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Live Recap: Yeah Yeah Yeahs with Sasami at Northerly Island

June 04, 2023  /  Rachel Zyzda

The Yeah Yeah Yeahs and Sasami kicked off June with a show at Northerly Island in Chicago this past Thursday night.

With the sun still shining and the Chicago skyline in the background, Sasami and her band took the stage to warm up the crowd for the Yeah Yeah Yeahs. Sasami quickly ramped up the energy throughout the venue with her animated stage presence, dancing and between-song banter as she performed some songs from her 2022 album entitled Squeeze. At one point in her set, Sasami joked she was playing a new song called “Chicago Ate My Asshole”— which obviously got a lot of cheers and laughter from the crowd.

Fans continued to file into the outdoor venue, and eventually it was time for Yeah Yeah Yeahs to hit the stage. With the lights dim, the band members made their way onstage as strobing lights sent out small bursts of lighting before fully illuminating lead singer Karen O and her shimmering attire. The band opened the show up with the cinematic single “Spitting Off The Edge of the World” from their 2022 album Cool It Down before moving into the more tenured track “Cheated Hearts.”

“We’re gonna fucking party like it’s Thursday Night,” Karen O told the crowd early on in the set; a statement that was met with loud cheers and dancing from the packed audience. The singer also shared that she recently recovered from “the plague” so her voice might crack a little, but her energy and vocals remained resilient throughout the entire show.

The only time the energy mellowed out was when Karen O mentioned they were going to slow it down a bit to play “Lovebomb,” another newer song their last album. The band perfectly transitioned out of the song into the adored and familiar introduction to their hit “Maps,” which received an immediate eruption in screams from the audience. The energy continued to climb for the last portion of the show, with everyone dancing to “Heads Will Roll” to close out the main part of the set. The night fully wrapped with a 3- song encore, all of which were featured on 2003’s Fever To Tell album.

Check out photos from the evening below, and see where you can catch Yeah Yeah Yeahs on tour next here.

categories / Photos, Reviews, Gigs
tags / Yeah Yeah Yeahs, Sasami, Photo recap, Live Review, Live Show, Live Nation, Northerly Island

Live Recap: MUNA with Nova Twins at Salt Shed

May 19, 2023  /  Rachel Zyzda

This past Tuesday night, fans gathered to catch a sold out show from MUNA, with support from Nova Twins at the Salt Shed.

I entered the shed very familiar with MUNA, having been a (number one) fan for years now, but I went into the Nova Twins’ set completely cold. It didn’t take long at all for the duo of Amy Love and Georgia South to warm me up and win me over—it was somewhere between their wildly energetic entrance to the stage, their encouragement of the audience to declare “I’m a boss bitch!” (as they sing in the chorus of their song “Cleopatra”) and Love’s request for the crowd to “open up the twerk pit” (rather than mosh pit) that I decided Nova Twins is one of my new favorites. The cheers from the audience and the smiles I saw on everyone’s faces confirmed I was not alone in my newfound admiration for the duo. Their 40-minute set contained plenty of songs from their 2022 album entitled Supernova and was chock-full of ear-splitting guitar riffs and booming bass lines.

With the crowd primed and ready now, MUNA took the stage right around 9PM. As the band launched into their hit “What I Want,” vocalist Katie Gavin abruptly stopped the song only about 30 seconds in, to call out that someone in the audience appeared to need medical assistance. Once the fallen fan received help, Gavin and her bandmates Josette Maskin and Naomi McPherson, decided to leave the stage, restarting the set completely from the top so that everyone got to experience their full introduction. The sold out crowd remained rowdy throughout the show, but thanks to an overwhelming sense of camaraderie and a reminder from Gavin to look out for each other, the show carried on with only good vibes and no more incidents.

Following a whirlwind of bangers like “Number One Fan” and “Stayaway,” MUNA mellowed out the tempo slightly for songs like “Loose Garment” and “Winterbreak,” the latter of which Gavin picked up an acoustic guitar to add some richness to the arrangement. For the majority of the show, Gavin sang and danced freely across the stage, only staying stationary for the few songs she played acoustic guitar on. The energy remained high throughout the show, though, with plenty of banter and movement from Maskin and McPherson as well. Things got even rowdier during MUNA’s performance of “Anything But Me” when the band threw out horse figurines for the crowd to toss around.

