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Eaux Claires 2018 Highlights
This weekend, my favorite festival Eaux Claires returned to the forest for round four.
Since year one, Eaux Claires curators Justin Vernon and Aaron Dessner have worked with musicians and artists to cultivate a completely unique festival experience, with common themes of community, improvisation, and collaboration remaining present each year. At conventional festivals, the line up usually gets announced before tickets go on sale, the schedule is released weeks or months in advance... and that's that. At Eaux Claires, it's always been about the music and the bonds created by the artistic process, with secret appearances, pop up shows, and "artists in residence" who will play multiple times with different people throughout the weekend. This year, the festival one-upped themselves with their surprises and decided not to announce the lineup until the gates opened on Friday, which is certainly not for the faint of heart, but didn't stop the diehard music fans from making the annual trip. If you didn't take the gamble and make the trip to Eau Claire, check out the highlights of EXC 2018 below.
The Lineup Wasn't Announced Until 1PM on Friday
As I just mentioned, this year Eaux Claires organizers took the level of surprise and mystery surrounding the lineup one step further and didn't announce any artists until Friday afternoon, which acted as both a highlight and a downfall of this year's fest. Despite the air of mystery, regular Eaux Claires attendees had hunches as to who some of the performers would be, solely based on past festival line ups. Especially with the "Artists in Residence" aspect of the festival, there has been a network of certain musicians who have continuously come back to collaborate, play their own sets, or guest star with other artists (i.e Francis and the Lights, Sylvan Esso, Phil Cook, and of course Justin Vernon and Aaron Dessner). With those traditions already set in, there were certain "usuals" that frequent EXC goers expected, and even the festival merchandise hinted at the usual players by making shirts that read "The Fourth Annual Family Reunion" and "It's Thanksgiving in the Summer." The curators still manage to keep the festival refreshing and unique despite that sense of familiarity by always bringing in a few of the year's best new artists and creating new collaborations and super group performances among artists. For example, one of the final performances on Friday night featured Vernon and Dessner's project Bid Red Machine playing in the round on the Flambeaux stage with a variety of guests like Julien Baker, Gordi, Chastity Brown, Bryce Dessner, and more joining them. So sure, you may have seen Big Red Machine at Eaux Claires the previous year, but you didn't experience it in the same way. All in all, the surprise lineup lead to many highlights throughout the weekend because it allowed for music fans to go with the flow and follow the music. There may have been a larger amount of criticism for the lack of new names or big names, but the fest certainly stayed true to its values of one-off unique experiences, regardless of the fear of backlash.
Francis Played Two Very Different Sets
This year, the festival also stepped up the art installation game by incorporating a few installations that actually had performances too. Early on Friday afternoon, Francis Starlite played The Jannette; which was essentially a triangular house with mirrors and a piano set in the middle of the woods. Fans of the singer songwriter, dancer, and frequent collaborator of Justin Vernon crowded around the small makeshift stage to experience a rare, stripped back performance of his songs. Later on, more fans got the chance to experience Francis in full capacity, along with some friends during the time slot on the schedule that was simply titled "Friends." (Again, there's that element of surprise...) Most people were savvy enough to figure out who would be playing during that time slot and again crowded around the round Flambeaux stage, where Francis climbed, crowd surfed, and danced with the audience to his own hits like "See Her Out" and "May I Have This Dance," as well as Kanye's song "Lift Yourself." While some of the second performance featured Francis performing solo again, he was joined by Justin Vernon and S. Carey for a few, including "Just For Us" and "Friends."
Julien Baker Was Joined by Hanif Abdurraqib
Singer songwriter Julien Baker played on just about every stage throughout the weekend, making guest appearances with the likes of The National and Big Red Machine, but her main performance on the Lake Eaux Lune stage acted as a stand out moment of all of Friday's performances. Baker began her set standing on the stage by herself, mesmerizing the large audience with her delicate guitar strumming and heartfelt narratives, before being joined by a violinist. Later, Baker was also joined by poet Hanif Abdurraqib, who read his poetry over the sounds of Baker's strums. Introducing Abdurraqib, Julien said, "This is a special festival with a special protocol, so I'm gonna bring out my friend Hanif." Once again, Eaux Claires presented a completely unique collaboration of artists-- not just musicians, but creators of completely different mediums and genres were able to produce something special.
Hand Habits Played a House Show at at Festival
Similar to the installation that Francis performed at earlier in the day, musician Meagan Duffy's brainchild Hand Habits performed later that evening at another art installation deemed the Music Box Village. The installation looked like a cross between a house and a playground structure, allowing for festival goers to walk through it when a show wasn't happening, but it also acted as a completely unique stage. "It's cool to play a house show at a festival," Duffy remarked about the installation, perfectly describing the rare set up. The Music Box Village hosted other artists like Phil Cook, Gordi, and Julien Baker throughout the weekend, providing the perfect little nook to watch bands in a relaxed and stripped down setting. This space still allowed for fans to have a good vantage point, unlike some of the smaller stages in the woods, which often got too cramped to allow most fans to enjoy the performances.
