Filtering by Tag: Review

Live Recap: The Wombats with Clubhouse at Park West

February 05, 2022 / Rachel Zyzda

This past Thursday night, The Wombats returned to Chicago on their US tour and proved that while everything may be going wrong in the world, we can still be so happy.

Despite the evening being frigid and snowy, as is typical February-in-Chicago weather, and Covid surges still going strong, fans relentlessly flocked to Park West to attend The Wombats’ tour in honor of their fifth studio album Fix Yourself, Not The World. The night began with a set from Columbus’ Clubhouse, who warmed up the crowd with their fun-spirited tunes and friendly demeanor. The band performed songs from their 2021 album Are We Going Too Slow? as well as a rendition of MGMT’s hit “Electric Feel.”

The friendly tone from Clubhouse’s set lingered after they left the stage, as the audience chatted to fellow fans about their favorite track from Fix Yourself, Not the World and recollected on past experiences at Wombats’ shows. I personally ended the night we a few new concert buddies, and couldn’t have asked for a better group of people to be standing next to. By the time Matthew “Murph” Murphy, Tord Øverland Knudsen, Dan Haggis took the stage, it no longer felt like standing in a room full of virtual strangers because the mutual admiration for The Wombats’ music created such a connected atmosphere.

The music kicked off with the single “Flip Me Upside Down” from the new album, and from the second the song began, the problems of the outside world faded away for roughly 90 minutes as The Wombats produced a euphoric escape. The three members of The Wombats met and began making music in Liverpool, and while life has since taken them to different home locations across the globe, they managed to record the new record remotely thanks to the help of Zoom. Despite the distance they’ve faced in recent years, the bond between the trio remained as strong as ever during their live performance as they played with a sense of camaraderie that can only come from their many years of making music together.

The remainder of the set list incorporated a lot of the new material like “Wildfire,” “Method To The Madness,” and “If You Ever Leave, I’m Coming With You”—the latter of which Murph joked that his wife had told him in a “creepy yet endearing” way back when they were dating—however, fans were not deprived of the chance to revisit some of their older favorites from the band’s earlier days. The Wombats sprinkled in bits of each of their past albums, going all the way back to 2007’s A Guide to Love, Loss & Desperation. Throughout all these years, I’ve always admired Murph’s pensive and witty lyrics that are surrounded by intricate melodies and production, but hearing these songs in a live context only elevates that magic. Familiar crowd favorites of the evening included “Techno Fan,” “Kill The Director,” “Let’s Dance To Joy Division” and “Turn” but there truly wasn’t a moment when the audience wasn’t echoing the words back to the band and dancing along. A flip was switched from the second the opening note rang out, and the lighthearted energy remained intact even after The Wombats left the stage.

If The Wombats are coming to a city near you, don’t deprive yourself of a similar experience, and be sure to snag your tickets here. Check out photos of the evening and tune into the new album below.

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categories / Photos, Reviews, Music, Gigs
tags / The Wombats, Clubhouse, Live Show, Live Recap, Review, Park West, Chicago, Live Music, Photo Gallery, Photography, Photo Set

Live Recap: Michigander with Hollyy and Stay Outside

November 02, 2021 / Rachel Zyzda

Last week, Michigander returned to Chicago to headline a sold out show at Lincoln Hall, in support of the new EP Everything Will Be Ok Eventually. I had the chance to see Michigander perform a set to a large crowd at Lollapalooza earlier this summer, but hearing the new music in one of my favorite venues felt so much more special.

The evening began with support from Chicago’s own Hollyy and Stay Outside from our neighbors in Indiana. Stay Outside had the crowd buzzing about their infectious energy and anthemic indie rock after the set, and Hollyy won the room over with their soulful crooning and layered arrangements.

When it came time for Jason Singer and his bandmates in Michigander to grace the stage, the room radiated with a familiar sense of welcoming a friend home. Despite being from Michigan, Chicago holds a lot of love for the band, and Singer even acknowledged how good the city has always been to them as he chatted between songs, recalling their first ever house show here.

