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Filtering by Tag: The Riviera Theatre

Live Recap: The Kooks and Vaccines with Daisy the Great

The Kooks, The Vaccines and Daisy the Great all rocked a sold out house at The Riviera to kick off the St.Patty’s Day weekend in Chicago.

The musical duo of Kelley Dugan and Mina Walker, AKA Daisy the Great, warmed up the Chicago crowd with a set that showcased the pair’s beautiful vocal harmonies along with their spunky energy. Daisy the Great performed the first song they ever released as a band, called “Record Player,” as well a few from their most recent “Tough Kid” EP, but they also introduced some brand new and unreleased material to the Chicago crowd. Dugan introduced one of the newer tracks saying, “This is our last new song, it’s about going on a walk. This song is called ‘Dog.’” Another fan favorite of their set was the song “Liar,” which Dugan explained was about having a secret crush on a friend—relatable!

After a quick changeover, it was time for The Vaccines to grace a Chicago stage for the first time since 2018, when they headlined a sold out Lincoln Hall. I luckily got to see The Vaccines in London in 2019, but it was still long overdue and great to have them back in my hometown—because the only vaccines I had in the meantime were covid and flu vaccines, and the band is a much better experience.

Each time I’ve seen The Vaccines, I know they’ll be great, but they never fail to impress me with just how topnotch they are as performers. This tour was in celebration of their new album Pick-Up Full Of Pink Carnations that they just released this January, and not only do they never miss in the witty and catchy songwriting department, but vocalist Justin Hayward-Young remains consistently charismatic (or as the kids would say nowadays, he has rizz). Whenever he wasn’t stationed in front of the mic stand so he could play guitar, Young slinked and danced his way across the length of the stage. The Vaccines’ stage presence has this effortlessly expressive and cool edge to it, yet it’s affable enough that they still feel approachable.

Although they had a relatively quick set length of an hour, the band still packed in hit after hit, mixing in plenty of fans’ old favorites between new material from their last album. Their set wrapped up on a peak of some of their most popular songs, including my personal favorites “I Always Knew” and “If You Wanna.”

Continuing the theme of familiar favorites, The Kooks kicked off the closing set of the evening with “Seaside” from their debut 2006 album Inside In/ Inside Out— which started simple with lead vocalist Luke Pritchard performing solo before the rest of the band joined him onstage. While The Vaccines were celebrating a new album on this tour, The Kooks were actually spotlighting the anniversary of their debut album, so naturally the set list featured the majority of Inside In/ Inside Out’s track list. True to form, “Seaside” is the first track on the album, and the live show followed suit for the first handful of songs, delivering hit after hit to the eager crowd.

While the band often moved from standing upstage to playing on platforms at the back of the stage, Pritchard alternated from playing guitar to roaming freely around the stage as he sang. During some of their songs, Pritchard even showed off his dance moves that were reminiscent of the infamous Hugh Grant dance scene in “Love Actually”— it must be a British thing. The crowd cheered loudly each time he danced, and they weren’t shy about cheering through out the rest of the show. For example, before “Bad Habit” fro 2014’s Listen, fans mimicked the chorus-like melody back in chant-form.

As we got closer to the finale of the evening, Pritchard told the audience, “If we’re gonna go ballistic, now is that time” before playing “Always Where I Need To Be.” The Kooks wrapped up their main set with “Junk of the Heart (Happy),” but returned to rowdy cheers to perform an encore of “Around Town” and the fan favorite “Naive.”

If you’re looking for a jam-packed night of feel-good songs and nostalgia, make sure to grab a ticket for when the tour hits your city and check out the photo recap of the Chicago show below.

Live Recap: Local Natives and Chartreuse at The Riviera

Local Natives returned to Chicago on Friday, September 8th to kick off a new leg of their tour, with support from Chartreuse.

Hailing from Birmingham, England, Chartreuse is composed of Mike Wagstaff, Hattie Wilson, Perry Lovering and Rory Wagstaff, and together the quartet got the crowd primed and ready for Local Natives. Mike and Hattie switched off on vocal duties throughout their set, and their harmonies along with the synths and programing that the band used kind of gave me hints of Sylvan Esso or The Xx. Mike’s vocals also reminded me slightly of Grian Chatten from Fontaines D.C., but overall their sound channels a combination of folk, ambient and electro-pop genres. Chartreuse’s setlist included their songs “Deep Fat” and “Feed Be Fed” from their 2021 EP Is it Autumn Already?, among a few others.