Phil Cook Said It's Okay to Talk to Strangers
Eaux Claires regular Phil Cook's Friday evening set easily tied with The National's show for my favorite show of the weekend. Growing up in Chippewa Falls, Cook has been a part of the Eaux Claires process since its beginning due to his ties to the community, but this year he had a brand new album called People Are My Drug to perform to the EXC family. Cook's band for this performance, which happened to also be the band he made his latest record with, included Chastity Brown and Amelia Meath from Sylvan Esso, among others. "Everyone that was on the record is playing this show. This is the only time this is gonna happen," he told the audience. Cook also gifted the crowd with an inspiring speech, calling attention to the support of his tight-knit community, but also encouraging everyone in the audience to share their stories and absorb the stories of others. "Talk to strangers," he said, mentioning that his dad's record collection gave him access to the outside world via stories in the songs he heard, but he has gained so much from talking to strangers. In addition to his new music and motivational speech, Cook also had Nick Sanborn of Sylvan Esso come onstage to perform their song "PARAD(w/m)E" in honor of his son's birthday, and the set closed with an infectious, mood-boosting cover of "(Your Love Keeps Lifting Me) Higher And Higher."
Francis Led a Dance Lesson....Again
Last year, early arrivers of the festival got a notification shortly after the gates opened that Francis Starlite would be teaching dance in 30 minutes, and those with the festival app or those that wandered by were treated with a last minute surprise that acted as a highlight of the entire weekend. The impromptu dance lesson was so successful that this year it was actually penciled in on the schedule that rolled out on Friday afternoon, and the Saturday dance lessons ended up drawing more people for a 2PM time slot than most early performers at major festivals. This time around, Francis amped up his dance lessons, jumping into the crowd a few times to dance with the groups of people hoarded around the stage, as well as cartwheeling and doing the splits in front of the crowd. The dance class set the tone for day two and left everyone walking away from the stage exuding positive energy.
Phoebe Bridgers Started a Cult
Saturday marked Phoebe Bridgers first time at Eaux Claires, but she certainly made the most of her time by playing her own set before singing as a guest with The National and the People Mixtape performance. During her own early evening set at the Flambeaux stage, Bridgers attracted a large audience at the round stage, all eager to hear her witty and honest lyrical tales. Despite the serious and sometimes somber tone of her narratives, Bridgers and her band lightened up the mood with funny banter between songs. For example, Bridgers invited her friend and singer songwriter Christian Lee Hutson up and joked that they were going to start a cult together-- "a fun, woods cult" she said. "Not a kill yourself cult. A die-of-natural causes cult," Hutson added. The beautiful harmonies between Bridgers and Hutson were certainly mesmerizing enough to make me want to join their cult, and I'm sure most of the crowd agree, since everyone walked away from the show raving about how incredible it had been. The pair kept the lighthearted jokes going when Bridgers gave the spotlight to Hutson to sing a song he had written after playing in her band for only a week.
Moses Sumney Got the Crowd to Assist With a New Song
Moses Sumney returned for his second Eaux Claires, having performed back in 2016. With his incredible vocal range and captivating live show, it's no wonder Sumney got asked to return again, and he came back with some new music to share with fans. For one of his new songs, he sang out a low note and asked everyone to sing it back to him and keep it going like they were "trying to make the stage fall down." The audience obliged and Sumney and his band built up the rest of the song's beat as the crowd held out the note. Sumney mentioned that during his live show, he doesn't use any backing tracks or prerecorded sound thanks to help of his band, and little moments like a festival crowd holding out a note add to the organic and unique nature of live music and the community surrounding it. Sumney's entire set felt inclusive and stayed true to the core values of Eaux Claires festival.
Noname Taught The Crowd to Rap
Chicago rapper and poet Noname made her first appearance at Eaux Claires, drawing a massive crowd to the House of Vans stage, where she also encouraged crowd participation. She and her band kept the mood light and relaxed, laughing and having fun throughout the set, which kept the crowd smiling and entertained during the sunny afternoon set. Noname would preface most of her songs with a backstory about the lyrics, and sometimes the introduction included instructions on how to rap the hooks and choruses with her. The crowd eagerly echoed the words back to Noname, giving her a warm introduction to the festival.
Pussy Riot Educated the Crowd
Moscow collective Pussy Riot kept the crowd intrigued for the duration of their evening set at the Lake Eaux Lune stage, beginning their show with an informational video containing several political facts, which often had the crowd cheering in reaction. When the group members eventually took the stage, they wore matching lime green ski masks to promote a united front. Their songs also contained powerful political messages which reiterated what they had communicated in their introduction video and acted as a call to action for all of those watching their performance. Their set definitely stood out as different from anything else that weekend, which kept the festival goers on their toes and acted as an inspiration for people to use their voices and platforms.