The performance at Lincoln Hall followed a long string of tour dates for the band, who has been hard at work out on the road since concerts got the green light to pick back up. During the entire show, the band exuded an electrifying sense of energy and ease performing with one another, showcasing a tight-knit sound that’s only continued to evolve as they play more music together. Whether it was the band jamming out an extended arrangement on certain songs like “Circles” or them joking around with a School of Rock bit, the members of Michigander made it clear they were enjoying every second of their set.

The audience reciprocated the band’s mood by dancing and singing along, and I even overheard other fans chatting and bonding about their past experiences at Michigander shows between the different sets that evening. One particular group of dedicated fans (self-proclaimed “oldest fans”) had been following the tour around the Midwest, and they received a special shout out from Singer onstage.

While 2020 (and a large part of 2021) brought on many lows and dark times, it almost feels like Michigander summoned the light at the end of the tunnel with Everything Will Be Ok Eventually. Towards the end of their set, Singer acknowledged that title as a sort of mantra to get him through the hard times of the pandemic, and as I experienced the uplifting feeling in the room during the show, it truly felt like everything was more than ok in that moment.

Check out ANCHR’s photo gallery of the evening below, and see where you can catch Michigander on the road next here.

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categories / Reviews, Music, Gigs
tags / Michigander, Hollyy, Stay Outside, Lincoln Hall, Photo Set, Live Music, Review

Live Recap: BANKS Makes Her Chicago Comeback on the Eve of Third Album Release

July 15, 2019 / Rachel Zyzda

The House of Vans Summer House Parties concert series always presents a wide array of different artists— from pop to hip hop and rock, the Summer House Parties give music fans in Chicago an opportunity to see some of their favorite artists or discover new ones.

This past Thursday night, the venue hosted an evening curated by one of my personal favorite artists: BANKS, who brought her raw and vulnerable R&B infused pop tunes to the stage in Chicago for the first time since 2017. The evening not only marked BANKS’ comeback to Chicago, but in general; With her third album being released at midnight the night of the show, this performance celebrated the beginning of a new era. Fans that had lined up around the block to attend this House of Vans performance were undoubtedly excited to hear some of the newer material performed in front of them for the first time ever, but they were also eager to revisit some of their old favorites from BANKS’ first two albums: Goddess and The Altar. When BANKS appeared on the dimly lit stage to an enthusiastic welcome, she delivered several throwbacks in the first section of the set; After opening with 2013’s “Waiting Game,” she followed up with “Fuck With Myself” and “Gemini Feed.” These songs, with their personable sentiment and their gut-wrenching sense of honesty, allow for fans to truly feel and connect with the music. In the live sense, that connection only intensified thanks to BANKS’ emotive and earnest vocals, which swirled together with moody lighting and theatrical dancing to create an immersive experience.

The production element of Thursday night’s show and BANKS’ stage presence in general seemed more developed since her last performance here— the singer appeared more at ease in front of an audience, even as she bared her soul through her lyrics. Just like her stage persona, BANKS’ new songs like “Gimme,” “Contaminated,” and “Look What You’re Doing To Me” from the new album all seem to have more intricate layers to them, signifying the growth that the songwriter has experienced in the last couple of years. As the night continued on and BANKS poured her energy into performing her songs from the past and present, the concert felt like a cathartic therapy session for both her and everyone in the crowd. When it came time for the show to end, the mood in the room was bittersweet, but BANKS’ return had been well worth the wait. After Thursday’s show, it’s clear that BANKS is back in full swing, and if you loved the show as much as I did, you don’t have to wait long for her return— BANKS will be performing at The Riviera Theatre in September with Kevin Garrett.

Photos of the BANKS House of Vans show-featuring special guest Anna Lunoe

Keep up with BANKS on Twitter // Facebook // Instagram

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categories / Reviews, Gigs
tags / BANKS, New Music, House of Vans, Concert Photography, Review, Live Recap, Photo Set

Live Recap: The Wombats Bring New Music, The Hits, and Infectious Energy to Their Lollapalooza Aftershow

August 06, 2018 / Rachel Zyzda

This past Thursday night, The Wombats closed out the first day of Lollapalooza 2018 with a sold out aftershow at Lincoln Hall

As the clock struck midnight, hoards of music fans had piled into Lincoln Hall to celebrate the end of the first day of Lollapalooza with The Wombats. Although they had just performed out in Tinley Park with The Pixies last month and at Lollapalooza earlier that day, the last time The Wombats had performed as a headliner in Chicago was more that two years ago, when they played The Metro in support of their album Glitterbug. Despite the late start time of the aftershow, old and new fans of the band buzzed with anticipation during the moments leading up The Wombats’ entrance to the small stage, everyone anxious to hear some of their old favorites as well as the freshest material from this year’s Beautiful People Will Ruin Your Life.