The members of Local Natives made their way onto a dim stage, with giant balloons of the initials “L” and “N” planted in the background of the stage. The show commenced with Taylor Rice, Kelcey Ayer, and Ryan Hahn all huddled around a microphone near the front of the stage to perform an acoustic introduction with the title track of their latest album “Time Will Wait For No One.” (Spoiler alert- this wouldn’t be the only time that night they’d be huddled together near the front of the stage, but more on that later).

Since the tour was in honor of their most recent record, the band fittingly performed a few other newer tracks right off the jump, including “Just Before The Morning” and “Empty Mansions,” which was the live debut of that song. While other tunes from Time Will Wait For No One were sprinkled in throughout the rest of the setlist, we also heard some familiar favorites like the 2017 single “I Saw You Close Your Eyes” and “Coins” from 2016’s Sunlit Youth. The band’s first attempt at the latter was cut short by the PA temporarily blowing out, so the band passed the time with a fully acoustic and unplugged performance of “Who Knows, Who Cares” at the front of the stage, which required the crowd to quiet down.

With the PA back up and running, we got a proper redo of “Coins” before the show continued on. Before performing the Strokes-esque tune “NYE,” Rice took the time to tell the audience the backstory of the song. “Local Natives has a tradition that if one us gets married, we get to be each others’ wedding band. Ryan got married while making this album. We were playing Oasis, The Bee Gees, and this really fast Strokes song. After watching us, he kind of brought this next song to the table and we all jammed it out in the studio in two days, and that’s how ‘NYE’ came to be,” he said.

Following the song’s performance, Rice then took some time to talk about the recent 10 year anniversary of their album Hummingbird, and the band played a few songs from that album, including “Ceilings” and “Columbia.”

For the rest of the night, the energy only continued to escalate, with Rice leaving the stage to join the crowd during “Featherweight.” Fans also went wild during the performance of “Dark Days” which saw Rice and Ayer swapping places on the stage. Before the main part of the set wrapped up, Rice asked the crowd “Do you guys mind if we play ‘Who Knows Who Cares’ one more time?” and we got another full, plugged in performance of that song.

Local Natives kept the good vibes going with a three-song encore. Before performing their second to last song, “Sun Hands,” the band asked everyone to stand up and clap along, which is the least the audience could do during such an uplifting song. Speaking of uplifting, Rice ended up diving into the audience to crowd surf, which has become an epic tradition at their shows over the years. The show wrapped up with another full-house dance party to “When Am I Gonna Lose You.”

If you missed out on all the fun, check out the photo recap below, and see where you can catch Local Natives on tour next here.

Live Recap: Weyes Blood with Molly Lewis at The Riviera

On Saturday, March 11, The Riviera in Chicago’s Uptown neighborhood brought the sensational Weyes Blood back to town for the first time in over three years to play a sold-out show in support of her latest LP In the Darkness, Hearts Aglow (her second for Sub Pop Records), which released in November of last year to critical acclaim. In support, Weyes Blood’s Natalie Mering was joined by fellow Californian whistler Molly Lewis who played songs off her new EP “Mirage” (out on Jagjaguwar) accompanied by her pre-recorded music to a hushed and stunned audience. (In all truth, you could hear a pin drop during the entire duration of Lewis’ magical repertoire.)

Following Lewis came the main act: Mering’s five-piece band that filled out the stage among an array of shimmering and twinkling candelabras distributed between the instruments and gear, setting the appropriate tone for what would be a hauntingly elegant set. The band then took it away across 14 songs from both the new album and 2019’s acclaimed Titanic Rising, which includes fan favorites “Andromeda” and the endlessly danceable “Everyday.” Enveloping around these now-modern classics were tracks like the haunting “Grapevine” (named for the California’s I-5) to the seriously underrated “Children of the Empire” (This reviewers favorite.)

With these new songs, Mering has seemingly never felt more comfortable and alive on stage that she appears to be here with a lighting program that accompanies the tone of context of these songs perfectly. Mering’s presence, where she dances and twirls around like the ghost of an amateur ballerina, feels jubilant and earnest and is only helped by her new choice of stage costume. Gone is the smart white suit of the last few years of touring (a look featured on the cover of her third LP Front Row Seat to Earth) and in its place is a long white gown with a white cape and matching boots, casting Mering as a cross between a angelic religious figure and Princess Leia in the original Star Wars.