The National Incorporated Satellite Stages and a Lot of Guests
Co-curator of Eaux Claires Aaron Dessner and his bandmates filled the final spot of the Flambeaux stage for the weekend, utilizing it to the fullest to put on a magical, one-of-a-kind performance. By the time the group hit the stage, the sun had already set, so a simple, yet stunning lighting show illuminated the stage for this performance under the stars. The National's 90 minute set that night stood out for more reasons than the breathtaking architecture of the stage; In classic Eaux Claires fashion, the band invited several of the artists in residence and other performers to join them and they premiered a couple of new songs. While Phoebe Bridgers, Chastity Brown, Sharon Van Etten, and Gordi all joined The National on the main stage to lend their vocals to certain songs, their guest list also included Julien Baker, who performed from a makeshift satellite stage off to the side. An identical pop up stage situated on the other side of the Flambeaux hosted varying percussionists throughout the show, but Baker's shining moment included her on the other side performing her song "Appointments," which immediately transitioned into The National's "Fake Empire." The final vocal assistance during this set came from none other than the crowd themselves during "Vanderlyle Crybaby Geeks," which was performed unplugged and with the entire crowd singing together. The National's shows are usually amazing in any setting, but there was something extraordinary about witnessing them perform with so many other talented musicians on a customized stage under a clear, star-speckled sky.
After The National's show, most fans stuck around for People mixtape on the main stage, which acted as one more giant collaboration between Justin Vernon and other performers on the lineup, as well as a dance group and Iron Boy. The festival may not have ended on the same note as it did two years ago, when Francis and the Lights debuted a new album in full before being joined by Vernon and Chance the Rapper, or last year when Paul Simon and Wilco closed out the weekend, but if nothing else, the final performances of 2018 showcased the Eaux Claires traditions that have been built up over the past few years.
Live Recap: A Night of Nostalgia and New Memories at Paramore's After Laughter Tour 5
"It's cool what music does when you share it with people. It helps," Paramore's Hayley Williams addressed the completely full Huntington Bank Pavilion on Chicago's Northerly Island, which boasts views of the city's skyline as well as lake views. Despite the venue's stunning backdrop of city sights, prior to Williams' proclamation (and after it), the diverse crowd remained completely enamored by Paramore's positive and vibrant performance. With over a decade of experience playing live music and five studio albums under their belt, Williams and bandmates Zac Farro and Taylor York have come a long way since the early days. The personal growth that Williams has gone through over the years shines through in her songwriting, and she's not shy about addressing it when introducing certain songs, especially those on the latest album After Laughter. "There's a lot of pain on this album," Williams said before playing "26" from the 2017 record. That sort of vulnerability, especially in front of the massive crowds that Paramore always plays to nowadays, just further amplifies the raw authenticity that Paramore has always displayed.
Throughout the night, a strong sense of chemistry also radiated between the band members, along with Williams' effervescent and fiery energy onstage that never wavered as she danced through most of the set; Even her vocals stayed in tip top shape despite the constant movement. Perhaps one of the most magical aspects of the evening though was the overwhelming sense of unity you could feel amongst the crowd; a bond that brought strangers of all different backgrounds and ages together, turning them into a huge extended family, even if just for the duration of the show. For a lot of people, Monday's show had been their first ever Paramore show, while some people had just seen them at last year's Riot Fest...and others had been there from day one in 2005. Williams reminisced on Paramore's early days, giving Chicago props for always showing up and selling out their show at the Beat Kitchen on their first ever tour. As the set began to wind down, following a mix of Paramore's discography of a decade plus, Williams kept the nostalgia and reminiscing going by teasing their hit "Misery Business" with a string of toasts ("This is to 2007"..."This is to every bad decision we ever made that got us here. But mostly this is to misery.") Although the popular track is more than ten years old, the group found a way to keep the performance of the song enticing, while also giving a lucky fan the night of their life. On this tour, an audience member is selected each night to give Williams a hand on a prolonged version of "Misery Business," coming up on stage to take over during the bridge of the explosive track. The addition of that special moment not only gives the selected fan a memory that'll last forever, but I think everyone collectively got goosebumps watching someone live out their dream like that.
After such a soaring moment, the show continued on a high note, with the band closing with "Ain't It Fun" before returning for an encore. The show ultimately wrapped up with "Hard Times," but not before the audience got treated to one last surprise; a performance of Zac Farro's project HalfNoise's "All That Love Is." At one point earlier in the night, Williams asked the crowd "You ever try crying and dancing at the same time?" and that perfectly sums up a night on the After Laughter Tour 5; you'll dance, you'll smile, and you might even cry at some point, but you'll do it with a family that has been brought together by the healing power of music.