The set began with the new; The group opened with “Cheetah Tongue,” the first track off their fourth studio album, but from there on, the setlist took twists and turns through The Wombats’ extensive catalog of material. Following “Give Me a Try” from Glitterbug, the band threw it back to 2011 and 2007 with “1996” and “Kill The Director.” While The Wombats did a great job at compiling a setlist of songs that highlighted each of their album eras, one of the best experiences of the show was looking around and seeing fans scream the lyrics along with lead singer Matthew Murphy and dance throughout the night with unwavering gusto, during every single song. Murphy and bandmates Dan Haggis and Tord Øverland have continuously mastered creating music that blends clever and sharp narratives with danceable melodies and grooving bass lines, allowing for fans to connect with the lyrics while dancing it out.

Live, the trio translates their records to life with a keen stage presence and unmatched chemistry, which stems from their years and years of playing music together. Despite their grueling tour and travel schedule as of late and the fact that they had played Lollapalooza earlier that afternoon, The Wombats never skimped on the energy during their show at Lincoln Hall; Øverland still delivered his signature kicks and jumps as he played bass and Murphy often paraded around the stage with his guitar. The entire room was already beaming from ear to ear as the set came to a close, but the band still had one more surprise up their sleeves. During iconic tune “Let’s Dance To Joy Division,” three people dressed up head-to-toe in wombat suits rushed the crowd and stage to close out the night, and everyone (even the wombats) clapped along to the athemic bridge of the song.

Following the humorous guest appearance, The Wombats (the band) returned for an encore, bringing along the costumed wombats again. The three song encore consisted of one of their recent singles, “Turn,” “Tokyo-Vampires & Wolves” from their earlier days, and “Greek Tragedy” from their third album, once again equally representing all of their eras. No matter what year your favorite song from The Wombats comes from though, there’s no denying their music and their live show has a timeless quality to it; it will always be a challenge to find anyone having a bad time at a Wombats show.

Check out photos from the show below, and see where you can catch The Wombats next here.

Listen to Beautiful People Will Ruin Your Life in full below.

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categories / Gigs, Festival, Photos, Reviews
tags / The Wombats, Lincoln Hall, Beautiful People Will Ruin Your Life, Lollapalooza, Photo Gallery, Review

Bonnaroo 2018 Saturday Highlights

June 10, 2018 / Rachel Zyzda

Saturday at Bonnaroo featured tons of incredible shows from artists of every genre. In fact, the schedule was so jam-packed that it left a lot of fans wishing they could be two places at once due to conflicting shows. Here are some highlights you may have missed from the third day of Roo if you were busy hopping from show to show.

POND Crowd Surfed During Their Second Song

POND took the stage bright and early on Saturday afternoon, breaking in the This Tent with their psych rock jams and laid back attitudes. The band let the crowd know that their Bonnaroo performance was the very last show of their recent US tour before they return home to Australia, and they definitely went out with a bang. Frontman Nick Allbrook began the set on the right foot, immediately jumping into the audience to crowd surf during the second song. From there on, the energy remained high, with Allbrook sauntering around the entire stage, jumping down at certain points to go up to the fans at the barricade. The crowd’s energy remained right up there with the band’s, with everyone dancing and singing along despite the extreme heat.

Chance The Rapper Crashed Knox Fortune's Set

Chicago Producer and singer songwriter Knox Fortune has garnered buzz for his work with rapper Joey Purp, but more notably for singing the hook on Chance The Rapper’s song “All Night.” Naturally, when rumors surfaced on Friday that Chance The Rapper had been spotted around the Bonnaroo campgrounds, some clever fans began to speculate whether or not Chance might join Knox Fortune’s set to bring their collaboration to life. Sure enough, towards the end of Knox’s afternoon set at the That Tent, some lucky fans were able to witness a rare special performance of the track when Chance came onstage to perform his verses. Chance hasn’t made any other pop up appearances onstage this weekend, so this may have been the only chance to catch him (pun intended).

