ANCHR Magazine

Holding you down with the best new music

Live Recap: Caroline Rose and Tōth at Lincoln Hall

ANCHR spent this last St.Patty’s Day in the ideal way—no, not by drinking green beer or seeing the Chicago River dyed green— by seeing Caroline Rose and Tōth in a sold out Lincoln Hall.

Brooklyn songwriter and multi-instrumentalist Alex Toth (the namesake of Tōth) kicked off the high energy and good vibes of the evening by beginning the set donning sparkly butterfly wings. The fun continued with songs like “Turnaround (Cocaine Song)” and “Muerto,” which had some crowd members singing along. However, the biggest sing-along of the set happened when Tōth performed “Juliette” and led audience members in echoing the lines “Juliette, I’m just glad we met.”

Next up, a DIY backdrop and light set up filled the stage to mark a new era for Caroline Rose. Caroline’s highly anticipated return to Chicago was her first show here since the release of her album Superstar— which as Caroline joked was a terrible date to release music, was put out on March 6th, 2020. Caroline and her band hit the stage when the room was packed and buzzing with fans who were either eager to see them perform again, or new fans ready to experience Caroline Rose for the first time. The beginning part of the set featured some familiar favorites from 2018’s Loner, like “More of the Same” and “Jeannie Becomes A Mom” before turning to songs from the newest record. Caroline’s albums have brought me joy as a listener, but nothing compares to witnessing her perform and bring those songs to life in a completely unique light. For example, Caroline used auto-tune during one song and then broke off into a tangent of singing “Believe” by Cher. “I could be a Cher impersonator and probably make a lot more money,” she joked. At another point, Caroline turned off the DIY lighting rig and borrowed a fan in the front row’s phone to use the flashlight as a makeshift spotlight—making the already intimate show feel even more personal.

Towards the middle of the show, Caroline spoke between songs about how the pandemic has affected her approach to life, relating it to the carefree attitude our grandparents often adopt later in life (“Like when your grandparents don’t give a crap about what they do and just burp and fart in front of you”). “That sounded more poetic in my head but when I say it out loud, it didn’t sound quite as sexy,” she added. While there was obviously a joking element to that statement, the underlying sentiment is one that I personally can relate to a lot; Now that we’ve survived the devastation that the pandemic has brought on so far, it’s much easier to no longer sweat the small stuff in life. The heartbreak of the pandemic and the shut down of the music industry also made it that much easier to truly cherish and appreciate moments like this Caroline Rose concert— it was one of those shows that make you believe in rock and roll and the goodness of other humans by bringing together a room full of strangers.

The show ended with Caroline performing an extended version of “Money”— with a detour that had her climbing the amps and ad libbing whatever vocalizations came to mind. With so much going on in the world, these short moments of undistracted joy are what keeps me going.

You can catch Caroline Rose on tour this year—dates here, and check out the photo recap of the night below.

Live Recap: Manchester Orchestra with Foxing & Michigander at Roxian Theater

The Manchester Orchestra show at Pittsburgh’s Roxian Theater was sound scape so skillfully crafted the time flew from one band to the next.

The show started with Jason Singer’s Michigander as the first of three, playing an intriguing mix of indie rock and pop with something a bit bluesy (reminiscent at times of the eastern PA band The Districts). The band sounded great. Drums blended smoothly with vocals, leading the guitar and bass through each song like a lantern-carrying guide through the soundscape. Singer’s unique vocal style carried the band through a short but successful set that the crowd was genuinely supporting. 

Next up, Foxing. The Missouri band were a perfect filling between Michigander and Manchester Orchestra. Their urgent indie, post-rock sound filled the Roxian with a wave of sound both melodic and enthusiastic. Singer Conor Murphy even busted out the trumpet! Overall Foxing served up a great, infectiously moody set that was a great set up to the main act, their “heros”, as Murphy proclaimed, Manchester Orchestra.

Manchester Orchestra looked on stage exactly as I’d always pictured them. Dark, backlit and moody. The bright lights behind creating a (likely intended) halo effect in the dark of the theater. The long set included the favorites “Bed Head,” “The Gold “and others, and every track was  impeccably executed. The sound turned from a wall to a wave and it crashed over The Roxian crowd both refreshing and anxious. From the start to the finish, which included Foxing’s Eric Hudson joining the band for a haunting version of “The Silence,” Manchester Orchestra was a fantastic show. 

Three bands, two of which built the wall up of sound in order to allow Manchester Orchestra to bring it crashing back down under the pure weight of sound and feeling. A night of some really, really great music and vibes.

PHOTOS: Squid with Deliluh at Metro

This past Wednesday night, the UK’s Squid returned to Chicago, in honor of their critically-acclaimed debut album Bright Green Field. The show followed Squid’s successful live debut in Chicago at the end of last year, when the band sold out two nights at The Empty Bottle in November. Squid’s expansive and textured tones sounded amazing in a larger space like The Metro, and it was incredible to witness the spin they put on their live arrangements.

If you missed out on the show, check out our photo recap of the evening below, and see where you can catch them next here.

Live Recap: Parquet Courts with Mdou Moctar at The Riviera

This past Saturday night, fans packed into The Riviera to see Parquet Courts, in honor of their new album Sympathy for Life.