In the blink of an eye it seemed, the show began to wind down and MUNA left the stage to immediate requests for an encore. The trio kept the magic going with their song “I Know a Place,” in which Gavin sings about a place where you can go, let down your walls and truly be yourself— AKA, every MUNA concert ever. For one last hoorah of the night, Nova Twins graced the stage again to join in on singing “Silk Chiffon.”

I’ve said it before and I’ll say it again, MUNA fans are some of the most accepting and joyous people you’ll ever meet, so if you get the chance to attend one of their shows, don’t miss out on the wonderful experience.

If you missed the show, check out the full gallery below, and see where you can catch the tour next here.

categories / Reviews, Photos, Gigs
tags / MUNA, Nova Twins, Live Recap, Live Show, Photo recap, Salt Shed, Concert Photography

Live Recap: Weyes Blood with Molly Lewis at The Riviera

March 16, 2023  /  Scott Teresi

On Saturday, March 11, The Riviera in Chicago’s Uptown neighborhood brought the sensational Weyes Blood back to town for the first time in over three years to play a sold-out show in support of her latest LP In the Darkness, Hearts Aglow (her second for Sub Pop Records), which released in November of last year to critical acclaim. In support, Weyes Blood’s Natalie Mering was joined by fellow Californian whistler Molly Lewis who played songs off her new EP “Mirage” (out on Jagjaguwar) accompanied by her pre-recorded music to a hushed and stunned audience. (In all truth, you could hear a pin drop during the entire duration of Lewis’ magical repertoire.)

Following Lewis came the main act: Mering’s five-piece band that filled out the stage among an array of shimmering and twinkling candelabras distributed between the instruments and gear, setting the appropriate tone for what would be a hauntingly elegant set. The band then took it away across 14 songs from both the new album and 2019’s acclaimed Titanic Rising, which includes fan favorites “Andromeda” and the endlessly danceable “Everyday.” Enveloping around these now-modern classics were tracks like the haunting “Grapevine” (named for the California’s I-5) to the seriously underrated “Children of the Empire” (This reviewers favorite.)

With these new songs, Mering has seemingly never felt more comfortable and alive on stage that she appears to be here with a lighting program that accompanies the tone of context of these songs perfectly. Mering’s presence, where she dances and twirls around like the ghost of an amateur ballerina, feels jubilant and earnest and is only helped by her new choice of stage costume. Gone is the smart white suit of the last few years of touring (a look featured on the cover of her third LP Front Row Seat to Earth) and in its place is a long white gown with a white cape and matching boots, casting Mering as a cross between a angelic religious figure and Princess Leia in the original Star Wars.

All of these elements combine into a transcendent alchemy during “God Turn Me Into a Flower” (from the new record) which finds Mering searching for a way to survive and finding that power in the idea of a resilient flexibility while also re-examing the Narcissus myth. Backlit by a single light, Mering slowly spun in and out of its rays which illuminated her cloak and dress to new heights, casting Mering as a spirit on the stage ready to ascend into the rafters and right out of the auditorium.

Later in the set, another ingenious touch of costume design came into play when, during “Twin Flame,” Mering’s chest lit up a bright reddish orange (“Hearts Aglow!”) commanding an audible gasp and then jubilant cheers from the audience. In addition to being a master songwriter and live performer, Mering’s showmanship and knack for creative spectacle are also now fully on display.

The evening eventually ended with a solo acoustic rendition of Titanic Rising’s closer “Picture Me Better,” a somber ballad about a lost friend. Making our way out of The Riv (select merch items in hand!) showgoers buzzed excitedly about what they had just seen against a thick Chicago snowfall that seemed perfectly timed to cap off the evening, it occurred to me: Across an evening of standing together in a dark room and sharing a communal cathartic experience we exactly conjured up the title of the new record— “In the Darkness, Hearts Aglow.”

categories / Music, Gigs, Photos, Reviews
tags / Weyes Blood, Molly Lewis, The Riviera Theatre, The Riv

PHOTOS: Fall Out Boy with Games We Play at Metro

January 31, 2023  /  Rachel Zyzda

Last week Fall Out Boy returned to the Metro stage for a legendary hometown show, in honor of announcing their new album So Much (for) Stardust.