Rag'N'Bone Man Apologized For His Dancing

British singer songwriter Rory Graham, aka Rag’N’Bone Man, combines his raw, bluesy vocals with soulful pop melodies to craft addictively catchy songs that made for a great sing along during his set. The success of his single “Human” from his debut album also of the same name attracted hoards of fans to the This Tent for his evening set. During his set, Graham displayed his humble nature, often thanking the crowd for turning up and making self-deprecating jokes. He told the crowd that playing festivals in the states can be quite daunting since he always thinks no one “knows who the fuck I am,” and he seemed genuinely touched at how many people turned up to watch him. All of the fans who showed up were treated to stripped down introductions and intricate arrangements of Graham’s songs, as well as some laughs when he chatted between tunes. “I apologize for my dancing,” Graham said, recalling a time someone wrote a review of his show saying he was good, but his dancing is awful. We’re all for his dancing here though since Bonnaroo is about radiating positivity.

A Blow Up Doll Crowd Surfed During Post Animal

Our pals in Post Animal made their Bonnaroo debut last night to an overflowing and hyped up crowd at the Who Stage. Although their set time clashed with some other major shows, including Bon Iver’s first set, fans still flocked to see their second ever festival performance, following last month’s debut at Shaky Knees in Atlanta. Throughout the past couple of years, the group has beefed up their live show, honing in on their song transitions and arrangements to make for a special experience of their songs that you can only get at their live shows. Their efforts to put on a smooth and engaging show didn’t go unnoticed by their enthusiastic crowd, who immediately opened up a mosh pit and crowd surfed throughout the 45 minute set. One audience member brought a blow up doll with them, which surfed above the crowd and even ended up on stage at one point. Post Animal has never been known to put on a tame show, but last night was definitely one of the wildest. You can catch their next major festival performance later in the summer, when they take the Lollapalooza stage for the first time.

Justin Vernon Brought The Eaux Claires Spirit to the Second Bon Iver Set

When Bon Iver’s first set of Saturday night consisted mostly of songs from the album 22, A Million, fans began to speculate that the later set would include some of the classics from the earlier days. However, Justin Vernon took a completely different approach by turning the set into a collaborative performance piece. The collaborative vision closely tied into the mission of Vernon’s hometown festival in Eau Claires, Wisconsin, which frequently features surprise sets and crossover between bands and artists during their shows. Not only did the Bon Iver show last night have special guest appearances, but dancers also accompanied the music for certain songs. Coupled with the intricate lighting design, the dancers tied together the show’s production level. As for the musical guests, Vernon first invited Francis and the Lights early on in the set, before welcoming him back to perform their hit “Friends”…with both Vernon and Francis joining in on the dancing. Other guests included Moses Sumney and Sylvan Esso, with the latter coming out on stage to perform “Flume” with the band, as well as their own song “Coffee.” Vernon even invited Parkland survivor Aalayah Eastmond out to speak about gun control, adding some activism into the set. Overall, the show was completely unique to most Bon Iver shows you’d catch, which made for the perfect ending to Bonnaroo’s third day.

Don't forget to also check out our Thursday and Friday highlights, and stay tuned for coverage of the final day today!

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categories / Festival, Reviews, Gigs, Photos
tags / Post Animal, Rag'n'Bone Man, Bonnaroo, Knox Fortune, Sylvan Esso, POND, Bon Iver, chance the rapper, Photo Gallery, Review

LIVE: Wolf Alice Returns to Chicago to Play Their Biggest Show Yet at Metro

April 03, 2018 / Rachel Zyzda

This past Friday night, The Metro hosted an unforgettable show with Wolf Alice and The Big Pink

After fellow Londoners in The Big Pink warmed up the already jam-packed Wrigleyville venue, the crowd buzzed with anticipation for Wolf Alice to take the stage. Returning for the first time since July, when they played a special, one-off show at Schubas Tavern, the four piece had yet to play Chicago since the September 2017 release date of their sophomore album, Visions of a Life. For many of the fans at The Metro, this would be their first time seeing Wolf Alice in years, as their special Schubas show sold out in minutes, allowing just under 200 lucky fans to get tickets.

