals and captivating performance.

When: Friday, January 17th

Where: Lincoln Hall

Get tickets here.

Who: Hand Habits, Fran, Garcia Peoples, Fauvely

What: Hand Habits, the brainchild of musician and songwriter Meg Duffy, also made for one of my favorite 2019 shows, and I can’t wait to kick off 2020 with them again. On 2019’s placeholder, Duffy spills out vulnerable tales that encompass listeners with doubled vocals and warm guitar tones. Like most of the shows in our top picks, there’s no shortage of Chicago talent that complements the evening’s headliner perfectly, and Fran and Fauvely do just that on this line up. New Jersey’s Garcia Peoples round out the evening with their trippy style that pulls influence from classic psychedelic rock bands.

When: Saturday, January 18th

Where: Schubas Tavern

Get tickets here.

Who: Deeper, Corridor, and The Hecks

What: TNK Fest wraps up at Lincoln Hall with a stacked bill that highlights three bands that put a refreshing twist on post-punk and new wave influences. Deeper’s 2018 self-titled debut was one of my favorite local releases in recent years, and if their latest singles “Bennington” and “Run” act as any indication of what their sound will continue to develop into, it’s safe to say their next record will also come in at the top. Montreal’s Corridor packs punchy guitars and nostalgia-evoking tones that pair perfectly with both Chicago bands on the bill. Lastly, The Hecks will be sure to get the energy ramped up and get the crowd moving with their synth-soaked melodies.

When: Sunday, January 19th

Where: Lincoln Hall

Get tickets here.

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categories / Festival, Gigs
tags / Tomorrow Never Knows, TNK Fest, Festival Preview, Deeper, Corridor, The Hecks, Hand Habits, Fran, Garcia Peoples, Fauvely, Stella Donnelly, V.V. Lightbody, The Ophelias, Goth Babe, Slow Pulp, Jude Shuma, Caroline Polachek, Born Days, Desert Liminal, Lincoln Hall, Schubas Tavern

Live Recap: Stella Donnelly's Sold Out Soiree at Schubas Tavern

April 01, 2019 / Rachel Zyzda

“I just took a Malört shot to the eye!” Stella Donnelly exclaimed to the sold out crowd at Schubas Tavern on Friday night, March 29th. *Record Scratch, Freeze-Frame* You’re probably wondering how we got here…so let’s start at the beginning, when Faye Webster opened up the show at 9PM.

The music room had filled in, with fans eager for the evening’s performances, when Webster took the stage accompanied by only one bandmate; Pistol, who played a pedal steel guitar. Webster’s gentle vocals made for the perfect way to ease everyone into the concert, with Pistol’s pedal steel providing a dreamy, surfy vibe to the songs to put everyone in the room in a groovy trance. Webster threw in some surprises during her set too; first with a creative cover of “Cheap Thrills” by Atlanta rapper Father and second, when she pulled out a yo-yo to show off some tricks she’d recently learned. The best surprise came when Webster invited an audience member by the name of Xion onstage to perform some serious yo-yo tricks, which were greeted with thundering applause and cheers from the crowd.

After the exhilarating yo-yo tricks at the end of Webster’s set, the room was buzzing with nothing but good vibes when Stella Donnelly took the stage shortly after. The last time I had seen Donnelly, she had played a solo set opening up for Natalie Prass at Lincoln Hall, and her debut album Beware of the Dogs had not yet been announced. At the Lincoln Hall show, Donnelly had completely commanded the room with just her voice, her guitar, and her witty banter. And at the Schubas show on Friday, Donnelly once again showed off her chops as a solo performer by opening her set playing a handful of songs sans her touring bandmates. For most of this first portion of the show, Donnelly had an infectious positive attitude about her, and she kept the mood light with some cheeky humor. When it came time for Donnelly to perform “Boys Will Be Boys,” a weighted song that tackles the subject of sexual assault, she gave a content warning about the subject matter before sharing that the song was inspired by an incident that happened to a close friend. Donnelly’s candid and fearless approach to her songwriting comes across on many of her songs, but particularly in this track, which acts as a timely reminder for everyone to believe and support survivors.