Check out photos of the evening also featuring Games We Play below, and make sure to snag tickets to Fall Out Boy when they’re back playing Wrigley Field on June 21st.

categories / Gigs, Music, Reviews, Photos
tags / Fall Out Boy, Metro, Metro 40th anniversary, So Much (for) Stardust, Games We Play, Wrigleyville, Gigs, Photo recap, Photo Set, Live Show, Q101, Concert Photography, Fall Out Boy Chicago, Chicago

Live Recap: Pond and Cryogeyser at Metro

December 10, 2022  /  Rachel Zyzda

On Tuesday night, Metro hosted a packed house for Pond, with support from Cryogeyser, in honor of Pond’s latest studio album 9.

Cryogeyser kicked off the evening with their dreamy blend of shoegaze and lo-fi rock, which played out in front of colorful screen projections. The LA-based trio composed of Shawn Marom, Zach Capittifenton, and Samson Klitsner have been supporting Pond for their entire North American tour, and their musical style was very well-received by Pond’s fanbase at the Chicago show. Cryogeyser released their most recent EP called “timetetheredtogether” in 2021, and their setlist included songs like “Foreigner” and “Sonic Peace” from the EP.

Finally, it came time for Pond to return to the stage in Chicago for the first time post-pandemic—with their last show here being in 2018. Lead vocalist and guitarist Nick Allbrook wasted no time getting reacquainted with their Chicago fans, as he left his spot on stage to jump over the barricade into the crowd during the performance of “America's Cup,” the first song of their set. During the commotion of Allbrook joining the audience, a fan in the front row ended up with a bloody nose, but she remained in good spirits about it and stayed in her spot so as not to miss a minute of the show. Allbrook rejoined his bandmates back on stage for “Rambo,” another newer track off their 2021 album 9, but he continued to roam about the stage and found himself back amongst the audience for the third song “Human Touch” (fitting that he’d want to be in the crowd for that one).

Following the commencement that featured a lot of Pond’s newest songs, they revisited some earlier material, like “Sweep Me Off My Feet,” which happens to be one of my personal favorites from their 2017 record The Weather. Throughout the show, the band kept it dynamic with their colorful lighting that illustrated each song, for example a warm golden lighting illuminated the band when they performed their song “Daisy.”

As the show progressed, Pond brought their music to life in a multitude of different ways— from Allbrook jumping into the crowd to vocal effects and the flute that Allbrook played during “Burnt Out Star,” there was never a dull moment. Before the band performed another one of my favorites, “Paint Me Silver,” Allbrook told the room “here’s one for your hips” and everyone joined in dancing along. The fun came to a close with a two-song encore featuring “Medicine Hat” and “Don't Look at the Sun or You'll Go Blind.”

Check out photos of the show below, and see where you can catch Pond next here.

categories / Reviews, Photos, Music
tags / Pond, Cryogeyser, Metro, Live Show, Live Review, Live Recap, Photo Set

Live Recap: Foals with Inner Wave and Glove at The Vic

December 06, 2022  /  Rachel Zyzda

The Vic hosted two back-to-back shows from Foals, Inner Wave and Glove this past Friday and Saturday night.

I got to catch the second and final show of the two-night run on Saturday night, with the evening’s performances kicking off with Glove from Tampa, Florida. I had the chance to see Glove last year at The Hideout, but it was great to see them take their show to a bigger stage and crowd. Glove’s signature synth-heavy and edgy music was complemented by moody red and purple stage lighting. One thing that really sticks out about Glove on their recorded music is the fact that band members Rod Wendt, Brie Deux, Michelle Primiani and Justin Burn take turns on vocals, and that same rotation carried over into their live performance. Their setlist featured a majority of their debut album called Boom Nights, including tracks like “Glass” and “Pressure.”

Next up, LA’s Inner Wave continued to get the crowd warmed up with their mix of funk, psychedelic and surf rock sounds. Similarly to Glove, Inner Wave’s stage lighting complemented their music style— rainbow colored lights and hazy fog synced up to their trippy and bright tunes. It was a cold night in Chicago on Saturday, but it felt like Inner Wave brought their sunny energy to the room. The audience eagerly soaked all of it in, but they particularly seemed to love the song “Take 3” from the 2021 album Apoptosis.