This time, more than 1,000 enthusiastic fans enthusiastically soaked up Wolf Alice’s remarkable live show. Very few bands are able to create something as special as Wolf Alice does, without any fancy bells and whistles or special effects; their live shows are driven by each band member leaving everything they have on the stage each and every night. Throughout the band’s entire discography, lead singer and guitarist Ellie Rowsell has demonstrated an incredible, emotive ability with her vocal range and technique, singing in a delicate falsetto in one song (or even one moment of a song), before transitioning right into a hearty growl in another. Live, Rowsell not only keeps up with her vocal ability in the studio version, she amplifies the power behind each and every lyric. Just like Rowsell throws her emotions and entire energy into her singing onstage, she and her bandmates all do the same with their instrument playing. Throughout the show, bassist Theo Ellis and guitarist Joff Oddie remained in motion the entire time, flinging around their guitars, holding their instruments up, and stepping out onto the edge of the stage to add even more passion into their already energetic playing.

The concert on Friday acted not just as a return for Wolf Alice to play new songs, but it happened to be the band’s biggest headlining concert in Chicago yet, Ellis told the crowd. Despite the size of the crowd, everyone remained hooked on the show the whole time as the band played through songs old and new. Wolf Alice kept the audience on their toes as they weaved in songs from 2015’s My Love Is Cool with 2017’s Visions of a Life, following up new songs like “Don’t Delete The Kisses” and “Planet Hunter” with “Bros” and “Lisbon” from the debut record. When the set started winding down, Wolf Alice treated the crowd to a surprise, when they brought out a fan to accompany them during their hit “Moaning Lisa Smile .” Prior to the show, the band had tweeted asking for fans to send them videos of them playing the track on guitar, and guitarist Elaine Simmons from St. Louis made the cut. Simmons took over the guitar playing for Rowsell, allowing Rowsell to have the freedom to roam around on stage rather than remaining stationary by her microphone stand.

After an explosive performance of the fast-paced song “Fluffy,” the band left the stage, only to be summoned back for an encore. Juxtaposing the gritty performance of “Fluffy,” the encore started with the goosebump-inducing and stripped back track “Blush” from the band’s earliest EP. Rowsell commanded the sold out crowd’s attention with just her voice and guitar at the start of the song, and even as the song built up, the audience remained hypnotized. The spell broke and everyone went wild for the final song of the night; “Giant Peach." Rowsell ended the magical evening on a high note, stagediving and crowdsurfing at then end of the song.

This show may have been Wolf Alice's biggest Chicago show yet, but as the sea of devoted fans filed out of the theatre with huge smiles plastered on their faces, it was clear that the band will be warmly welcomed back, only to play bigger and bigger venues.

Photos of The Big Pink and Wolf Alice at Metro 3/30/18

Wolf Alice remains on tour throughout the Summer--do not miss them in a city near you. See all of their tour dates here, and listen to Visions of a Life in full below:

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categories / Photos, Reviews, Gigs
tags / Wolf Alice, The Big Pink, Metro, Review, Photos, Photo Gallery, Visions Of A Life

LIVE: Alvvays Enchants a Sold Out Metro Last Friday Night

March 28, 2018 / Abraham Piña

As soon as the doors opened at the Metro last Friday night, the Wrigleyville venue was completely packed with eager fans excited for Alvvays' sold out show. Throughout the crowd you can hear fans talking about their favorite melodramatic songs and the hopes that Alvvays would play everything they wanted to hear, heightening the anticipation of the band's appearance even more.

Molly Rankin of Alvvays at the Metro on 3/23/17

Fronted by Molly Rankin, the indie pop group hit the stage and began strumming to the venue, filling it with downtempo melodies and honest, lighthearted lyrics. Not every song was low beat, though; "Your Type” and “Plimsoll Punks”, from the 2017 release album Antisocialites picked up the pace, allowing fans to stomp along to the beat and even encouraged a few crowd surfers to float around the room. “Forget About Life” casted a beautiful singalong throughout the concert hall.