All of these elements combine into a transcendent alchemy during “God Turn Me Into a Flower” (from the new record) which finds Mering searching for a way to survive and finding that power in the idea of a resilient flexibility while also re-examing the Narcissus myth. Backlit by a single light, Mering slowly spun in and out of its rays which illuminated her cloak and dress to new heights, casting Mering as a spirit on the stage ready to ascend into the rafters and right out of the auditorium.

Later in the set, another ingenious touch of costume design came into play when, during “Twin Flame,” Mering’s chest lit up a bright reddish orange (“Hearts Aglow!”) commanding an audible gasp and then jubilant cheers from the audience. In addition to being a master songwriter and live performer, Mering’s showmanship and knack for creative spectacle are also now fully on display.

The evening eventually ended with a solo acoustic rendition of Titanic Rising’s closer “Picture Me Better,” a somber ballad about a lost friend. Making our way out of The Riv (select merch items in hand!) showgoers buzzed excitedly about what they had just seen against a thick Chicago snowfall that seemed perfectly timed to cap off the evening, it occurred to me: Across an evening of standing together in a dark room and sharing a communal cathartic experience we exactly conjured up the title of the new record— “In the Darkness, Hearts Aglow.”

Live Recap: Beabadoobee with Lowertown at The Riviera

This past Tuesday night, The Riviera Theatre hosted a loud and exciting show from Lowertown and Beabadoobee in the most recent show of the Beatopia Tour.

The evening began with the talented, New York-based duo Olivia Osby and Avshalom (AKA Avsha) Weinberg of Lowertown. I’ve been a fan of these two since 2019 and I was so excited when I saw they were coming to open for Beabadoobee in Chicago. They absolutely blew away the audience and definitely gained a lot of new fans while performing songs of their latest project entitled I Love to Lie (which is one of my favorite albums from this year.) Olivia and Avsha performed as if they’ve been on the stage a hundred times with their respective turns performing. The song that got the biggest applause was the 2020 single “Best Person You Know.” It sealed the dynamic pair’s amazing set and they couldn’t have chosen a better song.

With the stage warmed up and the crowd ready, Beabadoobee was up next to take the stage. With her arrival came an uproar so loud my ears were ringing after. She broke out into “10:36,” which the audience caught onto immediately. There wasn’t a single song the crowd didn’t latch onto within seconds. That’s something i haven’t seen a lot of so I knew her fans were not casual. While I enjoyed her opening song, I just can’t go without mentioning her performance of “Apple Cider.” That song evoked a reaction out of me I haven’t felt since I saw Saba at the Aragon Ballroom in May. The performance was even better than the recording on Spotify. I don’t know what she did to compete with herself but I was delighted to see how much fun she was having on stage while the audience roared along with her. 

Lowertown and Beabadoobee were the perfect pairing for this show, from the mosh pits that formed while Lowertown killed their time on stage to the girls I saw absolutely dying when Beabadoobee introduced herself. Everyone in the theatre was having the time of their lives, especially me.

I can’t wait to see these talented artists take the stage again in Chicago because after this show, I am a bigger fan than I already was. Check out photos from the show below, and see where you can catch the tour next here.

Live Recap: Big Thief with Kara-Lis Coverdale at The Riviera

This past Monday night, Big Thief kicked off the week with a concert at The Riviera Theatre in honor of their new record Dragon New Warm Mountain I Believe In You.

Canadian composer Kara-Lis Coverdale kicked off Monday evening with her classical yet electric sounds. Surrounded by the headliner’s instruments, she kept her set up simple with only her electronic music boards. With neon pink lighting filling throughout the entire venue, Coverdale’s set was meant to hypnotize you. She played forty five minutes of her spellbinding chimes, before the lights went back to normal, and the stage was set for Big Thief.