If you missed out on the show, check out our gallery of Foster The People and Paramore to relive some of the concert's magic.
Check out the rest of Paramore's tour dates here, and listen to After Laughter in full below.
Bonnaroo 2018 Sunday Highlights
The final day of Bonnaroo began with a rainstorm, breaking the streak of sunny days that the festival had seen so far. Fortunately, the rain stopped in time for most of the acts scheduled in Centeroo, only leaving behind some puddles and mud piles around the festival grounds. The mud didn't stop the party, and music only got off to a delayed start at some of the stages, eventually catching back up to the original schedule. Check out our final day highlights of Roo 2018 below.
Sir Sly Opened With a New Song
Sir Sly was on one of the stages effected by the rain delay, but they got things moving quickly, only starting about ten minutes late, rewarding the patiently awaiting tent by opening with an unreleased new song called "Welcome The Pressure." "This has been the year of our dreams," frontman Landon Jacobs told the crowd, mentioning that this was their very first Bonnaroo and that they'd had so many great opportunities this year. Sir Sly has had a recent much-deserved streak of success following the release of their sophomore album Don't You Worry, Honey; the album showcases a raw vulnerability in Jacobs' lyrics, which reveal the hardships of a divorce and losing his mom to brain cancer, and the growth that the trio has shown in their sound and production. During their live show, all of that mixed with Jacobs zealous stage presence makes for an unforgettable show. At their Roo set, Jacobs moved around the stage to jam with his bandmates Jason Suwito and Hayden Coplen, and even climbed up the stage truss at one point. The band let their enthusiastic audience let them know how appreciative they are of their support, with Jacobs saying, "This reconfirmed the choice I made years ago to finish this album instead of sticking it out with someone who didn't support my dreams," referring to his decision to pursue music instead of staying in his marriage. It was clear that the crowd at Bonnaroo were very happy he made that choice, too.
Fans Danced in the Mud to Jungle
London soul collective Jungle hit the Which Stage in the evening with the sun shining, almost making us all forget that it had stormed earlier that day...if it hadn’t been for the giant mud pits around that stage. Fans made the most of it though, sliding around barefoot in the mud to move along to the cool, groovy tunes provided by Jungle. Jungle's mix of chilled out and funk vibes paired perfectly with the mood on the last day of Roo, allowing for fans to relax a bit after three long days of music and festivities. The group also played several new songs, like "Happy Man," "Cherry," and "House in LA," which all follow up their 2014 debut album.
Dua Lipa Hosted a Dance Party
British singer songwriter Dua Lipa has quickly become one of the biggest names in international pop music over the last year, with collaborations with the likes of Calvin Harris and Sean Paul. Naturally, she drew a massive crowd at the What Stage for her evening set, with flocks of fans eager to get in any last chance to dance this weekend. As expected, Dua brought the dance party, providing all of the bangers and by bringing along her crew of backing dancers and singers. Opening with "Blow Your Mind (Mwah)," the set kept moving with hit after hit, like "Be The One" and "Hotter Than Hell," which had the crowd singing along to the catchy choruses.
The Killers Opened With "Mr. Brightside"
Some ardent fans had been waiting all day for a chance to get in the main pit for The Killers' headlining slot. By 10:20 PM, the long wait was over when the band hit the decked out stage, with frontman Brandon Flowers looking sharp as usual in a flashy red suit. The energy of the huge crowd immediately peaked when the opening chords of "Mr. Brightside" rang out into the field, fans losing their minds, jumping and dancing around for the entire song. It's rare that a band starts their set with their biggest hit, but the bold move got the crowd immediately amped up and ready for the remainder of the set that featured a dynamic mix of The Killers' discography. About two songs in, Flowers brought up the quote from Evel Knievel that people come to see the attempt, not the perfect landing, and that they'd be giving it their all to put on a rock'n'roll show. As promised, The Killers gave it their all for the final set of the entire weekend, ending the weekend on a high note.
That's a wrap for Bonnaroo 2018! Keep an eye out for our upcoming festival coverage this summer.
Bonnaroo 2018 Saturday Highlights
Saturday at Bonnaroo featured tons of incredible shows from artists of every genre. In fact, the schedule was so jam-packed that it left a lot of fans wishing they could be two places at once due to conflicting shows. Here are some highlights you may have missed from the third day of Roo if you were busy hopping from show to show.
POND Crowd Surfed During Their Second Song
POND took the stage bright and early on Saturday afternoon, breaking in the This Tent with their psych rock jams and laid back attitudes. The band let the crowd know that their Bonnaroo performance was the very last show of their recent US tour before they return home to Australia, and they definitely went out with a bang. Frontman Nick Allbrook began the set on the right foot, immediately jumping into the audience to crowd surf during the second song. From there on, the energy remained high, with Allbrook sauntering around the entire stage, jumping down at certain points to go up to the fans at the barricade. The crowd’s energy remained right up there with the band’s, with everyone dancing and singing along despite the extreme heat.