The evening’s show began with a performance from songwriter and musician Mdou Moctar, alongside his band. Moctar comes from Agadez, Niger, but he and his bandmates seemed to be right at home onstage at The Riviera. Audience members in the front of the crowd seemed to be just as big of fans of Moctar’s as they were of the show’s headliners, as they bopped their heads along and watched in awe throughout Moctar’s intricate jams that mix bluesy and psychedelic rock. Mdou Moctar’s set consisted mostly of songs from 2021’s album Afrique Victime, but the band threw in some newer material as well. Their set ended with a standing ovation from the balcony attendees and raucous cheering from the entire audience. The last time I had seen Moctar was at Lincoln Hall last year, but his band easily captivated a much larger venue this time around.

Next up, fans prepared to be equally as enthralled by New York’s Parquet Courts. The band has performed in Chicago many times, but this show was their first time back since 2019, and fans eagerly welcomed them back to hear some of their familiar favorites mixed in with the new songs from 2021’s Sympathy for Life album. The members of Parquet Courts took their places on a dimly lit stage that cast colorful shadows on the stage’s backdrop, setting the tone for an immersive experience as they kicked off with “Application/Apparatus.”

Aside from being a highly anticipated return to Chicago for Parquet Courts, the audience at The Riviera got to celebrate another special occasion with the band—it was drummer Max Savage’s 30th birthday. Everyone honored Max by singing “Happy Birthday” before Mdou Moctar returned to the stage to play guitar on “Walking at a Downtown Pace” alongside the band, which is the first track on Sympathy for Life. Moctar shredded on his guitar riffs, and the members of Parquet Courts made sure to call that out by joking “he assured us he wouldn’t solo over us, but he did anyways!” Parquet Courts kept that high energy up by following that song with the trippy and mesmerizing track “Plant Life,” which transitioned seamlessly into the boisterous “Light Up Gold, Pt. 2,” a song that’s reminiscent of Ramones-era punk. Parquet Courts’ performance at the Riviera really showcased the dynamic nature and style of their music, and they presented it in a way that blurred many individual songs into one cohesive collection.

If you missed out on the show, check out our photo recap of the evening below, and see where you can catch Parquet Courts on tour next here.

PHOTOS: Wet Leg and Lowertown at Thalia Hall

Last Friday night, enthusiastic fans packed into Thalia Hall to witness Wet Leg’s first ever show in Chicago. The sold out show had originally been booked at Empty Bottle before moving up to Thalia Hall to accommodate the band’s growing fanbase, and the bigger crowd only seemed fitting for the amount of energy the band brought to the stage.

Check out the photo recap of Wet Leg and Lowertown below, and see where you can catch the tour next here.

PHOTOS: Maisie Peters with Jonah Kagen at Lincoln Hall

PHOTOS: K.Flay at Park West

This past Saturday night, K.Flay brought her explosive energy to the stage at Park West, in honor of the Inside Voices / Outside Voices album. If you missed out on the show, check out the photo recap below and see where you can catch K.Flay on tour next here.

PHOTOS: The Weather Station with Helena Deland at Lincoln Hall

Last Friday night, we kicked off the weekend with a beautiful show from The Weather Station and Helena Deland at Lincoln Hall. Check out the full photo recap of the show below, and see where you can catch The Weather Station next here.

PHOTOS: Faye Webster at Metro

Last Tuesday night, indie folk singer Faye Webster brought her whimsical tunes to the Metro, in celebration of her latest album I Know I’m Funny Haha. If you missed out on the show, check out the photo recap of the evening below, and see where you can catch Faye Webster live next here.

Live Recap: Magdalena Bay and Cecile Believe at Lincoln Hall

This past Thursday night, LA pop duo Magdalena Bay headlined their first ever Chicago show to a sold out crowd at Lincoln Hall, in honor of their debut album Mercurial World.

Cecile Believe warmed up the packed house with her electropop tunes that perfectly complemented the musical styling of Magdalena Bay. Cecile performed her set with a backing DJ and minimal other gear, but she awed the crowd with a magnetic performance and interpretive dance moves that accentuated her songs. Many of the audience members enthusiastically soaked up her songs, particularly the fan favorite “Bitch Bites Dogs.” If you’re a fan of Caroline Polachek and FKA Twigs, you should definitely check out Cecile Believe.

Eager energy pent up throughout the venue during Cecile’s set, and the release of that euphoric energy was palpable when Mica Tenenbaum and Matthew Lewin of Magdalena Bay hit the stage to perform their set. The show began with a Y2K-era style graphic appearing on the background screen and a robotic narration to introduce the band, which essentially felt like the band’s website for Mercurial World had been brought to life.

The set began with the introductory track from the album ironically entitled “The End,” which features Tenenbaum’s philosophical musings. From there, the duo quickly launched into the record’s title track and played out the setlist in the precise order of the album’s tracklist. Magdalena Bay’s mesmerizing stage presence and immersive stage props gave their show an air of a blast from the past— Tenenbaum’s microphone headset gave me flashbacks to those Britney Spears used in the 90’s and early aughts. That tinge of nostalgia added to the sense of escapism that Magdalena Bay was providing to their fans, who were all dancing and screaming along to the lyrics.

When the time came for the last song of the record called “The Beginning” (again—ironic), the robotic narrator returned to instruct the audience to cheer for an encore. Tenenbaum and Lewin obliged and returned to perform some of their earlier material, like the singles “Killshot'“ and “Good Intentions.” The show ended with the entire room jumping up and down on Tenenbaum’s command.

If you missed out on the show, check out our photo recap below, and see where you can catch Magdalena Bay next here.