Charging the venue with warm yellow lighting, members of Big Thief stepped onto the stage one by one, with lead singer Adrianne Lenker stepping up last. About six songs in, Lenker, sitting off to the right side of the stage in a chair, acoustic guitar leaning on her lap, made a slightly shaky confession that, as a result of sleeping on the move during a packed touring schedule, her back was injured. For that reason, she decided to play a more restrained, acoustic show and try out some new songs. The show was still on track but showed signs of falling apart. There were some false starts to songs, the bass was barely audible on some songs, and the band showed signs of very justifiable fatigue.

Later, Lenker launched into a new, folksy song, a John Prine-esque waltz with humorous lyrics about fine dining demons and “multi-grain” tastes. She started audibly playing with vocal deliveries, and the band, heeding her cue, loosened up. Every time she finished the song’s refrain, the crowd erupted into cheers. Within one song, Big Thief appeared to regain their confidence and take advantage of this slightly different type of show. 

The show ended up being a welcome mix of loose and stripped down renditions of songs off their new album, lesser played favorites from previous projects, and trial versions of new songs. By the time the band reemerged for a two song encore of their most back to back rip-roaring bluegrass songs, they more than proved that they could turn a slight setback into an unexpected but incredible night.

Check out photos of the evening below, and see where you can catch the tour next here.

All photos by Alice Guan, words by Nat Scholl and Alice Guan

Live Recap: Spoon with Margaret Glaspy at The Riviera Theatre

This past Tuesday night, Spoon and Margaret Glaspy gave their audience at The Riviera a fantastic start to their week.

The evening began with a set from Margaret Glaspy and her two bandmates, which kicked off with some new material. After the first few songs, Glaspy said they’d played all new songs so far, but they’d be throwing it back to 2020’s Devotion with “Stay With Me.” During her performance, Glaspy mentioned how grateful she was to have live music back in action, especially now that her band was touring with Spoon, and the crowd reciprocated that appreciation back to the band with zealous applause. Before her set concluded, Glaspy played her 2016 hit “Emotions and Math” and closed out with another new song called “My Body My Choice”—which received a standing ovation from the audience sat in the balcony.

As it came time for Spoon to hit the stage, the Riviera had become visibly packed to the brim—with the entire balcony seats full and crowd members spilling out to the walls on the main floor. This tour was Spoon’s first time back in Chicago since the release of their tenth album Lucifer On The Sofa earlier this year, so naturally they opened up the show with some tunes off the record— including their cover of “Held” by Smog and “The Devil & Mister Jones.” Since Spoon has been making music since the early 90’s they obviously have an extensive catalog of fan favorites to play along with the new music, and they delivered that by playing songs like “Don't You Evah,” “My Mathematical Mind” and “The Underdog” in the first part of the set.

No matter what era of their discography each song came from, there was a great sense of chemistry between the band members—especially between the band founders Britt Daniel and Jim Eno because they’ve been playing music together for so many years. The Riviera was also filled with a profuse sense of joy the entire evening thanks to the feel-good and lighthearted nature of so much of Spoon’s music, and the crowd continued to dance and sing along all night.

Before they got too far into the show, Daniel told the audience that he could tell the night was going to be rough on his voice, but that didn’t stop them from rocking through even more music. After closing out the main portion of the setlist with older favorites “I Turn My Camera On” and “Got Nuffin,” Spoon returned to the Riviera stage for not one, but two encores! The audience enthusiastically called for the band’s return before each encore, and final few songs included the new album’s title track as well as the mischievous anthem “The Way We Get By.”

If you missed out on the incredible show, relive the fun with the photo recap below, and see where you can catch Spoon next here.

Live Recap: Snail Mail with Joy Again at The Riviera

This past Thursday night, Lindsey Jordan, AKA Snail Mail, made a highly anticipated return to Chicago in honor of the sophomore album Valentine.

The night kicked off with a set from Philadelphia’s Joy Again, who got the crowd warmed up with their mix of indie pop and surf rock sound. A highlight of their set was when they performed their single “Looking Out for You,” which has been popularized on Tik Tok and garnered millions of streams. If you haven’t checked out Joy Again yet, I’d recommend if you like The Frights, Vundabar, and Surf Curse.