POND Frontman Nick Allbrook
Chance The Rapper Crashed Knox Fortune's Set
Chicago Producer and singer songwriter Knox Fortune has garnered buzz for his work with rapper Joey Purp, but more notably for singing the hook on Chance The Rapper’s song “All Night.” Naturally, when rumors surfaced on Friday that Chance The Rapper had been spotted around the Bonnaroo campgrounds, some clever fans began to speculate whether or not Chance might join Knox Fortune’s set to bring their collaboration to life. Sure enough, towards the end of Knox’s afternoon set at the That Tent, some lucky fans were able to witness a rare special performance of the track when Chance came onstage to perform his verses. Chance hasn’t made any other pop up appearances onstage this weekend, so this may have been the only chance to catch him (pun intended).
Knox Fortune at The That Tent
Rag'N'Bone Man Apologized For His Dancing
British singer songwriter Rory Graham, aka Rag’N’Bone Man, combines his raw, bluesy vocals with soulful pop melodies to craft addictively catchy songs that made for a great sing along during his set. The success of his single “Human” from his debut album also of the same name attracted hoards of fans to the This Tent for his evening set. During his set, Graham displayed his humble nature, often thanking the crowd for turning up and making self-deprecating jokes. He told the crowd that playing festivals in the states can be quite daunting since he always thinks no one “knows who the fuck I am,” and he seemed genuinely touched at how many people turned up to watch him. All of the fans who showed up were treated to stripped down introductions and intricate arrangements of Graham’s songs, as well as some laughs when he chatted between tunes. “I apologize for my dancing,” Graham said, recalling a time someone wrote a review of his show saying he was good, but his dancing is awful. We’re all for his dancing here though since Bonnaroo is about radiating positivity.
Rag'n'Bone Man at the This Tent
A Blow Up Doll Crowd Surfed During Post Animal
Our pals in Post Animal made their Bonnaroo debut last night to an overflowing and hyped up crowd at the Who Stage. Although their set time clashed with some other major shows, including Bon Iver’s first set, fans still flocked to see their second ever festival performance, following last month’s debut at Shaky Knees in Atlanta. Throughout the past couple of years, the group has beefed up their live show, honing in on their song transitions and arrangements to make for a special experience of their songs that you can only get at their live shows. Their efforts to put on a smooth and engaging show didn’t go unnoticed by their enthusiastic crowd, who immediately opened up a mosh pit and crowd surfed throughout the 45 minute set. One audience member brought a blow up doll with them, which surfed above the crowd and even ended up on stage at one point. Post Animal has never been known to put on a tame show, but last night was definitely one of the wildest. You can catch their next major festival performance later in the summer, when they take the Lollapalooza stage for the first time.
Justin Vernon Brought The Eaux Claires Spirit to the Second Bon Iver Set
When Bon Iver’s first set of Saturday night consisted mostly of songs from the album 22, A Million, fans began to speculate that the later set would include some of the classics from the earlier days. However, Justin Vernon took a completely different approach by turning the set into a collaborative performance piece. The collaborative vision closely tied into the mission of Vernon’s hometown festival in Eau Claires, Wisconsin, which frequently features surprise sets and crossover between bands and artists during their shows. Not only did the Bon Iver show last night have special guest appearances, but dancers also accompanied the music for certain songs. Coupled with the intricate lighting design, the dancers tied together the show’s production level. As for the musical guests, Vernon first invited Francis and the Lights early on in the set, before welcoming him back to perform their hit “Friends”…with both Vernon and Francis joining in on the dancing. Other guests included Moses Sumney and Sylvan Esso, with the latter coming out on stage to perform “Flume” with the band, as well as their own song “Coffee.” Vernon even invited Parkland survivor Aalayah Eastmond out to speak about gun control, adding some activism into the set. Overall, the show was completely unique to most Bon Iver shows you’d catch, which made for the perfect ending to Bonnaroo’s third day.
Bonnaroo 2018 Friday Highlights
Bonnaroo continued on Friday with even more memorable moments than the first day. Read up on what you may have missed around Centeroo on Friday, and as always keep an eye on our social media for live updates throughout the weekend.
An Encouraging Crowd Waited For Japanese Breakfast
Tons of Bonnarooians flocked to Centeroo early on Friday to catch Japanese Breakfast's set that was scheduled for 2:15 PM. Although the set got off to a late start, actually starting around 2:30, fans waited patiently, cheering and clapping through the last minute sound check. Front woman Michelle Zauner started off the set stationary with her guitar, but a couple of songs in, she roamed the stage sans guitar to get closer to the audience and work the entire crowd. As Zauner sang through songs on her 2017 album Soft Sounds From Another Planet, the crowd sang along loudly, getting Bonnaroo Day 2 off to a great start.