Eventually, it was time for the main act of the night, Foals. The Vic had filled up, and the excitement of the room felt palpable as the intro music for Foals began to ring out into the room. The stage setup included an extensive lighting display in the background, and the lights strobed in time to a booming bass track that literally shook the room; it was like the physical manifestation of anticipation. Finally, Yannis Philippakis, Jack Bevan, and Jimmy Smith took the stage along with their touring bandmates and launched into the first song of the night “Wake Me Up” from their seventh album Life Is Yours.

Life Is Yours was just released in the summer of 2022, so the setlist definitely contained a lot of the newer tracks like “2001” and “(summer sky),” but Foals made sure to perform many songs from their earlier days as well, and the band didn’t keep the audience waiting for too long to revisit their roots. “We’re gonna play a couple of old tunes,” Yannis Philippakis told the audience before playing “Balloons” and “Olympic Airways” from their debut record Antidotes as the fifth and sixth songs of the evening.

No matter which era of their discography Foals was performing though, the band members continued to display a great sense of camaraderie that translated into them sounding exceptionally great. As great as Foals’ records are, there’s an extra layer of magic at their live gigs. Philippakis constantly kept the crowd engaged by pacing the stage, jumping around, and at points even venturing out into the audience himself with his guitar. He also took a short break from performing to quickly sign some vinyl for fans in the front of the crowd, showing his gratitude for the audience. Just before wrapping up the main part of their set, Philippakis told the fans “I don’t know about you guys but we had a fucking good time tonight.” It was clear from the overwhelming cheers that everyone in the room was in agreement with that statement.

The performance ended with a three-song encore featuring “Snake Oil,” “Inhaler,” and “Two Steps, Twice.” Make sure to check out photos from the Saturday show below, and see where you can catch Foals next here.

categories / Music, Gigs, Photos, Reviews
tags / Foals, Inner Wave, Glove, The Vic, Jam Productions, Q101, Live Recap, Live Show, Photo Set, Photo recap

Live Recap: Beabadoobee with Lowertown at The Riviera

December 03, 2022  /  Malik Moore

This past Tuesday night, The Riviera Theatre hosted a loud and exciting show from Lowertown and Beabadoobee in the most recent show of the Beatopia Tour.

The evening began with the talented, New York-based duo Olivia Osby and Avshalom (AKA Avsha) Weinberg of Lowertown. I’ve been a fan of these two since 2019 and I was so excited when I saw they were coming to open for Beabadoobee in Chicago. They absolutely blew away the audience and definitely gained a lot of new fans while performing songs of their latest project entitled I Love to Lie (which is one of my favorite albums from this year.) Olivia and Avsha performed as if they’ve been on the stage a hundred times with their respective turns performing. The song that got the biggest applause was the 2020 single “Best Person You Know.” It sealed the dynamic pair’s amazing set and they couldn’t have chosen a better song.

With the stage warmed up and the crowd ready, Beabadoobee was up next to take the stage. With her arrival came an uproar so loud my ears were ringing after. She broke out into “10:36,” which the audience caught onto immediately. There wasn’t a single song the crowd didn’t latch onto within seconds. That’s something i haven’t seen a lot of so I knew her fans were not casual. While I enjoyed her opening song, I just can’t go without mentioning her performance of “Apple Cider.” That song evoked a reaction out of me I haven’t felt since I saw Saba at the Aragon Ballroom in May. The performance was even better than the recording on Spotify. I don’t know what she did to compete with herself but I was delighted to see how much fun she was having on stage while the audience roared along with her. 

Lowertown and Beabadoobee were the perfect pairing for this show, from the mosh pits that formed while Lowertown killed their time on stage to the girls I saw absolutely dying when Beabadoobee introduced herself. Everyone in the theatre was having the time of their lives, especially me.

I can’t wait to see these talented artists take the stage again in Chicago because after this show, I am a bigger fan than I already was. Check out photos from the show below, and see where you can catch the tour next here.

categories / Gigs, Music, Photos, Reviews
tags / Beabadoobee, Lowertown, The Riviera Theatre, The Riv, Live Recap, Live Show, Photo recap, Photo Set

Live Recap: Carly Rae Jepsen and Empress Of at Aragon Ballroom

November 09, 2022  /  Rachel Zyzda

This past Saturday night, Carly Rae Jepsen wrapped up her North American “So Nice” tour with a phenomenal show at Aragon Ballroom, also featuring Empress Of as the support.