When it came time for Donnelly’s full live band to join the mix, the infectious energy that she had exuded on her own only multiplied, and you could feel the joy bouncing between bandmates as they looked to be having the time of their lives playing together. They all had such an easy-going manner and their chemistry as bandmates came across as natural, like they were all just old friends jamming out. Between the laid-back nature of the bandmates and Donnelly’s flawless vocal execution and charm, you couldn’t help but be hooked on this performance. The feel-good mood came to a high when Donnelly invited Faye Webster and Xion (and their yo-yos) back up on stage for the ironically upbeat tune “Die.” The bandmates, Webster, and Xion ended the song in a coordinated dance, which was obviously met with deafening cheers by the audience.

Now, the moment you’ve all been waiting for...the Malört shots. Earlier in the set, Donnelly had mentioned between songs that one of her bandmates had yet to try the infamous Chicago liquor, which is a rite of passage for anyone visiting our city. Luckily for Donnelly’s band members, Malcom Brown (of Whitney) was in the crowd that night, and he saved the day by bringing up a tray full of Malört just as the final full-band song of the night, “Tricks,” was coming to a close. Cue: Donnelly taking her shot and getting some of it in her eye. Like a champ, Donnelly went on with the show and wrapped up her first sold out headline show in Chicago with a solo rendition of “Mechanical Bull,” throwing in some improvised lyrics; “There’s Malört in my throat” in place of “You've been at my throat.”

Between the impeccable musicianship, cheery stage presence, and moments of humor, I couldn’t have imagined a more perfect start to the weekend than Stella Donnelly’s show. Easily one of the best shows I’d seen in a while, Stella Donnelly is not to be missed if she’s performing in a city near you. Check out her upcoming tour dates here, and relive the fun of Friday’s gig with the photo gallery below.

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categories / Gigs, Photos, Reviews
tags / Stella Donnelly, Faye Webster, Live Recap, Photos, Photo Gallery

Live Recap: Stella Donnelly and Natalie Prass at Lincoln Hall 9.19.18

September 21, 2018 / Rachel Zyzda

This week Australian singer-songwriter Stella Donnelly kicked off her North American tour supporting Natalie Prass, performing at Lincoln Hall on Wednesday, September 19th.

It’s rare for a solo performer to completely captivate an entire room the size of Lincoln Hall, but Donnelly not only took the challenge; she surpassed all expectations and had the crowd engrossed from the start. She took the stage on her own, armed only with her guitar, her voice, and razor sharp wit, and she provided a 40 minute set that showcased her clever and thoughtful songwriting, her raw vocal power, and her authentic stage presence. Lyrically, she toes the line between sincere and cheeky, managing to tell serious stories in a personable way.

On Donnelly’s six-song debut EP Thrush Metal, listeners get the chance to observe her writing talent, but when performed live, her talent shines through even more. Its the type of performance that still demands the audience’s attention without any extra fluff or unnecessary bells and whistles. For most of the songs performed on Wednesday night, the mood of the room remained lighthearted; like when Donnelly introduced a song about her boss paying her late (“he paid me a week later. I was on the wrong pay roll,” she said at the end of the song) or when she described another song as being about a relationship on its last leg, in which both people are working to salvage it (“In Australia we call it polishing a turd”). However, one part of her set tackled the very serious issue of sexual assault, when Donnelly introduced her song “Boys Will Be Boys.” She was mindful enough to give a content warning before introducing and playing the song, which very candidly recounts the story of an assault that happened to a friend of hers. While the issue is still very relevant, especially in the music scene at the moment, Donnelly said she wrote the song three years ago before there was this much open conversation happening about the matter. With most of her songs, but particularly “Boys Will Be Boys,” Donnelly demonstrates a fearless approach to songwriting. If there’s a story to tell, Donnelly will deliver, and based on the audience response at her live show, people are here to hear her.

Photos of Stella Donnelly and Natalie Prass on September 19th in Chicago