Michelle Zauner of Japanese Breakfast
Sheryl Crow Teased an Unannounced Performer
"This [song] is older than most of y'all. You guys are younger than this song, and you know it. That's weird," Sheryl Crow addressed the overflowing audience at her early evening set at the What Stage, who had been singing along all the words. Although the hits Crow played during her Friday set may have been from years ago, that didn't stop the diverse audience from knowing them all, and she started strong with epic sing alongs like "If It Makes You Happy" and "Every Day Is A Winding Road." Crow's stage banter remained strong throughout her entire set, with her teasing both her participation in the Super Jam and a surprise guest appearance. After pointing out a Tom Petty sign one of the audience members was holding up, Crow asked for the fan to pass it to her, and she held it up, reminding everyone to come see the Super Jam tribute to Tom Petty later that night. "Y'all have a big weekend ahead of you," Crow said. "I just met someone who is gonna be on the stage later, but it's not announced. I would leak it, but I haven't had anything to drink yet." Maybe tonight we'll find out who the unannounced performer is, but Crow never did end up leaking it during her set.
Paramore Finally Played Bonnaroo
Paramore hit the What Stage after Sheryl Crow, taking the stage to eager audience members, who were all excited to finally see the Nashville band on the Roo stage. "Right in our backyard and we never came to see you," lead singer Hayley Williams said to the Friday evening crowd, addressing the band's absence from the festival thus far. Although Paramore fans might have been waiting years to see the band on the farm, Williams and the band more than made up for it with a mix of songs from throughout their discography, Williams' powerhouse vocals that stayed strong despite her constant dancing and jumping, and the performance of a Halfnoise song (drummer Zac Farro's other project). The band also took the time to use their platform to promote positivity between their songs, Williams addressing the death of Anthony Bourdain, as the news had broken earlier that day. "I see a lot of smiles, and that's really nice to see in 2018," Williams said, continuing on to say that the news these days is usually pretty awful, but dancing and music has the ability to bring people together and add something positive to all of the negative news of the world. Paramore's set definitely acted as the perfect mood booster and distraction on a day that had begun with some heavy news for the entertainment industry.
Okey Dokey Brought Out All Their Friends
Like Paramore, Nashville duo Okey Dokey also played their first Bonnaroo as this project, but lead singer Aaron Martin told the audience that this was his fifth time at Bonnaroo. In celebration of Okey Dokey making it to Roo, the pair invited a bunch of their musical friends to join them on The Who Stage. Liz Cooper of Liz Cooper & The Stampede joined the band on stage for the entire set, playing different percussion instruments (including a banana shaker), but towards the end of the set, she sang a duet with Martin. Rayland Baxter, who would later be joining in on the Tom Petty Super Jam, also joined this sort of mini Super Jam, singing the song he had written with the group. Brad Shultz and Nick Bockrath of Cage The Elephant even hopped on stage to play guitar for a couple of songs.
Okey Dokey Featuring Liz Cooper
Super Jam Featured an All Star Line Up Playing Tom Petty Hits
Every year, Bonnaroo puts on a Super Jam featuring a line up of musical guests performing at the festival throughout the weekend. This year, the Super Jam paid tribute to Tom Petty, which meant the entire crowd screamed along the entire time as the band played through hit after hit. The core band that played the entire two hour set included Patrick Hallahan, Tom Blankenship, Pat Sansone, Craig Pfunder, Daniel Creamer, and The Watson Twins, and the special guests ranged from artists just starting out to veteran rockstars. Bonnaroo first timers FRENSHIP and Durand Jones and the Indications joined early on in the set to play "Refugee" and "You Wreck Me," with legend Sheryl Crow following shortly after to sing "American Girl." The massive crowd that had flocked to the This Tent for the jam had dwindled slightly towards the end of the set, but the tent remained packed until past 3AM, with special guests like Matt Shultz (Cage The Elephant), Vanessa Carlton, Justin Vernon (Bon Iver), and Sameer Gadhia (Young The Giant) anchoring out the set with songs like "Breakdown," "Learning to Fly," and "Free Fallin'." The artists that contributed all sounded incredible together, paying a beautiful homage to Mr. Tom Petty.
Super Jam closing out the This Tent on Friday
Bonnaroo 2018 Thursday Highlights
Bonnaroo 2018 kicked off yesterday, delivering the usual friendly and fun atmosphere full of random acts of kindness, pop up experiences, and 24/7 entertainment throughout the stages and campgrounds. As you get ready for Roo day 2, read up on the music highlights of Thursday below!