Near the end of the set, the band's hit “Archie,Marry Me” made its appearance with its catchy rhymes and anthemic chorus. As you hear those lyrics “Hey, hey marry me, Archie," you can't help but want to grab the hand of your special someone “Tonight Tonight.” To make sure you don't miss Alvvays' magical show in a city near you, see their upcoming tour dates here.

While you wait for Alvvays to come back through Chicago, revisit their latest album Antisocialites below!

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categories / Reviews, Gigs, Photos
tags / Alvvays, Metro, Chicago, Photo Gallery, Review

LIVE: Middle Kids Bring Witty Banter and Sincere Songs to Lincoln Hall

September 08, 2017 / Rachel Zyzda

This past Wednesday night, Aussie indie rockers Middle Kids brought both their sincere songs and witty stage banter to Lincoln Hall’s stage as part of WKQX’s Queued Up Artist Showcase. After Chicago’s own Glyders rocked the Lincoln Park concert venue, Middle Kids kicked off their roughly hour-long set with a new track from their upcoming debut album, called “On My Knees,” before moving into “Your Love” from the band’s debut EP. The latter, like most of Middle Kids’ EP, showcases lead singer Hannah Joy’s incredible vocal range and emotive tone that adds another layer to her intricate narratives.

Live, the band adds even more depth to their thoughtful and personal stories told in the songs, with Joy moving around on stage and jamming with bandmates Tim Fitz, Harry Day, and touring member Pete Covington. The energy built up during “Fire In Your Eyes,” which Joy told the crowd was the first song she and Fitz ever wrote, and “Old River,” which had Joy working the whole crowd and the band playing an extended jam during the bridge. The mood came to a hypnotizing lull for the next song, a piano ballad on the EP named “Doing It Right” that Joy reconstructed as a guitar ballad, performed as a solo on her part. The stripped back solo placed a weight of vulnerability on Joy, but she wrapped the crowd around her finger with the flawlessly fragile performance. The spell broke when the full band returned and Fitz delivered some banter about spit bubbles before diving into their viral track “Edge of Town,” which has been hyped by everyone...including Elton John. Joy prefaced another new song called “Don’t Be Hiding” by telling the crowd that their shows act as a little survey to test out the new ones. One final new tune trailed after “Never Start,” acting as an encore. The new song may have been the last, but instead of displaying any signs of exhaust for the prior performance, Joy’s voice remained resilient, weaving in and out of falsettos and powerful harmonies with her bandmates, while possessing a strong sense of conviction.

The Sydney trio had only made their Chicago debut earlier this year, but with the stellar show they put on at Lincoln Hall, there’s no doubt we’ll be seeing lots more of Middle Kids soon.

Check out photos of Glyders and Middle Kids at Lincoln Hall, and catch them in a city near you soon! All tour dates can be found here.

Can't get enough Middle Kids? Listen to their debut EP below, and check out our interview with Hannah Joy here.

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categories / Reviews, Photos, Music, Gigs
tags / Middle Kids, Glyders, Chicago Local Music, Chicago Bands, Photos, Live, Review, Photo Gallery

LIVE: Tigertown and VÉRITÉ Kick The Week Off With a Bang at Lincoln Hall

August 30, 2017 / Rachel Zyzda

Tigertown and VÉRITÉ gave a Friday night feeling to Lincoln Hall this past Monday night with their high energy and engaging performances.

Sydney-based Tigertown got the ball rolling right at 8PM, with their infectious and upbeat indie pop tunes and the style to match. Their roughly thirty minute set packed in songs from their first two EPs, called Lonely Cities and Papernote, as well as a few newer tracks. Tigertown’s most-played track “Lonely Cities” and their newest single “Warriors” were definitely crowd favorites, but the audience remained engaged even during the band’s unreleased material. In between songs, lead singer Charlie Collins radiated gratitude as she introduced each song. Although they were a long way from home, Tigertown put on a polished and humbled performance to get the crowd warmed up for VÉRITÉ. For fans of MS MR, CHVRCHES, and Bleachers, Tigertown is a band you need to have on your radar.