Next up, it was time for Snail Mail to hit the stage here for the first time since their Pitchfork Festival performance and Pitchfork after show in 2019. It’s always a special moment to take in the energy and excitement of fans being reunited with their favorite artists for the first time post-Covid, and the reunion between Jordan and the eager fans in the front row surged the venue with contagious joy. As Jordan and her bandmates took their places on a stage decked out with flowers and Cupid statues to coordinate with the second album’s title, a huge grin lit up her face while she began to sing the album’s title track “Valentine.” The show continued on with a few new songs from the 2021 album, marking the live debut in Chicago for “Ben Franklin” and “Glory” before Jordan and her band began to weave in fan favorites from her 2019 debut Lush as well. During some songs, the crowd was singing along so loudly that I could hear their singing over Jordan’s own vocals.

The setlist also contained some deeper cuts, like “Thinning” from the 2016 “Habits” EP, but no matter what they were playing, Jordan exuded a sense of comfort being back on stage and she radiated happiness to be playing music with her bandmates. During the performance of “Light Blue,” the bandmates left the stage and Jordan performed the track solo on acoustic guitar, bringing a gentle sense of calm to the room. The show was jam-packed with a lot of music, so Jordan didn’t spend too much time bantering between sets, but she did take a moment to soak in the aesthetics of The Riviera Theatre. “This is a beautiful venue. Even soundchecking in here was a great honor,” she said. The energy continued to amp back up as the band performed a cover of The Smashing Pumpkins “Tonight, Tonight,” which felt especially fitting for this show since we were in The Pumpkins’ hometown.

If you missed out on the concert, check out our photo recap of the evening below, and see where you can catch Snail Mail next here.

PHOTOS: Clairo with Arlo Parks at The Riviera

Last week, Clairo and Arlo Parks took the stage for not one, but two incredible shows at Chicago’s Riviera Theatre. Check out a photo recap of the stunning performances below, and see where you can catch the tour next here.

Live Recap: Parquet Courts with Mdou Moctar at The Riviera

This past Saturday night, fans packed into The Riviera to see Parquet Courts, in honor of their new album Sympathy for Life.


The evening’s show began with a performance from songwriter and musician Mdou Moctar, alongside his band. Moctar comes from Agadez, Niger, but he and his bandmates seemed to be right at home onstage at The Riviera. Audience members in the front of the crowd seemed to be just as big of fans of Moctar’s as they were of the show’s headliners, as they bopped their heads along and watched in awe throughout Moctar’s intricate jams that mix bluesy and psychedelic rock. Mdou Moctar’s set consisted mostly of songs from 2021’s album Afrique Victime, but the band threw in some newer material as well. Their set ended with a standing ovation from the balcony attendees and raucous cheering from the entire audience. The last time I had seen Moctar was at Lincoln Hall last year, but his band easily captivated a much larger venue this time around.

Next up, fans prepared to be equally as enthralled by New York’s Parquet Courts. The band has performed in Chicago many times, but this show was their first time back since 2019, and fans eagerly welcomed them back to hear some of their familiar favorites mixed in with the new songs from 2021’s Sympathy for Life album. The members of Parquet Courts took their places on a dimly lit stage that cast colorful shadows on the stage’s backdrop, setting the tone for an immersive experience as they kicked off with “Application/Apparatus.”

Aside from being a highly anticipated return to Chicago for Parquet Courts, the audience at The Riviera got to celebrate another special occasion with the band—it was drummer Max Savage’s 30th birthday. Everyone honored Max by singing “Happy Birthday” before Mdou Moctar returned to the stage to play guitar on “Walking at a Downtown Pace” alongside the band, which is the first track on Sympathy for Life. Moctar shredded on his guitar riffs, and the members of Parquet Courts made sure to call that out by joking “he assured us he wouldn’t solo over us, but he did anyways!” Parquet Courts kept that high energy up by following that song with the trippy and mesmerizing track “Plant Life,” which transitioned seamlessly into the boisterous “Light Up Gold, Pt. 2,” a song that’s reminiscent of Ramones-era punk. Parquet Courts’ performance at the Riviera really showcased the dynamic nature and style of their music, and they presented it in a way that blurred many individual songs into one cohesive collection.

If you missed out on the show, check out our photo recap of the evening below, and see where you can catch Parquet Courts on tour next here.

PHOTOS: Grizfolk, Flor and Andrew McMahon in the Wilderness 03.02.19

This past Saturday night in Chicago, Grizfolk, Flor and Andrew McMahon in the Wilderness rocked the packed house at The Riviera Theatre. Check out our photo recap of the evening below!