Jade Bird Made Her US Festival Debut
British singer songwriter Jade Bird hit the ground running during her first US festival appearance by not only playing a late night set at The Who Stage, but by playing a stripped down set at Coleman's The Campout experience out by plaza four. Jade's raw vocal power and fiery spirit shone through just as much at the early afternoon set as it did during her main performance. The enthusiastic Thursday night crowd welcomed Bird with open arms as she played through songs on her debut EP like "Good Woman" and "Cathedral," as well as a couple covers of songs by The Pixies and Kate Bush. Bird's performance of her popular single "Lottery" acted as the highlight of the set, the crowd all singing along to the belter of a chorus. "I've been Jade Bird and you guys have been the best audience I've ever had," Bird said at the end of her show.
Jade Bird at the Coleman Camp Out experience
Ron Gallo Said Sorry a Bunch
Self-proclaimed really nice guy Ron Gallo and his band packed the tent for their energetic early evening set at the That Tent. Gallo displayed his usual quirky antics during the show, incorporating a trumpet into their songs, introducing his band and himself in a monotone voice as he read off a piece of paper, and saying "sorry" a bunch of times mid-song. Although the live band is usually a trio with Joe Bisirri on bass and Dylan Sevey on drums, the group was joined by the band's tour manager on keys yesterday and during the last song, the band added an impromptu new member. Gallo invited an audience member onstage to play his guitar, ending the set on a high note.
Ron Gallo and his newest band member
FRENSHIP Took Their Pants Off
Los Angeles duo James Sunderland and Brett Hite, better known as FRENSHIP, played their first Bonnaroo last night to an eager crowd at the This Tent, and they were shocked at the Thursday turn out. "Nobody comes on a Thursday," Sunderland said in awe of the overflowing tent, which was full of fans singing the lyrics back to them. In addition to playing their popular tracks like "Carpet" and "Capsize" from their first EP, Hite and Sunderland treated the crowd to some of their newer singles like "LOVE Somebody" and "MI Amore." The duo also made sure to dress their best for their Bonnaroo debut by wearing matching pants. "We're wearing the same damn pants. We wore the same pants for you, Bonnaroo," they admitted. The audience was so enthusiastic that they started a "take them off!" chant about the pants, and Sunderland made a promise that they would take them off by the end of the set if the audience promised to stay with them through their entire career. True to their words, during the final song "1000 Nights," Sunderland took his pants off, ending their set with another memorable moment.
James Sunderland finishing FRENSHIP's set sans pants
Durand Jones & The Indications Brought Soul to The Farm
Soul outfit Durand Jones and The Indications delivered the smoothest set of Thursday, bringing their full, rich big band sound to the That Tent. The band displayed incredible chemistry and musicianship as they played through their hour long set, horns and woodwinds complementing the sheer power Durand Jones' vocals. Their groovy, R&B songs have a retro quality to them, but their tight sound and Jones' showmanship put a refreshing spin on a vintage sound. Drummer Aaron Frazer also displayed his incredible multi-tasking skills when he lent his vocals to a few of the songs during the set. The group will take part in the "Into The Great Wide Open" Superjam tonight, so if you missed them on Thursday, make sure you catch them during this all-star packed set tonight.
Durand Jones and The Indications Bringing Soul to The Farm
Cage The Elephant Played a Surprise Set
If you're camping at 'Roo, you might have noticed the permanent party set up in Plaza 9, which has been curated by none other than Cage The Elephant's Matt Shultz. The set up in Plaza 9 includes birthday decorations to celebrate Roo Day, as well as pop up experiences with some of the performing artists; like karaoke with Okey Dokey, watercolor painting with Lissie, DJ sets, and yoga. Thursday at Plaza 9 ended with a huge bang when Cage The Elephant played a surprise full show, which they had teased with a now deleted Instagram post. If you weren't in the know for the secret show, you can also catch Shultz and his bandmate Nick Bockrath partaking in the "Into The Great Wide Open" Superjam tonight.
Cage the elephant surprise bonnaroo set it’s good to be back on the farm pic.twitter.com/7gX4p01plh
— Jacob (@JacobShebek) June 8, 2018
Stay tuned for our daily updates throughout the weekend, and follow us on social media for live updates throughout the day.
Live Recap: The Kooks and The Academic at The Vic Theatre 5.30.18
This past Wednesday, The Kooks returned to Chicago for a sold out show at The Vic Theatre, returning for the first time since 2015 when they played the same stage. The show had originally been slated for October 2017, but the band pushed the gig back to May in order to work on completing their fifth studio album Let’s Go Sunshine, which will be this August.