I’ve been a big fan of Empress Of, the musical project of Lorely Rodriguez, since 2016, when I heard her single “Woman Is a Word,” so it was exciting to see her playing such a big room. Empress Of’s set began with Rodriguez’s DJ first taking the stage to hype up the audience, and Rodriguez quickly followed. Empress Of started off performing “Save Me” from her 2022 EP of the same name, and continued to weave in songs from her three albums. The set also included a cover of “Man’s World” by Marina. All throughout her performance, Rodriguez mesmerized the crowd with her fluid and poetic dancing.

As it got closer to the time of Carly Rae Jepsen’s performance, The Aragon Ballroom was overflowing all the way to the back wall of the venue with eager fans ready for the main event—this was Jepsen’s first time back in Chicago since 2019, and the majority of the audience members were decked out in neon colors, sequins and glitter to celebrate the special occasion. The sparkle of the crowd really added to the positive mood of the show.

The stage design featured fluffy clouds and huge stars as the backdrop, as well as a round screen that resembled the sun or the moon. To kick off Jepsen’s set, the screen projected a video of a talking moon, which welcomed the band onstage for the first song, “This Love Isn't Crazy” from the 2020 Dedicated Side B. Jepsen and her bandmates were rocking sequins that coordinated with many of the audience members’ outfits, and she kept the excitement high by setting off confetti canons as early as the first song.

The setlist featured many songs from Jepsen’s 2022 album The Loneliest Time, like “Joshua Tree, “Sideways,” and “Western Wind,” but she and her band performed a whopping 28-songs, allowing the crowd to journey through her entire discography. One of those highlights was of course the massive hit “Call Me Maybe” from Jepsen’s 2012 album Kiss— the entire audience sang along so loudly it was actually difficult to hear Jepsen singing in the back of the venue over the sound of the crowd. Jepsen put on a great performance through and through, continuing to dance and move about the stage with high energy that persisted through the entire show, and that was only enhanced by her stunning stage production. The confetti canon was put to use a few other times, and Jepsen even did an outfit change about halfway through the set. Another fan favorite of the night was the title track of the 2022 album, “The Loneliest Time,” which has garnered massive popularity lately thanks to a TikTok trend.

See where you can catch Carly Rae Jepsen on tour next here, and check out the photo gallery of the evening below.

categories / Reviews, Gigs, Photos
tags / Carly Rae Jepsen, Empress Of, Live Review, Live Nation, Live Recap, Aragon Ballroom, Photo Set, Photos, The Loneliest Time

Live Recap: Dayglow with Ritt Momney at The Riviera

November 07, 2022  /  Rachel Zyzda

ANCHR kicked off the weekend with a sold out show from Dayglow and Ritt Momney at The Riviera Theatre.

The musical project of Jack Rutter, better known by his alias Ritt Momney, and his bandmates took the stage at the Uptown venue at 7:30 to an already-packed crowd. As the band performed songs like “HEADSTART” and “Sometime” from their 2021 album Sunny Boy, the audience members listened attentively and often sang along. When it came time for Ritt Momney to perform their well-known cover of “Put Your Records On” by Corinne Bailey Rae towards the end of their set, everyone cheered loudly and even more people joined in on singing along.

Next, the stage was set for Dayglow and the energy buzzing around the Riviera was palpable. The stage design had a sleek, minimalist feel to it, and a screen in the background remained blank until the headliner’s set began. Similarly to Ritt Momney, Dayglow is the project of a solo singer-songwriter, backed by a full band. Founded by Sloan Christian Struble, the Dayglow project began releasing music in 2017 with the debut album Fuzzybrain. Since then, Struble has released three studio albums under the moniker Dayglow, with the most recent being People In Motion, which was just released in early October and contains the tracks “Radio” and “Then It All Goes Away”—which were the first songs performed on Friday night.

As soon as the first note rang out, there was a sense of mutual joy that flowed back and forth between the band members and the audience— the crowd loudly echoed the lyrics that Struble sang through his wide grin, and the floor shook with the weight of a sold-out room dancing. Colorful lights and visuals swirled across the screen onstage, and the audience mirrored that by donning glowstick jewelry and bouncing bright balloons around the room.

Struble’s gratitude for the special evening shined across his face as he performed, but he also made sure to vocalize his appreciation several times throughout the night, first by saying “Tonight sold out, so that’s pretty cool. I love Chicago so much, and I’m so thankful for you being here” after the first few songs of the setlist.