As the stage changed over to gear up for Kelsey Byrne (AKA VÉRITÉ)’s headlining slot, the room buzzed with the anticipation of fans itching to see the singer songwriter. The anxious energy bubbled over when the opening notes of “When You’re Gone” rang out just past 9PM, and Byrne glided onto a dimly lit stage. Although she’s been back in town twice this year to support Betty Who and Marian Hill, the last time Byrne headlined a show in Chicago, she played a sold-out Monday night show at Lincoln Hall’s sister venue, Schubas Tavern. During that show, Byrne expressed her appreciation for the room of dedicated fans, her voice wavering with awe of the support they’d shown an unsigned artist. This past Monday night, Byrne’s eyes glimmered with that same gratitude as she played an amplified and extended set for an even larger crowd in Chicago.

The dynamic set featured older favorites, as well as tracks from VÉRITÉ’s debut album Somewhere in Between, released June 23rd. While some of the songs sit towards the back of the VÉRITÉ catalog and may be well-versed, that didn’t stop Byrne from delivering 110% in her vocal performance and stage presence during every single song. With a minimal production aspect of the show that used only lights, rather than any screens or visuals, Byrne remained the sole focus of the crowd for the entire show. In the middle of her own songs, Byrne performed a cover of The 1975’s “Somebody Else” with the crowd echoing the words back. At that point in the set, the energy of the crowd peaked and remained in high gear, both the crowd and Byrne jumping up and down to the next song, “Solutions.” During that song, Byrne went so hard during that she cut her lip on her microphone, but she rallied through and delivered flawless vocals for the remainder of the set. The crowd danced and sang loudly along to songs like “Weekend” from her 2014 Echo EP and the recent single “Saint,” which is featured on the album. In between songs, Byrne never stopped expressing her appreciation for the audience, telling them she no longer has to wait tables on the side, thanks to their support. Although she’s performed in Chicago many times in the past, this last show marked VÉRITÉ’s strongest performance here yet.

By blending her powerful vocals and catchy melodies with her personal lyrics and honest, vulnerable stage presence, VÉRITÉ is gearing up to become the most relatable pop singer out there. Grab tickets here for all of the upcoming shows on this tour.

Photo Gallery of Tigertown and VÉRITÉ 8.28.17

Keep up with VÉRITÉ by liking her Facebook page, and listening to Somewhere in Between below.

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categories / Gigs, Photos, Reviews
tags / VERITE, Tigertown, Chicago, Lincoln Hall, Somewhere In Between, Live, Photo Gallery, Review

LIVE: Temples and Declan McKenna 8.2.2017

August 04, 2017 / Rachel Zyzda

The British invaded Lincoln Hall on Wednesday, August 2nd for an evening of pure talent, charisma, and rock'n'roll. Kicking off the Wednesday night "after" show, which actually took place before this year's 4-day Lollapalooza, Declan McKenna and his band played in celebration of both his first Lolla performance and the release of his debut album What Do You Think About the Car? As McKenna played through crowd favorites like his debut single "Paracetamol" and his latest, "Humongous," he and his band jammed cohesively, feeding off one another's energy. His 45 minute set concluded with the high energy single "Brazil," with its impossible-to-get-out-of-your-head chorus.

After a quick stage changeover, fellow Brits Temples took the stage to deliver a smooth and polished performance for the next 90 minutes. Combining a solid variety of songs from their debut LP Sun Structures and 2017's Volcano, the set flowed from start to finish with extensive jams and additions to songs that added layers to the live performance. The band's frontman James Edward Bagshaw sauntered around the small stage at the Lincoln Park venue, energy surging through not only Bagshaw and his bandmates, but the crowd and the band as well. A magnetic presence filled the concert hall as the crisp and perfected sound soared through the room during songs like "Certainty" and "Shelter Song." A lighting rig composted of chameleon, color-changing diamonds added another depth to the already enthralling performance from Temples. It's a rare feat when a band can develop such an engaging and evolved live show while still managing to sound flawless and in sync, but Temples made it look easy with their Wednesday night show.