Following a short but sweet set from The Academic that warmed up the crowd, The Kooks made their highly anticipated return to the Vic's stage, opening their set with "Eddie's Gun" from their 2006 debut album Inside In/Inside Out. The band made the wait for their comeback worth it by not only playing fan favorites like "Ooh La" and "Bad Habit" from their expansive discography, but by sprinkling in brand new songs throughout the set in order to showcase what they had been hidden away working on the past few years. Frontman Luke Pritchard expressed the band's gratitude for their fans, calling out all the different The Kooks t-shirts from the past years in the audience. When he wasn't expressing gratitude to the crowd, Pritchard often chatted between songs, providing backstories about the lyrics. During the songs, Pritchard pranced around the stage, making sure that he connected with the entire room by working his way across the whole stage.
While the set remained high energy, the mood remained dynamic with the band occasionally switching up the pace by having Pritchard perform a song at the keyboard, or by having guitarist Hugh Harris perform a song on his own. After the first part of the set, Pritchard returned on his own to sing "Seaside" as the opener of a 3-song encore, asking the crowd if they were up for a sing along before beginning. Judging by the echoes of the lyrics coming from all parts of the venue, the crowd was definitely into singing along, as they had been most of the evening. The set wrapped up on a high note with "Always Where I Need to Be" and "Naïve," the group leaving the stage to thundering applause.
Check out our photo gallery of the evening below, and see which cities The Kooks will be hitting next on this tour here.
Live Recap: Cut Worms and King Tuff at Lincoln Hall 5.25.18
Cut Worms and King Tuff kicked off Memorial Day weekend with an incredible show at Lincoln Hall.
The dynamic show began right at 9PM, with singer-songwriter and multi-instrumentalist Sasami performing solo on a dimly lit stage. As she sang through her stripped back, personal narratives, Sasami told hilarious anecdotes between songs, warming the early crowd up for the rest of the show. Sasami would return later in the night to play in King Tuff's band, but first the Brooklyn based project of Max Clarke, Cut Worms, took the stage for a homecoming of sorts, as Clarke had previously lived in Chicago for several years. After a successful debut EP, Clarke released his debut full length album Hollow Ground earlier this month, and his 45 minute set consisted of the majority of the album. Clarke and his band members had the crowd eagerly soaking up the twang soaked mix of alt-country and indie rock tunes, which pull in just a pinch of psychedelic and folk rock influences. Clarke's refreshing spin on timeless roots had the audience dancing along to his more upbeat songs like "Don't Want To Say Good-bye," but he also kept the set versatile by slowing things down to perform a song sans band towards the end of the show.
Eventually everyone had trickled into the concert hall, the stage had been set, and King Tuff and his band graced the stage for the final act of the night. The setlist started with the hypnotizing title and opening track of King Tuff's latest album, The Other, which just came out in April. With the crowd hooked after that slightly slower tempo track, the energy ramped right back up with trippier "Raindrop Blue," laden with shredding guitar riffs. King Tuff and his band added an edge of flare to their show with flashy outfits, but they kept the focus on their musicianship by not adding in any intricate stage production. The carefully plotted setlist weaved in some older favorites between songs from the new record, like "Unusual World" from the 2012 self-titled record and "Freak Me When I'm Dead" from 2008's Was Dead record. King Tuff kept the setlist completely refreshed by even throwing in a brand new track. "They're all new, but this one is even newer," King Tuff said before playing "Portrait of God." No matter what era of King Tuff discography any of the songs came from though, each tune had the crowd grooving and moving along, which nods to the versatile and universal quality of these albums and songs.
If you missed out on the show, check out our photo gallery of the evening below.
Check out the rest of King Tuff's upcoming tour dates here, and listen to The Other in full below.
Live Recap: House of Vans Chicago Girls Skate Jam with The Kills
Kickflips, grinds, chords and riffs! Chicago’s House of Vans played host to another Get on Board girls skate jam event Saturday evening. Some of Chicago’s finest skate boarders and up-and-comers tore the floor with ollies, kickflips and 180º’s. The event also featured a street market and the futuristic, interstellar and pizza-tastic artwork by Robin Eisenberg.
Later in the night, the venue transformed itself into a slew of rock riffs, power chords, and hair thrashing by the British - American indie rock band The Kills. The crowd was quickly pumped into a fever of singing and screaming at the top of the set with the hit “URA Fever." The show was always at full momentum with Alison Mosshart snake-charming the crowd with spellcasting lyrics and riveting dances moves. The air-fan on stage blew through her hair making it dance to the electric rock tunes.
Alongside Mosshart was Jamie Hince power sliding on the guitar, just making the strumming patterns look easy. Hince also accompanied the songs with cool smooth lyrics and stylish swings. The duo performed an exceptional setlist with hits from across their albums like “Black Balloon," “Baby Says," and “Doing it to Death." As the evening continued, Mosshart gave the crowd a heartfelt smile as she started singing the new tune “List of Demands." As the duo worked through their setlist, the crowd eagerly soaked up their electrifying stage presence.
The girls of skate and rock slayed the house with tricks and guitar licks leaving us all to look forward to the next one to shred again!