The positive party vibes continued throughout the set, particularly when Dayglow covered the classic “Funkytown” by Lipps, Inc., which Struble introduced by saying “alright Chicago, let’s keep dancing!” The audience greeted that sentiment with loud cheers, and they kept up their part of the bargain by dancing nonstop. The setlist featured another couple of covers, including “Robot Rock” by Daft Punk and “You Can Call Me Al” by Paul Simon, but the crowd seemed the happiest when they heard their favorite Dayglow songs. Struble and his bandmates did a wonderful job of curating songs from their full discography, making sure to go back to the early days. “When I was 17 years old, I made an album in my bedroom called Fuzzybrain,” Struble said before performing the record’s title track. Another fan favorite of the evening was “Can I Call You Tonight?” from that same record, which also happens to be Dayglow’s most streamed single.

All in all, the night was jam-packed with positive energy and the performance embraced the entire audience with an evening of escapism. I left the show as a bigger fan of Dayglow than when the show started, all thanks to the captivating nature of Struble’s on-stage demeanor.

Do yourself a favor and get tickets to Dayglow’s next show in your area—tour dates here— and take a look at the gallery from Friday’s show below.



categories / Gigs, Music, Photos, Reviews
tags / Dayglow, Ritt Momney, Riviera Theatre, Photo Set, Live Music, Live Show, Photos, New Music, Tour

Live Recap: Kevin Morby with Coco at The Vic

November 03, 2022  /  Rachel Zyzda

The Vic Theatre hosted a Halloween party with Kevin Morby and Coco this past Monday night.

Kicking off the evening, the members of Coco (Maia Friedman, Dan Molad, and Oliver Hill) took the stage with make up that paid homage to Día de Muertos. The project of Coco began in 2019 when Friedman, Molad, and Hill came together as friends to start collaborating on music, after having played in other bands separately. That same collaborative spirit carried over to their live performance, as the bandmates continued to swap instruments and rotate around the stage during their 45 minute set. Coco’s performance started off with very mellow vibes, but the energy remained dynamic and intensified towards the end. The band also shared that this was their first real tour, saying “We’re about half way through our tour opening up for Kevin Morby and it’s our first time in Chicago.” Monday’s show was my first experience with Coco, but I can’t wait to hear more from them and see what’s next.

Next up, Kevin Morby and his bandmates hit the stage to a backdrop stating “This Is A Photograph,” which is the title of Morby’s latest studio album released earlier this year. Fittingly, the first song performed was the title track of that new album, followed closely by several other tracks off the same record, like “Bittersweet, TN” and “Rock Bottom.” Between performing the newer songs, Morby took the time to share his gratitude with the crowd for showing up on such a busy night, saying, “We know there’s a lot going on tonight. It’s like a choose your own adventure, so thank you for choosing this adventure.”

The bandmates sharing the stage with Morby did a phenomenal job of breathing life into the songs, filling in the live arrangements with backing vocals as well as the flute and saxophone in addition to more traditional instruments. Morby made sure to keep the crowd not only sonically captivated, but visually captivated as he glided around the entire stage donning a gold fringe jacket and glitter face paint. During the performance of “Five Easy Pieces,” Morby made his way right to the front of the stage to closely connect with the audience, but one of his most memorable interactions of the night was when he twirled around a set of nunchucks and then proceeded to toss some candy out to the crowd in honor of Halloween.

While the setlist leaned heavy with new material for the first half, Morby made sure to sprinkle in bits of older material— such as “No Halo” from 2019’s Oh My God, which he introduced by inviting the crowd to participate in by clapping along to the beat. Another all-time fan favorite was of course “City Music,” which Morby dedicated to Chicago, saying “this is one of my favorite cities.” Speaking of Chicago and music, Morby and his bandmates concluded the main part of the set with a performance of “Goodbye to Good Times” with a guest appearance from Chicago musician Colin Croom. The evening concluded with an encore of “Beautiful Strangers” and “Harlem River.”

See where you can catch Kevin Morby on tour next here, and check out the photo recap of the evening below.

categories / Gigs, Photos, Music, Reviews
tags / Kevin Morby, Coco, The Vic, Live Show, Live Review, Live Recap, This Is A Photograph, Photo Set, Chicago bands